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Hair Quotes

“I certainly used to wish that I was skinny, lighter-skinned, with long, pretty hair. But only because I used to get made fun of for being the absolute opposite. I didn't see all of that stuff as the American Dream. I just wanted to look normal. Now that I'm older, I really do feel like I am a beautiful girl.”

“I wasn't a jock in school, and by the 10th grade, when I was in boarding school I was carrying water buckets for the girls' hockey team. I was the kid with long hair and glasses and acne trying to learn how to play guitar and piano in the music center. I was not an athlete past the age of 13 or 14 when they start throwing the ball really fast.”

“There is something elegantly sinister about the Rolling Stones. They sit before you at a press conference like five unfolding switchblades; their faces set in rehearsed snarls; their hair studiously unkempt and matted; their clothes part of some private conceit; and the way they walk and talk and the songs they sing all become part of some long mean reach for the jugular.”

“Twas a jolly old pedagogue, long ago, Tall and slender, and sallow and dry; His form was bent, and his gait was slow, His long thin hair was white as snow, But a wonderful twinkle shone in his eye. And he sang every night as he went to bed, "Let us be happy down here below: The living should live, though the dead be dead." Said the jolly old pedagogue long ago.”

“It feels very different to have long, thick, brightly colored hair. It makes me feel so conflicted to wear, and I believe showing a conflicted person onstage is actually really interesting and emotionally engaging. I'm trying to not just be the person standing on the outside and looking at something, but to actually be it, in a way.”

“A man who from the beginning has long been soaked in the languid atmosphere of a woman, the scent of her hands, her bosom, her knees, her hair, her lithe and flowing clothes, Sweet bath, suavely Scented with ointments, has acquired a delicacy of skin, a refinement of tone, a kind of androgyny without which the toughest and most virile of geniuses remains, when it comes to artistic perfection, an incomplete being.”

“I feel fortunate that I've had a lot of songs recorded by other people, because I take my songwriting very seriously. It's only those people that have followed me over the years and really know my work that know how serious I am about all of it - including the way I look. You can't take my high heels from me, you can't have my long fingernails, you can't take all this hair from me, because it's part of this thing that I've become. I wouldn't want to give any of it up. Do I have to be ugly to be a songwriter? This is the way I am, and it's what I choose to be.”

“And forget not that the earth delights to feel your bare feet and the winds long to play with your hair.”

“I have made myself two or three caps to wear of evenings since I came home, and they save me a world of torment as to hair-dressing, which at present gives me no trouble beyond washing and brushing, for my long hair is always plaited up out of sight, and my short hair curls well enough to want no papering.”

“I don't remember the first image of a werewolf I saw, but I suspect it was the hybrid type, up on two legs, with long limbs, hair, claw-like fingernails and lupine head. To me there's nothing scary about complete transformation from human into wolf. Wolves aren't scary. They're dangerous, yes, but so are geese, in the wrong mood. What's scary is seeing the human in the wolf but knowing it's beyond the reach of reason or emotional appeal. That's where the horror and dread kicks in.”

“As a poodle may have his hair cut long or his hair cut short, as he may be trimmed with pink ribbons or with blue ribbons, yet he remains the same old poodle, so capitalism may be trimmed with factory laws, tenement laws, divorce laws and gambling laws, but it remains the same old capitalism. These "humanitarian parts" are only trimming the poodle. Socialism, one and inseparable with its "antirent and anticapital parts," means to get rid of the poodle.”

“I don't think I ever said, "I want to be an actress." But for Halloween, I dressed up as a movie star from when I was seven to when I was twelve. The costume was always a long dress, with makeup, and my hair curled, and jewelry on. And the movie star was always Jenny McCarthy. So right there you could see a little pattern.”

“When I left Nashville I went to Texas because that's where I came from, and because I was playing in Texas a lot in different places. And I saw hippies and rednecks drinking beer together and smoking dope together and having a good time together and I knew it was possible to get all groups of people together - long hair, short hair, no hair - and music would bring them together.”

“They're always such alive females. And also, all those love stories - no man in Austen has ever fallen in love with a female heroine because she's pretty or beautiful or has long, blonde hair. They fall in love with them because of who they are, because of their vibrancy and their intelligence and if only we were teaching that a bit more in schools.”

“I know I shall not live very long. But why is that so sad? Is a festival more beautiful because it lasts longer? My sensuous perceptions grow sharper, as if I were supposed to take in everything with the few years that will be offered to me ... And now love will still blossom for me before I depart, and if I've painted three good pictures, then I shall leave gladly with flowers in my hand and my hair.”

“Once upon a time, growing up male gave little boys a sense of certainty about the natural order of things. We had short hair, wore pants, and played baseball. Girls had long hair, wore skirts, and, no matter how hard they tried, always threw a baseball just like a girl.”

“We must uncover our rituals for what they are: completely arbitrary things, tied to our bourgeois way of life; it isgood-and that is the real theater-totranscend them in the manner of play, bymeans of games and irony; it is good to be dirty and bearded, to have long hair,to look like a girl when one is a boy (and vice versa); one must put "inplay," show up, transform and reversethe systems which quietly order us about.”

“I don't remember forms or faces now, but I know the girl was beautiful. I know she was; for in the bright moonlight nights, when I start from my sleep, and all is quiet about me, I see, standing still and motionless in one corner of this cell, a slight and wasted figure with long black hair, which streaming down her back, stirs with no earthly wind, and eyes that fix their gaze on me, and never wink or close.”