Quotessence
Home / Topics / Forest Quotes

Forest Quotes

Browse 312 quotes about Forest.

Forest Quotes

“The creature which stood before me was no bigger than a child, yet I would have sworn she was wood nymph. With pointed ears, translucent skin and a halo of woodland flowers in her silvery hair, the small woman held a strange presence. Besides the creature's obvious beauty, I couldn't draw my gaze away from her magnificent opaque wings. They fluttered in the breeze like the leaves above us.”

“In Green Grandeur by Stewart Stafford Under towers of green pillars, Grow those leafed palaces, Stretching out their tall limbs, Up skyward in thanksgiving. Saplings with peacock foliage, A forest floor carpeted thickly, With dead leaves, kindling and, Subterranean roots peeking out. Storm-crooked trunks stooping, To the lightning-shattered bows, Fingers of dying sunlight reach, To caress the ivy-entwined bark. © Stewart Stafford, 2022. All rights reserved”

“There was something behind the glass, behind her reflection and the wash of clouded sky above her. She gazed past the surface, as though she were looking deep into clear water, ignoring the ripples and movements on the surface to search out what lived beneath. A tree, she realized, bending in a faint breeze, draped with purple leaves like streamers. Pure-silver flowers winked and sparkled in the deep foliage, swinging gently like bells, though Alaine couldn't hear anything. She gazed deeper, drinking in the beauty of a silver mist of moss on the ground, of a tangle of pale branches woven into knot-work unnaturally symmetrical, down to thorns bowing deeply to one another in vine-wrought curls. Something moved in the purple-and-silver forest, a figure, sliding like mist through the boughs. A woman--- Alaine started. She was tall and slim, shaped more than anything like a birch tree, with the same silver-pale gleam. Her hair was loose behind her, wound through with purple flowers, painfully bright against her fair waves. She looked up, gazing right at Alaine, almost meeting her eyes--- And then the mirror shattered in her hands.”

“Many of the nobilities are exceedingly fond of the Hanging Pools, where the river Brightmist spills down a ravine and forms a series of crystalline ponds, perfect for bathing in. And then there is the forest of Wildwood and its bog, hunting grounds forbidden to all but the monarchy and our chosen companions, where one finds uncommonly large boars and the rarest species of deer, which possess antlers of pure silver...”

“Czy zwróciłeś kiedyś uwagę, jak przyjemnie chodzi się boso po piasku, trawie albo ziemi?Nie bierze się to tylko z ulgi po zdjęciu sztywnych butów albo zrzuceniu wysokich obcasów. Kiedy dotykasz podłoża bosymi stopami, twój organizm otrzymuję dawkę potężnych leczniczych elektronów.”

“Wszyscy znamy cudowny zapach lasu po ulewie. Kiedy długo nie pada, w glebie i na skałach gromadzą się olejki roślinne. To jeden ze sposobów roślin na przetrwanie okresów suszy. Podczas deszczu woda uwalnia przechowywane w podłożu olejki, a powietrze wypełnia się ich zapachem. On również ma swoją nazwę, petrichor, od greckich słów petra, czyli "kamień", i ichor, którym opisywano esencję płynącą w żyłach bogów zamiast krwi. Zatem petrichor znaczy dosłownie "esencja kamienia". To zapach życia!”

“„To, co do tej pory brałam za szum wiatru w liściach, okazało się być setkami tysięcy głosów, splatających się szeptów. Usiłowałam wyłowić z nich jakieś pojedyncze słowa, ale ich sens mi umykał. Melodia lasu wypełniła mnie, dając poczucie bezpieczeństwa i pewności, że wszytsko będzie dobrze. Dźwięki wibrujące wokół mnie dodawały mi odwagi i siły (…) Każde słowo brzmiało, jak pieśń na cześć życia”

“According to Freddie, mycelium was the network of fine hyphae (little living threads) that coursed through the soil and stitched the plants and the trees of the forest into a united and communicating whole, a fabric that featured the beavers and the mole crickets and the moose--- in short, it was the basis for the forest. Trees could share nutrients with one another through mycelium. On rare occasions, trees even poisoned plants via mycelium, if they posed some threat to them. But primarily the trees and plants received through the hyphae the minerals and water they needed from the soil, and in return, they offered the fungus the sugar that they, with their leaves, had the ability to produce through photosynthesis.”

“Cathedral of Light by Stewart Stafford The wintry grey forest branches, Embrace freezing fog as build, Backlit by the pushy noon sun, Revealing a cathedral of light. An air frost of transient structure, Reprieve from a hangman's bloom, Naked limbs greeted the icy cover, The looming cape of ersatz foliage. Tongues of wind scatter the pop-up, Six sheep in a straight line saw it off, A still and sunny afternoon followed, Frozen matinee fades another day. © Stewart Stafford, 2023. All rights reserved.”

“Since well before the Kung's engine noise first penetrated the forest, a conversation of sorts has been unfolding in this lonesome hollow. It is not a language like Russian or Chinese but it is a language nonetheless, and it is older than the forest. The crows speak it; the dog speaks it; the tiger speaks it, and so do the men--some more fluently than others.”

“Plants: infinite plants, not one species known to the visitors from the house of Man. Infinite shades and intensities of green, violet, purple, brown, red. Infinite silences. Only the wind moved, swaying leaves and fronds, a warm soughing wind laden with spores and pollens, blowing the sweet pale-green dust over prairies of great grasses, heaths that bore no heather, flowerless forests where no foot had ever walked, no eye had ever looked. A warm, sad world, sad and serene.”

“Often, beyond the next turning, footfalls of a herd galloping across stone were heard, or further in the distance, with reassuring grunts, a wild boar could be seen, trotting with steady stride along the edge of the road with her sow and a whole procession of young in tow. And then one's heart beat faster upon advancing a little into the subtle light: one might have said that the path had suddenly become wild, thick with grass, its dark paving-slabs engulfed by nettles, blackthorn and sloe, so that it mingled up time past rather than crossing country-side, and perhaps it was going to issue forth, in the chiaroscuro of thicket smelling of moistened down and fresh grass, into one of those glades where animals spoke to men.”

“No, what numbed these fields, peopled with bad dreams was not the oppressive grip of a plague but rather an ailing retreat, a sort of sad widowhood. Man had started to subdue these vacant expanses, then had grown weary of eating into it, and now even the desire to preserve what had been claimed had perished. He had established everywhere an ebb, a sorrowful withdrawal. His cuttings into the forest, which were seen at long intervals, had lost their hard edges, their distinct notches: now a thick brushwood had driven its sabbath into the broad daylight of the glades, hiding the naked trunks as high as their lowest branches.”

“En la forest de Longue Attente chevauchant par divers sentiers m'en voys, ceste année présente où voyage de Desiriers. Devant sont aller mes fourriers pour appareiller mon logis en la Cité de Destinée. Et pout mon cœur et moy ont pris l'ostellerie de Pensée. Dedans mon livre de pensée j'ay trouvé escripvant mon cœur la vraie histoire de douleur de larmes toute enluminée. In het Woud van Lang Verwachten te paard op pad, dolenderwijs, zie ik mijzelf dit jaar bij machte tot Verlangens' verre reis. Mijn knechtstoet is vooruitgegaan om 't nachtverblijf vast te bereiden, vond in Bestemming's Stad gereed voor dit mijn hart, en mij ons beiden, de herberg, die Gedachte heet. In 't boek van mijn gepeinzen al vond ik dan, schrijvende, mijn hart; het waar verhaal van bitt're smart verlucht met tranen zonder tal. Charles d'Orléans”

“The Bird of Paradise, it seemed, had beckoned us on and led us in, to stand here in this place high in the land of volcanoes. It was here in Bali, after returning from the Toraja Star Children, that I first recognized what they meant by us all being born half of heaven and half of earth. And after the mounted warsports of Sumba it was in Balinese ritual that I saw with new eyes the battle for balance between light and darkness. And after Borneo, returning to the sacred Banyan tree and its simian custodians, I had felt that all great trees, what’s left of them, do indeed link heaven and earth in a single forest of life.”

“No veils, no aliases. No duty, no blame. These green woods are without thought, nameless are its denizens. They lead into a waking dream. A dream with nothing to dream. Nothing to conjure nor relate. No effort to pursue nor resist. To sleep among root and rock… Why harbour identity where there is none? What good governs here where you are nothing? Your recitals without audience, your words without paper. The clanless hermit conceives of his own visage twisted in the shady stream. He carves not hideous figures and faces from the kindling but burns it. He dances not with a head of sprig to impress the elves. A sage must emulate nature from which morality is neutered. Ethics are chaste fodder for undying pyres. That ongoing tumult beyond the forest’s edge shall be yours to lick up and knock over again and again if you so choose… Mankind invents and implies. The crowd accepts or denies. People are always begging pity or scorn from your kind.”

“Most breakthroughs come from small beginnings. Huge, shiny buildings are built in a place that was once a forest. Be willing to take small steps. Be relentless and never feel intimidated. Keep going until those dreams are made manifest.”

“From the vast, invisible ocean of moonlight overhead fell, here and here, a slender, broken stream that seemed to plash against the intercepting branches and trickle to earth, forming small white pools among the clumps of laurel. But these leaks were few and served only to accentuate the blackness of his environment, which his imagination found it easy to people with all manner of unfamiliar shapes, menacing, uncanny, or merely grotesque. He to whom the portentous conspiracy of night and solitude and silence in the heart of a great forest is not an unknown experience needs not to be told what another world it all is - how even the most commonplace and familiar objects take on another character. The trees group themselves differently; they draw closer together, as if in fear. The very silence has another quality than the silence of the day. And it is full of half-heard whispers, whispers that startle - ghosts of sounds long dead. There are living sounds, too, such as are never heard under other conditions: notes of strange night birds, the cries of small animals in sudden encounters with stealthy foes, or in their dreams, a rustling in the dead leaves - it may be the leap of a wood rat, it may be the footstep of a panther. What caused the breaking of that twig? What the low, alarmed twittering in that bushful of birds? There are sounds without a name, forms without substance, translations in space of objects which have not been seen to move, movements wherein nothing is observed to change its place. Ah, children of the sunlight and the gaslight, how little you know of the world in which you live! ("A Tough Tussle")”

“Into The Abyss In the midst of the wailing winds In the thickets of the ghastly fields I found a ring lying on the ground With the footsteps to follow around Frightened yet resolute, out in the dark i go In the willows beside the river An old man creaked in his chair in a queer "It has eyes everywhere, You can't escape once you're here" He whispered, as if his last breath And out in the dark I go In the cricket's cries, under the hollow moon I saw a graveyard with tombs dug through "Dead celebrate when the night is nigh For they revel in the living's cry", Said the men with the axe in tow, And out in the dark I go Somewhere out in the dark, distraught The footprints I stumbled upon were gone I had to return the ring, i thought But the one i was carrying was gone Where am I? I wish I would've known I stared into the abyss, all alone No soul within, nor outside stark I shouldn't have gone out in the dark I shouldn't have gone out in the dark”

“Och med en annan sak blir jag aldrig färdig: Att draga mig tillbaka och sitta i ensamheten i skogen och ha det gott och mörkt omkring mig. Det är den sista glädjen. Det är det höga, det religiösa i ensamheten och mörkret, som gör att man har behov av dem, det är däremot icke därför man söker sig bort från de andra, att det bara är sig själv man härdar ut med, nej, nej. Men det är det mystiska, att allt brusar fjärran och dock så nära en, man sitter i mitten av en allestädes närvarande. Det är väl Gud. Det är väl en själv som är en del av allt.”