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Dark Quotes

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Dark Quotes

“In a brilliant fusion of fact and fiction, Jayne Anne Phillips has written the novel of the year. It's the story of a serial killer's crimes and capture, yes, but it's also a compulsively readable story of how one brave woman faces up to acts of terrible violence in order to create something good and strong in the aftermath. Quiet Dell will be compared to In Cold Blood, but Phillips offers something Capote could not: a heroine who lights up the dark places and gives us hope in our humanity.”

“Joy is not a constant. It comes to us in moments - often ordinary moments. Sometimes we miss out on the bursts of joy because we're too busy chasing down the extraordinary moments. Other times we're so afraid of the dark we don't dare let ourselves enjoy the light. A joyful life is not a floodlight of joy. That would eventually become unbearable. I believe a joyful life is made up of joyful moments gracefully strung together by trust, gratitude and inspiration”

“Pompeii, especially, with its grand murals and its flourishing gardens haunted by the dark shadow of Vesuvius, has always suggested uncomfortable parallels with our contemporary world, especially here in Southern California, where the sunlit life also turns out to have dark shadows in which failure and death lurk at the edge of consciousness. Now in these times, we have even closer parallels with those ancient, beautiful, affluent people living the good life on the verge of annihilation.”

“You are at the same time arrogant and self-loathing. You are a puzzle. But the ancient truth remains: as the light grows dimmer, things begin to become harder to see. I came to love you in time, but I feared the dark side as well. I still do. You have tremendous potential, potential for joy or hate, light or dark, life or death. But in the end, you choose. What a gift, what a joy to witness.”

“There's a terrible sense of dread filtering across America at the moment and it's not simply because of the continuing fear of terrorism and the fact that the nation is at war. It's more frightening than that. It grows out of the suspicion that we all may be passengers in a vehicle that has made a radically wrong turn and is barreling along a dark road, with its headlights off and with someone behind the wheel who may not know how to drive.”

“The symbol of Goddess gives us permission. She teaches us to embrace the holiness of every natural, ordinary, sensual dying moment. Patriarchy may try to negate body & flee earth with its constant heartbeat of death, but Goddess forces us back to embrace them, to take our human life in our arms & clasp it for the divine life it is - the nice, sanitary, harmonious moment as well as the painful, dark, splintered ones.”

“But for the present I would lie there and know I didn't have to get up, and feel the holy emptiness and blessed fatigue of a saint after the dark night of the soul. For God and Nothing have a lot in common. You look either one of Them straight in the eye for a second and the immediate effect on the human constitution is the same.”

“In my mind, I gave the woman gifts. I gave her a candle stub. I gave her a box of wooden kitchen matches. I gave her a cake of Lifebuoy soap. I gave her a ceilingful of glow-in-the-dark planets. I gave her a bald baby doll. I gave her a ripe fig, sweet as new wood, and a milkdrop from its stem. I gave her a peppermint puff. I gave her a bouquet of four roses. I gave her fat earthworms for her grave. I gave her a fish from Roebuck Lake, a vial of my sweat for it to swim in.”

“I really only write about inner landscapes and most people don't see them, because they see practically nothing within, because they think that because it's inside, it's dark, and so they don't see anything. I don't think I've ever yet, in any of my books, described a landscape. There's really nothing of the kind in any of them. I only ever write concepts. And so I'm always referring to "mountains" or "a city" or "streets." But as to how they look: I've never produced a description of a landscape. That's never even interested me.”

“Neiman's book is written with considerable flair, as many critics have already noted, but it possesses a far rarer and more valuable quality: moral seriousness. Her argument builds a powerful emotional force, a sense of deep inevitability. . . . It is not often that a work of such dark conclusions has felt so hopeful and brave.”

“How thin and insecure is that little beach of white sand we call consciousness. I've always known that in my writing it is the dark troubled sea of which I know nothing, save its presence, that carried me. I've always felt that creating was a fearless and a timid, a despairing and hopeful, launching out into that unknown.”

“I'm kinda racist... I don't really like dark butts too much... It's rare that I do dark butts. Like really rare... It's like, no darker than me. No darker than me. I love the pool test.... If you can be like 'Yo, baby. I met you in the club. Let's go back to my house. Jump in the pool exactly like you are.'-And you don't come looking better wet than you were before you got in the pool then that's not a good look.”

“This was how you wound up in the Inquisition. When you stopped being able to see any difference between Light Ones and Dark Ones. When for you, people weren't even a flock of sheep, but just a handful of spiders in a glass jar. When you stopped believing in the future, and all you wanted to do was preserve the status quo. For yourself. For those few individuals who were still dear to you.”