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“You have to have like a bit of amnesia both on the winning side and the losing side of this thing... On the losing side you need to be able to forget a loss to be able to move on and to be successful in your next fight. But on the winning side you need to be able to forget a win so you don't get stuck in this pattern of like, "I'm unstoppable". So there has to be a level of amnesia for a fighter.”

“At times it may seem worse - harder, at least - to live through the despair of this loss without the temporary comfort of our addictive behaviour. We cannot drown our sorrows. We must face the fact that we don’t know, really, where we are, how we got here, how long the pain will last, or how to move past it. That uncertainty may be the most painful part of not knowing a God: no one is there to reassure us that a God will take the pain and confusion away. We simply don’t know. And we have no way to numb ourselves or to forget the condition we’re in.”

“One of the most gracious dispensations of God concerning His saints is their lovely unawareness of sanctity. The nearer they move to Him, the more conscious are they of sin. If it were impossible at times not to note their own growth in grace, it were impossible also to forget that it was all by His power. If they could be persuaded to admit their progress and talk of it at all, the language of their heart would be this: 'If God could do this in me, He could do it in anyone”

“The artist's personality must be left in his dressing-room; his soul must be denuded of its own sensations and clothed with the base or noble qualities he is called upon to exhibit.... [he] must leave behind him the cares and vexations of life, throw aside his personality for several hours, and move in the dream of another life, forgetting everything.”

“I have seen lonely people of advancing age, yet as constant as angels, keeping faith to those they loved who fell in wars that current generations, not having known them, cannot even forget. The sight of them moving hesitantly among the tablets and crosses is enough to break your heart.”

“I wonder, What is it to be human? Especially now that we are so urban. How do we remember our connection with place? What is the umbilical cord that roots us to that primal, instinctive, erotic place? Every time I walk to the edge of this continent and feel the sand beneath my feet, feel the seafoam move up my body, I think, "Ah, yes, evolution." It's there, we just forget.”

“Speak not, move not, but listen, the sky is full of gold. No ripple on the river, no stir in field or fold, All gleams but naught doth glisten, but the far-off unseen sea. Forget days past, heart broken, put all memory by! No grief on the green hillside, no pity in the sky, Joy that may not be spoken fills mead and flower and tree.”

“Historically, things were moving in a pretty good direction until the Reagan presidency. And then it all got reversed. The Mexico City policy was instituted - the idea of wrecking the environment for this generation's profit and forgetting about our gets got firmly embedded. I'm sad to say the Clinton administration didn't turn it around and the Bush administration, well, I think they're the worst administration we've ever had, and I used to be a Republican.”

“People forget that it's an acting assignment. You can work with someone for three months, three years or 30 years, and then you move on. I've done I don't know how many films, and I can look at the film and know that I worked with Clint Eastwood, but I'm not still trying to hang out with Clint Eastwood. We did our jobs.”

“No general description of the mode of advance of human knowledge can be just which leaves out of account the social aspect of knowledge. That is of its very essence. What a thing society is! The workingman, with his trade union, knows that. Men and women moving in polite society understand it, still better. But Bohemians, like me, whose work is done in solitude, are apt to forget that not only is a man as a whole little better than a brute in solitude, but also that everything that bears any important meaning to him must receive its interpretation from social considerations.”

“There's an old poem by Neruda that I've always been captivated by, and one of the lines in it has stuck with me ever since the first time I read it. It says "love is so short, forgetting is so long." It's a line I've related to in my saddest moments, when I needed to know someone else had felt that exact same way. And when we're trying to move on, the moments we always go back to aren't the mundane ones. They are the moments you saw sparks that weren't really there, felt stars aligning without having any proof, saw your future before it happened, and then saw it slip away without any warning.”