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“I didn't think i could possibly love another baby as much as I loved the one I'd already had," I continue. "But the strangest thing happened when I held you for the first time. It was like my heart suddenly unfolded. Like there was this secret space I didn't even know existed, and there was room for both of you." I stare at her. "Once my feelings were stretched like that, there was no going back. Without you, it just would have felt empty.”

“The life I walk binds my hands it makes me take things that I don’t understand I walk this dark world unknowing of what they hold true, forgetting the me I once knew, until you. The life I walk eternally was all I knew nothing more held me here to this earth until you. I feel the pain of every heart I take I feel the desire to replace all that I have grown to hate Darkness holds me close but the light still draws my empty soul The emptiness where I used pain to fill the hole no longer controls me, no longer calls me because of you.”

“What does it mean that I am in this endless universe, thinking that I'm a man sitting under the stars on the terrace of the earth, but actually empty and awake throughout the emptiness and awakedness of everything? It means that I'm empty and awake, that I know I'm empty and awake, and that there's no difference between me and anything else.”

“I take no joy in mead nor meat, and song and laughter have become suspicious strangers to me. I am a creature of grief and dust and bitter longings. There is an empty place within me where my heart was once.”

“Abby must have been the one who found the safe house, because Townsend didn't like it. "The building across the street is under construction," he snarled as soon as we'd carried our bags inside. "The elevator has key card access, and I've hacked into the surveillance cameras from every system on the block," Abby argued. "We have a three-hundred-sixty-degree visual." "Excellent." Townsend dropped his bag. "Now the circle can see us from every angle." "Don't mind Agent Townsend, girls," Abby told us. "He's a glass-half-empty kind of spy." "Also known as the good kind," he countered. Abby huffed.”

“She'd cried over a broken heart before. She knew what that felt like, and it didn't feel like this. Her heart felt not so much broken as just ... empty. It felt like she was an outline empty in the middle. The outline cried senselessly for the absent middle. The past cried for the present that was nothing.”

“I find that the only way to get through life is to picture myself in an entirely disconnected reality. I often imagine how people would react to my death. Mr Dunthorne's quavering voice as he makes the announcement. The shocked faces of my classmates. A playground bedecked with flowers. The empty stillness of a school corridor. Local news analysis. . . . The steady stoicism of my parents. . . . Candlelit vigils. . . . And finally, my glorious resurrection.”

“He says, you have to study and learn so that you can make up your own mind about history and everything else but you can’t make up an empty mind. Stock your mind, stock your mind. It is your house of treasure and no one in the world can interfere with it. If you won the Irish Sweepstakes and bought a house that needed furniture would you fill it with bits and pieces of rubbish? Your mind is your house and if you fill it with rubbish from the cinemas it will rot in your head. You might be poor, your shoes might be broken, but your mind is a palace.”

“What’s going on?” Royce asked as throngs of people suddenly moved toward him from the field and the castle interior. “I mentioned that you saw the thing and now they want to know what it looks like,” Hadrian explained. “What did you think? They were coming to lynch you?” He shrugged. “What can I say? I’m a glass-half-empty kinda guy.” “Half empty?” Hadrian chuckled. “Was there ever any drink in that glass?”

“It's too early for there to be any coffee. I stare dully at the empty pot in the common room, while Sam picks up a jar of instant grounds. "Don't," I warn him. He scoops up a heaping spoonful and, heedlessly, shovels it into his mouth. It crunches horribly. Then his eyes go wide. "Dry," he croaks. "Tongue...shriveling." I shake my head, picking up the jar. "It's dehydrated. You're supposed to add water. Good thing you're mostly made of water." He tries to say something. Brown powder dusts his shirt. "Also," I tell him, "that's decaf.”

“We are chained hand and foot by protocol, enslaved to a static, empty world where men and women can’t read, where the scientific advances of the ages are the preserve of the rich, where artists and poets are doomed to endless repetitions and sterile reworking of past masterpieces. Nothing is new. New does not exist. Nothing changes, nothing grows, evolves, develops. Time has stopped. Progress is forbidden”

“I believe in a personal god who cares about me and worries and oversees everything I do. I believe in an impersonal god who set the universe in motion and went off to hang with her girlfriends and doesn't even know that I'm alive. I believe in an empty and godless universe of causal chaos, background noise, and sheer blind luck... I believe that life is a game, that life is a cruel joke, and that life is what happens when you're alive and that you might as well lie back and enjoy it.”

“She suffers according to the digits of my hate. I hear the filaments of alabaster. I would lie down with them and lift my madness off like a wig. I would lie outside in a room of wool and let the snow cover me. Paris white or flake white or argentine, all in the washbasin of my mouth, calling “Oh.” I am empty. I am witless. Death is here. There is no other settlement.”

“What we see as death, empty space, or nothingness is only the trough between the crests of this endlessly waving ocean. It is all part of the illusion that there should seem to be something to be gained in the future, and that there is an urgent necessity to go on and on until we get it. Yet just as there is no time but the present, and no one except the all-and-everything, there is never anything to be gained - though the zest of the game is to pretend that there is.”

“I flicked on the light beside my bed, waiting for my breathing to slow, veins full of adrenaline from the realistic dream. A new dream, but in essence so much the same as the many others that had plagued me in the past months. No, not a dream. Surely a memory. I could still feel the heat of Jared's lips on mine. My hands reached out without my permission, searching across the rumpled sheets, looking for something they didn't find. My heart ached when they gave up, falling to the bed limp and empty.”

“Conventions vs. spontaneity. This is a dialectical choice, it depends on the assessment you make of your own times. If you judge that your own time is ridden with empty insincere formalities, you plump for spontaneity, for indecorous behavior even...Much of morality is the task of compensating for one's age. One assumes unfashionable virtues, in an indecorous time. In a time hollowed out by decorum, one must school oneself in spontaneity.”

“I, however, like black. It is a color that makes me comfortable and the color with which I have the most experience. In the darkest darkness, all is black. In the deepest hole, all is black. In the terror of my Addicted mind, all is black. In the empty periods of my lost memory, all is black. I like black, goddammit, and I am going to give it its due.”

“In many college English courses the words “myth” and “symbol” are given a tremendous charge of significance. You just ain’t no good unless you can see a symbol hiding, like a scared gerbil, under every page. And in many creative writing course the little beasts multiply, the place swarms with them. What does this Mean? What does that Symbolize? What is the Underlying Mythos? Kids come lurching out of such courses with a brain full of gerbils. And they sit down and write a lot of empty pomposity, under the impression that that’s how Melville did it.”