“There were many films made for both cinema and television, and in general I don't connect them very much with our books. I have one favorite: 'The Man on the Roof' by director Bo Widerberg, which was based on 'The Abominable Man.” MenMadeBookFilmTelevisionHe ManDirectorsCinemaRoof Author:Maj Sjowall
“I studied cinema at the university so I had a very classical approach to it. I studied all those silent films, and then the films from the 1940's, the Nouvelle Vague, the late Hollywood films. Now I realize, as a young actor, that it's one of my duties to actually be aware of what is today's industry and today's next big directors.” BigsTodayFilmYoungNextActorsRealizingDutyIndustryDirectorsLateApproachHollywoodSilentUniversityCinemaVagueYoung ActorsHollywood FilmsSilent Films Author:Gaspard Ulliel
“I would not have made any of my films or written scripts such as Taxi Driver had it not been for Ingmar Bergman, What he has left is a legacy greater than any other director.... I think the extraordinary thing that Bergman will be remembered for, other than his body of work, was that he probably did more than anyone to make cinema a medium of personal and introspective value.” ThinkingMadeBodyFilmValuesLeftGreaterWrittenDirectorsExtraordinaryScriptsMediumsLegacyRememberedCinemaDriversIntrospectiveTaxiExtraordinary ThingsBergman Author:Paul Schrader
“David Fincher is probably the best comprehensive director in terms of being a manger of a process that must drive forward. He has such confident command of cinema language and visual language and script and performance. He knows more about f-stops than any cameraman, he knows more about lighting than any gaffer, he is a wonderful writer, and he can give you a good line reading. Under pressure, he is the kind of guy who you will just dive in with and trust and follow because his vision is so intense.” KnowsGivingKindGuyReadingLanguageProcessTermLinesVisionWonderfulDirectorsPerformancesPressureScriptsIntenseCommandCinemaVisualsComprehensiveLightingUnder PressureCameraman Author:Edward Norton
“They seem much rarer now, those auteur films that come out of a director's imagination and are elliptical and hermetic. All those films that got me into independent cinema when I was watching it seem thin on the ground.” SeemsFilmImaginationDirectorsIndependentCinemaAuteurs Author:Toby Jones
“But reading is different, reading is something you do. With TV, and cinema for that matter, everything's handed to you on a plate, nothing has to be worked at, they just spoon-feed you. The picture, the sound, the scenery, the atmospheric music in case you haven't understood what the director's on about... The creaking door that tells you to be stiff. You have to imagine it all when you're reading.” DifferentMatterReadingSoundCasesImagineDoorsHavensTvsDirectorsUnderstoodCinemaPlatesSpoonsScenery Author:Daniel Pennac
“In the theater the audience is generally riveted to a single angle of observation. The movie director, though, can rapidly shift from objective to subjective--and to any number of subjective points of view--and in so doing seem to pull the audience directly inside the frame of his picture, giving the spectator the sense of experiencing an action from the viewpoint of a participant. Identification of the viewer with the film character, then, can be much more intimate than the analogous situation in the theater.” GivingCharacterSeemsActionFilmViewsNumbersSituationAudienceDirectorsTheaterPoint Of ViewObjectivesObservationCinemaIntimateAngleViewersSubjectiveSpectatorsParticipantsViewpointsIdentificationMovie Director Author:Ed Murray
“Frankly speaking, I hate comparisons. Two individuals are doing two different films, playing two different characters: how can you compare them? It is not fair to get into ratings. It really doesn't matter what I think about other actresses; what matters is what the directors think of them when they are casting them in a project, because I think it's the director who's behind a successful piece of cinema.” ThinkingTwoDifferentMatterCharacterFilmHateIndividualBehindsSuccessfulPiecesDirectorsProjectsFairsI HateActressesCompareCinemaComparisonWhat MattersCastingRatingNot FairDifferent Characters Author:Katrina Kaif
“When I started my first film, there were three women directors in France. Their films were OK, but I was different. It's like when you start to jump and you put the pole very high - you have to jump very high. I thought, I have to use cinema as a language.” FirstsDifferentUseFilmThreeLanguageDirectorsFranceCinema Author:Agnes Varda
“I think Hollywood has gone in a disastrous path. It's terrible. The years of cinema that were great were the '30s, '40s, not so much the '50s...but then the foreign films took over and it was a great age of cinema as American directors were influenced by them and that fueled the '50s and '60s and '70s.” ThinkingYearsAgeFilmGonePathTerribleDirectorsHollywoodCinema Author:Woody Allen
“I've worked with a lot great directors who have huge resumes, but I'm really trying to be active in my career in supporting the new generation of cinema. I like taking some time to try to support and be a part of that.” TryingCareersSupportGenerationsHugeDirectorsActiveCinemaNew GenerationResumes Author:Michael Pitt
“To the documentary director the appearance of things and people is only superficial. It is the meaning behind the thing and the significance underlying the person that occupy his attention... Documentary approach to cinema differs from that of story-film not in its disregard for craftsman-ship, but in the purpose to which that craftsmanship is put. Documentary is a trade just as carpentry or pot-making. The pot-maker makes pots, and the documentarian documentaries.” PeoplePersonsStoriesFilmPurposeBehindsAttentionDirectorsApproachTradeAppearanceShipsCinemaSignificanceMakersPotSuperficialDocumentariesDisregardCraftsmanCraftsmanshipCarpentry Author:Paul Rotha
“I wanted to be a jazz pianist, but I wasn't good enough. I got into city college because I didn't have the grades to get into university. I took acting because it was a way to get three credits. I just needed three credits and my friend told me to take acting because it was like gym - nobody fails you. I took it and that's literally how I got involved in acting.” WayLifeEnoughWantedThreeActingCitiesDestinyFailingCollegeNeededInvolvedDirectorsMy FriendsJazzUniversityCreditCinemaGradesGood EnoughGymInvolvementInvolvingPianist Author:Dustin Hoffman
“The test for me, when I read other people's scripts, is whether I feel like there's something about me that is the best person to tell this story. I have a pretty high bar for myself. There's a lot of scripts that I read and think, "Oh, this is great, but I think there are 50 other directors who could bring this to the cinema."” PeopleThinkingFeelsPersonsStoriesDirectorsTestsScriptsBarsCinemaBest Person Author:Francesca Gregorini
“Being the director is really something. It's a statement of something and you have to stand up for that. Okay, this is what I see. This is how I see the world. This is how I see cinema. And you have to be able to talk about that and explain it and be responsible.” WorldAbleDirectorsOkayResponsibleStatementsCinemaBeing Responsible Author:Mathieu Demy
“Among today's directors I'm of course impressed by Steven Spielberg and Scorsese, and Coppola, even if he seems to have ceased making films, and Steven Soderbergh - they all have something to say, they're passionate, they have an idealistic attitude to the filmmaking process. Soderbergh's Traffic is amazing. Another great couple of examples of the strength of American cinema is American Beauty and Magnolia.” IfsSeemsTodayFilmCoursesProcessAttitudeExampleCoupleDirectorsPassionateCinemaFilmmakingImpressedTrafficIdealisticScorseseMagnolias Author:Ingmar Bergman
“People have curiosity, they have intelligence, they have interest in understanding their peers. But producers and directors of cinema have decided that the seats in the theaters have been made to transform people's minds to lazy minds.” PeopleMindHas BeensMadeUnderstandingInterestDirectorsDecidedTheaterCuriosityProducersCinemaSeatsLazyPeers Author:Abbas Kiarostami