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Elements Quotes

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Elements Quotes

“A dream inspiring a story is different than placing a description of a dream in a story. When you describe a character's dream, it has to be sharper than reality in some way, and more meaningful. It has to somehow speak to plot, character, and all the rest. If you're writing something fantastical, it can be a really deadly choice because your story already has elements that can seem dreamlike.”

“If time is treated in modern physics as a dimension on a par with the dimensions of space, why should we a priori exclude the possibility that we are pulled as well as pushed along its axis? The future has, after all, as much or as little reality as the past, and there is nothing logically inconceivable in introducing, as a working hypothesis, an element of finality, supplementary to the element of causality, into our equations. It betrays a great lack of imagination to believe that the concept of "purpose" must necessarily be associated with some anthropomorphic deity.”

“Many, and I think the determining, constitutive facts remain outside the reach of the operational concept. And by virtue of this limitation this methodological injunction against transitive concepts which might show the facts in their true light and call them by their true name the descriptive analysis of the facts blocks the apprehension of facts and becomes an element of the ideology that sustains the facts. Proclaiming the existing social reality as its own norm, this sociology fortifies in the individuals the "faithless faith" in the reality whose victims they are.”

“The immaterial blue colour shown at Iris Clert's in April had in short made me inhuman, had excluded me from the world of tangible reality; I was an extreme element of society who lived in space and who had no means of coming back to earth. Jean Tinguely saw me in space and signaled to me in speed to show me the last machine to take to return to the ephemerality of material life.”

“Number, as it were, lies behind the psychic realm as a dynamic ordering principle, the primal element of which Jung called spirit. As an archetype, number becomes not only a psychic factor, but more generally, a world-structuring factor. In other words, numbers point to a background reality in which psyche and matter are no longer distinguishable.”

“By setting oneself totally free of constraints, free of thoughts, free of this debilitating activity called work, free of efforts, elements hidden in the texture of reality start staring at you; then mysteries that you never thought existed emerge in front of your eyes.”

“There is a certain point of unity within the self, and between the self and its world, certain complicity and magnetic mating, a certain harmony, that conscious mind and will cannot direct. Perhaps analysis and the separate mastery of each element are required before the instincts are ready to assume command, but only at first. Command by instinct is swifter, subtler, deeper, more accurate, more in touch with reality than command by conscious mind. The discovery takes one's breath away.”

“As I have come to realize that we all live and move and have our being in God, the names of each person, species, creature, and element are superimposed over God's name. God is reality; God is the source of reality of each of us. Panentheism seeing the world as in God - puts God's "name" first, but each of our names are included and preserved in their distinctiveness within the divine reality.”

“Faith transcends reason because divine truth is not only higher, but also wider than the human mind, and the rationalist in his haste for premature simplification always tends to shut his eyes to one aspect of the truth and to seek a false harmony of thought by the sacrifice of an essential element of reality.”

“What many people don't see is that there are abundant examples of phenomenal opacity: It is one of the most interesting features of the human conscious model of reality that, first, it can contain elements that are not experienced as mind-independent, as unequivocally real, as immediately given, and second, that there is a "gradient of realness" in which one and the same content can be experienced transparently or in an opaque fashion.”

“Worldviews have four elements that help us understand how a person's story fits together: creation, fall, redemption, and restoration. "Creation" tells us how things began, where everything came from (including us), the reason for our origins, and what ultimate reality is like. "Fall" describes the problem (since we all know something has gone wrong with the world). "Redemption" gives us the solution, the way to fix what went wrong. "Restoration" describes what the world would look like once the repair begins to take place.”

“In the past things were either in your head (subjective, imaginary, fantasy) or else they were part of the outside world - cold, hard, concrete materialistic reality. If you want to look at it in terms of poetry, there was surrealism and objectivism. Now there's the veil of the virtual in between. The old opposition between inner and outer doesn't quite capture it, especially as it contains elements of both. It's real but not concrete.”

“We could decide simply to remain absorbed in the mysterious, unformed, free-play of reality. This would be the choice of the mystic who seeks to extinguish himself in God or Nirvana—analogous perhaps to the tendency among artists to obliterate themselves with alcohol or opiates. But if we value our participation in a shared reality in which it makes sense to make sense, then such self-abnegation would deny a central element of our humanity: the need to speak and act, to share our experience with others.”

“at least nine-tenths of all the original reality ever created lies outside the multiverse, and since the multiverse by definition includes absolutely everything that is anything, this puts a bit of a strain on things. Outside the boundaries of the universe lie the raw realities, the could-have-beens, the might-bes, the never-weres, the wild ideas, all being created and uncreated chaotically like elements in fermenting supernovas. Just occasionally where the walls of the worlds have worn a bit thin, they can leak in.”