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Hair Quotes

“Who I am on stage is very, very different to who I am in real life. But I don't see that having a sexy image when you are on stage means that you don't love God. No one knows what I'm really like from that. I like to walk around with bare feet and I don't like to comb my hair. I'm always so glammed up and so diva on stage and that's what they see. People don't understand that... No one knows my personal relationship with God and it's not up to me to prove that to anyone.”

“We must uncover our rituals for what they are: completely arbitrary things, tied to our bourgeois way of life; it isgood-and that is the real theater-totranscend them in the manner of play, bymeans of games and irony; it is good to be dirty and bearded, to have long hair,to look like a girl when one is a boy (and vice versa); one must put "inplay," show up, transform and reversethe systems which quietly order us about.”

“We were a really crazy band. This was in '73. I had my hair real short with a white stripe down the middle of my head. The guitarists had pink hair. We weren't playing CBGB's either, we were playing Statesborough, Georgia, for cowboys on penny beer night. We used to keep crowbars onstage when fights would break out. Those were really wild times.”

“When the media worries about what Hillary’s hair looks like or what my hair looks like, that’s a real problem. We have millions of people who are struggling to keep their heads above water, who want to know what candidates can do to improve their lives, and the media will very often spend more time worrying about hair than the fact that we’re the only major country on earth that doesn’t guarantee health care to all people.”

“All hair is away from the face - there's no emotion and all of the personality is taken away. I envisioned the way a 'virtual girl' is drawn in a cartoon. Then I added these different colored extensions - white, red and black, which adds to the synthetic feeling of the hair. I used colors which looked most dramatic against each of the models' real hair. The different colors give you that pop of fakeness so we're not talking about reality. Like a futuristic princess.”

“Warner Brothers had to hire [a stunt double] and no one thought a child could do this. Billy Friedkin came to me before we were filming [The Exorcist] and said "if you do not do all of this film, the film will be a joke." It's why they stripped the makeup down to the bare minimum, a piece on my chin, piece across my mouth that disfigured my mouth. You have scars here. Take away my eyebrows. It was my real hair. Shampoo was put in it that dried.”

“The real Wendy is a plain, regular girl with good skin. I do have hair, if he's wondering about that. I have lots of witnesses to that. [Chuckles] And I'm a homebody. When I get off the phone with you, Kam, I'm going to the grocery store, because our power was out for 4 days. As for breast augmentation, I do recommend it for women over 30 who have a couple of extra dollars. But it's not for a nutty schoolgirl who might just be doing it for a guy.”

“My mom and my real father divorced before I was one. My mom and my stepfather divorced when I was in high school. Then she fell in love with a guy, and the guy died. That was a rough time. She has handled adversity well. That's where I got my work ethic. So my mother's where I got my love of music, but my father's where I got my athletic ability. And my hair loss. And my love of women.”

“Karen wasn't hard, she was soft, too soft. A soft touch. Her hair was soft, her smile was soft, her voice was soft. She was so soft there was no resistance. Hard things sank into her, they went right through her, and if she made a real effort, out the other side. Then she didn't have to see them or hear them, or even touch them.”

“Generally, by the time you are Real, most of your hair has been loved off, and your eyes drop out and you get loose in the joints and very shabby. But these things don't matter at all, because once you are Real you can't be ugly, except to people who don't understand.”

“Her life her life had taken on the shape of a terrible mistake. She hadn't been given the proper tools to make a real life with, she decided, that was it. She'd been given a can of gravy and a hair-brush and told, "There you go." She'd stood there for years, blinking and befuddled, brushing the can with the brush.”

“Anyone who knew Violet well could tell she was thinking hard, because her long hair was tied up in a ribbon to keep it out of her eyes. Violet had a real knack for inventing and building strange devices, so her brain was often filled with images of pulleys, levers, and gears, and she never wanted to be distracted by something as trivial as her hair.”

“So then I thought, I'd like you to have something to remember me by, you know, if you ever meet some veela when you're off doing whatever you're doing.' I think dating opportunities are going to be pretty thin on the ground, to be honest.' There's a silver lining I've been looking for,' she whispered, and then she was kissing him as she never kissed him before, and Harry was kissing her back, and it was a blissful oblivion, better than firewhiskey; she was the only real thing in the world, Ginny, the feel of her, one hand on her back, the other in her long sweet-smelling hair.”

“Did you read the part that says, 'Your hair is like a flock of goats'? How romantic is that? Or that other line, 'Your neck is like the tower of David.' Oh, now, that sounds real attractive! If some guy tried those lines on me, I'm sure I'd fall instantly in love with him.”

“In this particular tub, two knees jut up like icebergs, while minute brown hairs rise on arms and legs in a fringe of kelp; green soap navigates the tidal slosh of seas breaking on legendary beaches; in faith we shall board our imagined ship and wildly sail among sacred islands of the mad till death shatters the fabulous stars and makes us real.”