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Hair Quotes

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Hair Quotes

“It is rather an unpleasant fact, that the ugliest and awkwardest of brute animals have the greatest resemblance to man: the monkey and the bear. The monkey is ugly too (so we think) because he is like man--as the bear is awkward, because the cumbrous action of its huge paws seems to be a preposterous imitation of the motions of human hands. Men and apes are the only animals that have hairs on the under eye-lid. Let kings know this.”

“I think my moment of revelation came when I saw this young man come on court in the most flamboyant clothes. He had a sweet smile and questionably blonde hair and a generally chirpy glamour that in fact concealed huge skill. When he was interviewed he confessed to hating to get angry and it was also said that he slithered out of winning when it came to the big matches. And I thought, My God! This Andre Agassi is the image of Howl in my book HOWL'S MOVING CASTLE!”

“Animals are a huge part of my life, so yes, if you are going to be a part of my life, you would need to have the same love for animals. Howard is so great in that aspect and he truly is my partner. We have six resident cats - Walter, Apple, Leon Bear, Charlie Boy, Bella, and Yoda-and we have fostered over fifty kittens in the last year. He even lets the kittens play in his hair! They love it!”

“What I like about The Sims is that I don't have a normal life at all, so I play this game where these people have these really boring, mundane lives. It's fun. My Sims family is called the Cholly family. I don't know why I picked that name; it's kind of random. The teenage daughter is my favourite, because I just had her go through this Goth phase. She's really kind of nerdy and she just became a concert violinist, which is pretty huge for the family. And she got into private school. But she started wearing black lipstick and she dyed her hair purple. It's pretty huge.”

“What I need is perspective. The illusion of depth, created by a frame, the arrangement of shapes on a flat surface. Perspective is necessary. Otherwise there are only two dimensions. Otherwise you live with your face squashed up against a wall, everything a huge foreground, of details, close-ups, hairs, the weave of the bedsheet, the molecules of the face. Your own skin like a map, a diagram of futility, criscrossed with tiny roads that lead nowhere. Otherwise you live in the moment. Which is not where I want to be.”