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Fall Quotes

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Fall Quotes

“You cannot hammer a girl into anything. She grows as a flower does, she will wither without sun; she will decay in her sheath as a narcissus will if you do not give her air enough; she might fall and defile her head in dust if you leave her without help at some moments in her life; but you cannot fetter her; she must take her own fair form and way if she take any.”

“Another thing that escapes me is HOW to give substance to the forms. One day they look solid and 'real' and they seem to hinge upon each other and splinter and creak, fall with a thud to the bottom of the canvas and drag across the surface, and the next day they are like dust, all lightweight and just stuck there.”

“Just been talking today out here to all the Senators investigating these stock swindles and overcapitalizations. There has been hundreds of millions lost. There ought to be some form of guardianship for people that buy all this junk. Education won't do it. The buyers are the ones we have educated up till they are just smart enough to fall for everything that comes along.”

“Democracy appears to be safer and less liable to revolution than oligarchy. For in oligarchies there is the double danger of the oligarchs falling out among themselves and also with the people; but in democracies there is only the danger of a quarrel with the oligarchs. No dissension worth mentioning arises among the people themselves. And we may further remark that a government which is composed of the middle class more nearly approximates to democracy than to oligarchy, and is the safest of the imperfect forms of government.”

“Death is a large form of entertainment, probably the largest. Watching death in different ways is entertaining for us, whether it's a high-speed chase and a guy grabs a helicopter and flies away. We know the reality of it is that he wouldn't be physically able to hold onto that helicopter and fall to his death. But it's entertaining to watch.”

“I was a gangster when I was young. I had a Robin Hood mentality and tended to always want to support the weak against the strong, but sometimes it was cohesive and I really needed to fall in love with the power of education to find the right venue to express my rage. I still have a righteous indignation at injustice, no matter what form it takes.”

“Never, never do I set to work on a canvas in the state it comes in from the shop. I provoke accidents - a form, a splotch of color. Any accident is good enough. I let the matiere decide. Then I prepare a ground by, for example, wiping my brushes on the canvas. Letting fall some drops of turpentine on it would do just as well. If I want to make a drawing I crumple the sheet of paper or I wet it; the flowing water traces a line and this line may suggest what is to come next.”

“It is not a struggle merely of economic theories, or forms of government or of military power. At issue is the true nature of man. Either man is the creature whom the psalmist described as a little lower than the angels ... or man is a soulless, animated machine to be enslaved, used and consumed by the state for its own glorification. It is, therefore, a struggle which goes to the roots of the human spirit, and its shadow falls across the long sweep of man's destiny.”

“Our ability to fall in love requires enough comfort with our masculinity to join it with someone's femininity and feel enhanced. .. . If our mother made us feel secure and proud in our masculinity, then we want to find that again in our wife. If we are really comfortable with our mother, we can even marry a woman who is a friend rather than an adversary, and form a true partnership.”

“The story of scientific discovery has its own epic unity-a unity of purpose and endeavour-the single torch passing from hand to hand through the centuries; and the great moments of science when, after long labour, the pioneers saw their accumulated facts falling into a significant order-sometimes in the form of a law that revolutionised the whole world of thought-have an intense human interest, and belong essentially to the creative imagination of poetry.”