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“In my photographic work I'm generally attracted to places that contain memories, history, atmospheres and stories. I'm interested in the places where people have lived, worked and played. I look for traces of the past, visual fingerprints, evidence of activities - they fire my imagination and connect into my own personal experiences. Using the analogy of the theater, I would say that I like to photograph the empty stage, before or after the performance, even in between acts. I love the atmosphere of anticipation, the feeling in the air that events have happened, or will happen soon.”

“Internal differences within the Nation of Islam forced me out of it. I did not leave of my own free will. But now that it has happened, I intend to make the most of it. Now that I have more independence of action, I intend to use a more flexible approach toward working with others to get a solution to this problem.”

“I have lived with my conscience and my own memories for over quarter of a century since the events of 1973. These are not easy reflections for me. But I am at peace with myself, and with the Chilean people, about what happened. I am clear in my mind that the return to Chile of true democracy, and from that the true freedom to which all individual people are entitled, could not have been achieved without the removal of the Marxist government.”

“What happened is that in the middle of my life I went away and in my own sense of hubris, pride, cynicism, thought, I am an autonomous being in the world, I can control things, I am God.' But my experiment at being God failed! And they do have a great saying in AA: 'Get down off the cross, we need the wood!' And the important thing is to realise you are not the centre of the universe, you are not God.”

“I always loved writing songs - writing for myself and demo-ing songs, really with no intention of ever letting anyone else hear them. Finally the Foo Fighters stuff happened when I just went to the studio down the street from my house and recorded some stuff in about five or six days, and all these people wanted to release it as an album. I wanted to release it on my own, with no photos and no names on it.”

“My experience came before most of you were born. My school was a state school in Leeds and the headmaster usually sent students to Leeds University but he didn't normally send them to Oxford or Cambridge. But the headmaster happened to have been to Cambridge and decided to try and push some of us towards Oxford and Cambridge. So, half a dozen of us tried - not all of us in history - and we all eventually got in. So, to that extent, it [The History Boys] comes out of my own experience.”

“The NYPD never really had anything to do with it. This is stuff I did on my own time. It just so happened to be that I was a cop for my career. It was my religious belief. The NYPD very wisely stayed away from that. I was grateful that they let me do what I needed to do without getting involved because when you're a cop the NYPD controls you 24/7.”

“I more seriously considered publishing it under a pseudonym than I considered publishing it as fiction. I think the decision to write it as nonfiction happened at the very outset of the process, because the overwhelming impetus for writing this book was to understand what the experience meant, and to override my own reductions and rationalizations, whatever story I had that was not true. It didn't sit well with me and I needed to answer that. That's sort of the reason I write everything.”

“My mom, my father, my little sisters, and my brother - I don't got that much family. I'm not really a family person. I just do my own thing. But I've just been spending time with my mom, especially since the [September motorcycle] accident happened. I drive all the way down there to Georgia just to check up on her. You just get tired of being that person that you thought you were. I don't feel no different. I see the music, because I made it. I don't really see the fame.”

“I find it very difficult to do anything on my own now because people recognize me. This has never happened to me before because I haven't really done television before. But I suppose if you're in people's rooms all the time, I don't know - I was thinking the other night with people like DiCaprio and, you know, those big stars and Cate Blanchett, and you just think how did they exist? It's so difficult. And I think now it's very intrusive because of these cellphones, you know, with cameras.”