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Hair Quotes

“Polly Jean, I love you. I love the texture of your skin, the taste of your saliva, the softness of your ears. I love every inch and every part of your entire body. From your toes and the beautifully curved arches of your feet, to the exceptional shade and warmth of your dark hair. I need you in my life, I hope you need me too.”

“There’s a great scene in The Texas Chain Saw Massacre [1974] that I’m obsessed with: Sally is being chased by Leatherface with a chainsaw... And she runs into thorn bushes. And she’s getting tangled up in it because she’s running fast... But Sally needs to move slowly in order to get through the bushes - she will get farther faster by going slowly because her hair and clothes won’t get tangled and caught. There’s something really beautiful about understanding that, while someone’s chasing you with a chainsaw, you have to move more slowly in order to get away.”

“The bride, white of hair, is stooped over her cane Her faltering footsteps need guiding. While down the church aisle, with wan toothless smile, The groom in a wheelchair comes riding. And who is this elderly couple you ask? You'll find, when you've closely explored it, That here is that rare, most conservative pair, Who waited 'til they could afford it.”

“Directing is a very all-consuming job. What you want to do there, as you're coming down the final road, is to just sit back and enjoy and let the wind flow through your hair. When you're directing, you're sitting there going, "I need to make this shot. How many hours do we have left in the day? How many hours behind are we?" You're just constantly worried about doing the job.”

“I remember attending Toronto Comicon shortly after the release of Captain Marvel and seeing a five-year-old girl who'd come in a handmade Captain Marvel outfit with her hair moussed up - and I totally got the need for this book, for this hero. Someone who looks like her, and acts like her. So, in a way, Captain Marvel helped pave the road to the expanded role of female leads.”

“I’m a better person in a relationship, and I’m a happier person. I need to come home at the end of the day and have it not be about me and my freaking hair and makeup and character motivations anymore. And I think my work is more inspired when home is safe and sound and solid, because what I do for a living is so bananas and so insecure.”

“Height isn't something you can have and just let be, like nice teeth or naturally curly hair. People have this idea you have to put it to use, playing basketball, for example, or observing the weather up there. If you are a girl, they feel a particular need to point your height out to you, as if you might not have noticed.”

“Man is in pursuit of two goals: he is looking for happinesse and, being by essence empty ("étant vide par essence", Fr.), he is trying to fill (or take up, - "remplir", Fr.) his life; the latter reason play a more considerable role than we ordinarily think. What we take for vainglory, ambition, love of power and riches (or wealth), is often, indeed, a need to mask this emptiness, a need to let one's hair down (or to live it up), to put oneself on a false scent or trail. (de se donner le change", Fr.)”

“We always need to have a smart black blazer in our closets. It's just a nice clean way to dress up even something as simple as jeans and a t-shirt. And something I always have in my closet, I always have a vintage headscarf with me, to tie around my bag or protect my hair from the sun, it depends but I always find a use for it.”

“There are moments when it's unbelievable how people who work on the hair or on the little bit of skin here, they have no other care or interest since this part of their job is the only thing that needs to look good. So you have to push everybody to the side so that you can have a connection with your actor and give some air to your actor.”

“I think every girl needs to love herself, regardless of anything. Like if you're having a bad day, if you don't like your hair, if you don't have the best family situation, whatever, you have to love yourself and you can't do anything until you love yourself first.”

“I think that we have to firstly accept ourselves the way we are. I do think that girls are told at an early age that straightening their hair is the right thing, whereas it's simply not. You need to shut down the negative energy and do what makes you feel good. What makes you feel good is what makes you beautiful!”

“If I was asked to get rid of the Zen aesthetic and just keep one quality necessary to create art, I would say it's trust. When you learn to trust yourself implicitly, you no longer need to prove something through your art. You simply allow it to come out, to be as it is. This is when creating art becomes effortless. It happens just as you grow your hair. It grows.”

“In the very early stages of working in sports, I was sick of being referred to as "the Barbie doll" because I had long, blond, fake hair. So I went and bought a boxed hair color, dyed my hair black, and put on glasses. And I looked ridiculous. I looked like a completely different person. I was trying to get away from the stereotype but what I realized in doing that is that what I say and how I conduct myself in what I do will speak for itself, and I don't need to apologize for being a woman in that space.”

“I never wash my hair the night before an event - I call it second day hair, and it holds better. Also, the day before, test run your makeup and watch it every couple of hours (see if your mascara is bleeding, or if your lip gloss runs out really quickly). Oh, and for me, shoe-wise, platforms give me the same height that I need, but they're not as taxing on my feet.”

“Animals are a huge part of my life, so yes, if you are going to be a part of my life, you would need to have the same love for animals. Howard is so great in that aspect and he truly is my partner. We have six resident cats - Walter, Apple, Leon Bear, Charlie Boy, Bella, and Yoda-and we have fostered over fifty kittens in the last year. He even lets the kittens play in his hair! They love it!”

“I looked pretty crazy but at the time, you don't think anything of it. You think, "I've got an amazing job. I'm working and this is cool." I remember I was being fit to go to a premiere for something at Burberry and Christopher Bailey, who designs the clothes there, saw a picture of me and I looked weird. I had short black hair, hardly any eyebrows, I looked very very thin and he went, "We need to put Douglas in a campaign." So four days later, I was shooting a Burberry campaign because he had seen me looking crazy from the show so that was kind of funny.”

“The hijab or a variation of the word shows up eight times in the Quran. And it never means headscarf. And so what's happened is that the identity of a Muslim woman especially is being equated to this piece of cloth on her head. And in that ideology there's a very fundamental assumption that people need to think very deeply about, which is do you believe that a woman is too sexy for her hair?”

“What is it about possessing things? Why do we feel the need to own what we love, and why do we become jerks when we do? We've all been there- you want something, to possess it. By possessing something you lose it. You finally win the girl of your dreams, the first thing you do is change her. The little things she does with her hair, the way she wears her clothes or the way she chews her gum. Pretty soon what you like, what you changed, what you don't like, blends together like a watercolor in the rain.”

“Before you go into what is essentially a competition, you have to have that confidence. You have to ask yourself, "Are they looking for a guy my height? My age? I've got a shot." And if there are nine guys auditioning and they're all gorgeous, I have an advantage, because gorgeous guys are a dime a dozen. But if they need someone else - like a goofy guy with bad hair who is just okay - then that's me. And finally, the other 2 percent who audition are geniuses that I could never touch.”

“Son, you can't go around painting yourself black, you hear?" "Why not, Papa?" "Because they'll take you away." "Why?" "Because you shouldn't want to be like black people or Jewish people or anyone who is...not us." "Who are Jewish people?" "You know my oldest customer, Mr. Kaufmann? Where we bought your shoes?" "Yes." "Well, he's Jewish." "I didn't know that. Do you have to pay to be Jewish? Do you need a license?" ..... "...you've got beautiful blond hair and big safe blue eyes. You should be happy with that; is that clear?”

“Stop," I said. "Please do not further endorken yourself to me. You have great hair and a car that is most fly, and you have just saved me with your mad ninja driving skills, so do not sully your heroic hottie image in my mind by further reciting your nerdy scholastic agenda. Don't tell me what you're studying, Steve, tell me what's in your soul. What haunts you?" And he was like, "Dude, you need to cut back on the caffeine.”

“The world is being run by people my age, men my age, with falling-out hair and health worries, and it frightens me. When the leaders were older than me I could believe in their wisdom, I could believe they had transcended rage and malice and the need to be loved. Now I know better. I look at the faces in newspapers, in magazines, and wonder: what greeds, what furies drive them on?”

“What I need is perspective. The illusion of depth, created by a frame, the arrangement of shapes on a flat surface. Perspective is necessary. Otherwise there are only two dimensions. Otherwise you live with your face squashed up against a wall, everything a huge foreground, of details, close-ups, hairs, the weave of the bedsheet, the molecules of the face. Your own skin like a map, a diagram of futility, criscrossed with tiny roads that lead nowhere. Otherwise you live in the moment. Which is not where I want to be.”

“Afterward, I curl around her. We lie in silence until darkness falls, and then, haltingly, she begins to talk...She speaks without need or even room for response, so I simply hold her and stroke her hair. She talks of the pain, grief, and horror of the past four years; of learning to cope with being the wife of a man so violent and unpredictable his touch made her skin crawl and of thinking, until quite recently, that she'd finally managed to do that. And then, finally, of how my appearance had forced her to realize she hadn't learned to cope at all.”

“No one wants to admit we're addicted to music. That's just not possible. No one's addicted to music and television and radio. We just need more of it, more channels, a larger screen, more volume. We can't bear to be without it, but no, nobody's addicted. We could turn it off anytime we wanted. I fit a window frame into a brick wall. With a little brush, the size for fingernail polish, I glue it. The window is the size of a fingernail. The glue smells like hair spray. The smell tastes like oranges and gasoline.”