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Elements Quotes

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Elements Quotes

“To me, the scariest movie ever made to this day is The Exorcist. It still scares the living hell out of me, and it’s because of the fantasy element. It’s the exorcism. It’s the Devil. It’s not a guy breaking into your house trying to torture you or cut your whatever off. Those kinds of movies don’t do it for me, and I don’t call them horror.”

“The sea erupted. Often the sea and land changed places. The immobility of contours of continents and seas, a dogma in geology, has no basis in fact. And immediately there is the problem of the climate. There were ancient climates that were very different from what they are today. If those corals grew where they were found, certainly the Earth was not travelling with the same elements of rotation and revolution which means not in the same orbit, not with the axis directed in the same position as it is today. If you don't believe it, try to conservate corals on the North Pole.”

“I was trying to show colour, but I realized at the private view that the public were prisoners of a preconceived point of view and that, confronted with all these surfaces of different colours, they responded far more to the inter-relationship of the different propositions, they reconstituted the elements of a decorative polychromy.”

“A religious phenomenon will only be recognized as such if it is grasped at its own level, that is to say, if it is studied as something religious. To try to grasp the essence of such phenomenon by means of physiology, psychology, sociology, economics, linguistics, art or any other study is false; it misses the one unique and irreducible element in it - the element of the sacred.”

“I realize that this is not what you want to put on a cover with Wonder Woman emblazoned on it. She could be in trouble, but she doesn't need to be completely out of control. So whenever I'm doing these covers, I try to make sure that there's an element where, even if there is danger, it's not something where agency is taken away from her.”

“Such is the nature of the marriage relation that a breach once made cannot be healed, and it is the height of folly to waste one's life in vain efforts to make a binary compound of two diverse elements. What would we think of the chemist who should sit twenty years trying to mix oil and water, and insist upon it that his happiness depended upon the result of the experiment?”

“Nothing is going to stay the same; nothing's gonna sound like in 1952. There's some stuff that has some elements of back in the day, like back in the 90's, back in the 80's or whatever. Some elements, but it's not going to be the same, exactly, sounding. And I love it, I've seen the music change. I've seen the flow and the energy go from turned up to turned down to back to turned up. I like to try different stuff. I don't like to do the same old thing over and over again. I don't like to be repetitive, that gets on my nerves.”

“I try when I'm writing to fill my head and my ears with all sorts of stuff and then let it settle and filter through. At a certain point it seems like fruitless activity because you're taking a lot of time and not seeming to get anything. And then, slowly, you realize you've actually digested elements and that your thinking is being freed up and the way you build up compositions is changed as a result of what you've been listening to.”

“It struck me that many Christians flash around their 'no trans fat' label, trying to convince everyone they are healthy and good. Yet they have no substantive or healthful elements to their faith. It's like the Laodiceans, who thought they had everything until Christ told them they were poor and wretched.”

“No one in his right mind would walk into the cockpit of an airplane and try to fly it, or into an operating theater and open a belly. And yet they think nothing of managing their retirement assets. I've done all three, and I'm here to tell you that managing money is, in its most critical elements even more demanding than the first two.”

“You're creating music to pull people into a world, whether it be a visual medium where music is just one element, or a purely musical medium. Either way, you're trying to transport people and to create a connection. I've always felt that the best films and the best albums can be the best company. If people feel a little bit less alone because of something I had a hand in creating than I feel like I'm contributing to the world in a positive way.”

“It is one of the few elements in the process that a director really, really can't control: an actor's performance. If you have a director that understands that, it's comforting to an actor. You're starting the relationship more as a collaborator, rather than as an employee or some kind of a soldier trying to execute something you don't organically feel.”

“I think all cinematographers, at least most of them, would love to do everything on location because you cannot cheat on location. It's there, it's part of the story usually. You have to deal with the elements. You have the sunshine, you have rain, you have fog - it really makes you work harder to try to match things during the day to make it look like it was shot within five minutes, movie time.”

“I felt a gravitational pull to the material so that there's a certain element of acting that's not really necessary. I've really liked this in foreign movies before or I've observed others working with them and I've noticed that there's a method that goes on where the actors try and get the children, like the child actor, to interact with them in a real way. It seems like you're the adult trying to get the kid to fall in love with him.”

“Making music clips, I have a responsibility to depict the artist in a way that suits them, and feels comfortable with how they want to present their music. From there I usually try to tell a story visually that complements the music, that lets the music be the hero element of the project. I just try to do something that feels sincere and creative and a little bit home-brewed so it doesn't feel too plastic or phony.”

“...As every one of us knows, there are some festivals and games in which everything goes right, and every element lifts up, animates, and exalts every other, just as there are theatrical and musical performances which without any clearly discernible cause seem to ascend miraculously to glorious climaxes and intensely felt experiences, whereas others, just as well prepared, remain no more than decent tries.”

“I personally don't think of the music as being particularly dark, though many seem to disagree as I often have to answer that question. I try and make the Lustmord sound have a real mass and a tangible presence, which some choose to interpret as dark. It's an interesting distinction. Although there are dark elements interwoven within the whole, it's only one of many textures.”

“More investment sins are probably committed by otherwise quite intelligent people because of "tax considerations" than from any other cause. One of my friends-a noted West Coast philosopher-maintains that a majority of life's errors are caused by forgetting what one is really trying to do. This is certainly the case when an emotionally supercharged element like taxes enters the picture (I have another friend-a noted East Coast philosopher who says it isn't the lack of representation he minds-it's the taxation).”

“Inspiration is a divine element inside our life. When we are inspired, we try to climb up the Himalayas. When we are inspired, we try to swim the English Channel. When we are in spired, we go from one country to another country to inspire people and to be inspired by them. I feel that when we inspire humanity, we automatically become good citizens of the world. This is my philosophy. My weightlifting feats I have done solely to inspire humanity.”

“I don't believe in making movies to cater to a foreign audience. You never know what the reaction is going to be anyhow. At the time I made Maborosi, the Japanese movies getting any foreign attention were all period dramas and seemed to be about some representative element of Japanese life, and my movie was contemporary movie about one specific woman trying to understand her husband's suicide.”