Quotessence
Home / Topics / Huge Quotes

Huge Quotes

Browse 4144 quotes about Huge.

Related topics

Huge Quotes

“I'd been on a road trip right out of college, with a buddy of mine. It was uneventful. We didn't get laid. Although one time it was about 800 degrees and we were in Texas. We had shorts on and nothing else and somehow a motorcycle cop pulls up beside me and says, 'Come on, get on it, get on, go, go, go!' So I speeded up and it turns out we're in a huge state funeral. There are about 40 black Cadillacs in a row and then a green van called Mr Greenjeans, with two guys with no clothes in it.”

“On the one hand, you have these huge budget films that cost millions of dollars. They are effects driven, they don't have well known actors in them, and they are making money. Well, some of them are. One the other hand, you have Stallone and Statham, and guys like DeNiro and Pacino, and Costner, who are all trying to make movies about real people. They are interested in character driven projects.”

“Pete Townsend for me was a huge influence. Because essentially they were a three-piece band and the way he structured his chords and took up a lot of space musically in the songs was really important to the way Rush developed. Geddy and Neil both were such active players and lot of the time we were all playing like crazy and it was too much and somebody had to reel it in and me being the faceless guy, I would do that.”

“When I play with the full band, you get to be larger than life, you feel larger than life, and that particular moment in the song where there's passion, you've got nine guys behind you, all driving that sound and that feeling with you. That's like surfing a huge wave, because once you start you really can't stop it, you got it going down a huge mountain.”

“The most difficult thing has definitely been movies. From a comedian's standpoint, you think being real big is the best thing, but with movies, the screen is huge, you're big anyway! Also, coming from a TV personality - MTV was all about high energy and selling the hottest video - I had to learn to [take it down]. A lot of characters I'm playing are not necessarily that kind of guy.”

“You may be very mad at some guy that walked away with a huge golden parachute, but that really isn't the important thing. I mean, if Pearl Harbor came along, you could have said the planning was wrong by the military ahead of time or maybe the battleships shouldn't have all been in the harbor and all that kind of thing.”

“The commission of the investment sins listed above is not limited to 'the little guy.' Huge institutional investors, viewed as a group, have long underperformed the unsophisticated index-fund investor who simply sits tight for decades. A major reason has been fees: Many institutions pay substantial sums to consultants who, in turn, recommend high-fee managers. And that is a fool's game.”

“We all grew up in that era. I'm a little younger than these guys [Will Forte and John Solomon], but I would say all of us are huge fans of the original "MacGyver" series, and obviously we found that inspiration for the original pitch for MacGruber. We took his name and made it stupid. In terms of the inspiration for the movie, that really came from our love for late '80s/early '90s action movies - the whole "Lethal Weapon" series and "Rambo" and "Die Hard," every single [Arnold] Schwarzenegger and [Sylvester] Stallone film.”

“I didn't want to write unless I could say, and think for myself. I looked to peers that I not only respected but those that supported that. I finished becoming who I am today by sticking up for myself as a voice, but that is in part thanks to the huge role the good guys I chose to work with played in my professional development. Some really terrific human beings who loved horror welcomed me with open arms.”

“I don't know why I've always loved makeup so much. It helps me get ready for my day and the stage. It really does make a huge difference. We're just so lucky as women to be able to wear it. If you're having a bad day you can change that. Guys don't have a choice and just have to face the world like that. Could you imagine?”

“[The internet has] already had a huge impact in the sports world, and the play-by-play guys that are not paying attention to it are losing out. They're losing out on getting the real pulse of a game that they're covering. My point with blogs and with podcasts is that it can't be the basis of your prep work, there has to be much more. We understand that. But, it has to be at least a part of what you're doing. If you're not paying attention to it, then you're not seeing the full picture.”

“I had a parakeet that used to fly around the house and crash into these huge mirrors my mother put in. Ever heard of this interior design principle, that a mirror makes it seem like you have an entire other room? What kind of jerk walks up to a mirror and goes, Hey look, there's a whole other room in there. There's a guy that looks just like me in there.”

“Being the executive producer of a film is not that difficult. It just means that you have some power. There's not a huge amount of skill involved, I don't know how much I'm giving away here. I feel like that guy on Fox, giving away the magicians' tricks. It's not rocket science, being an executive producer of a film.”

“In fashion, there's a lack of strong male images. And there's a huge lack of strong African American images. I noticed over the past thirteen years, Ralph and those guys have used guys that looked similar to me. And I was happy for those guys, but eventually I said, 'Enough is enough, I'm just going to go in and take my job back.'”

“I don't know if there was really ever a golden age of the music business. Most of what was released has always been garbage and some has been able to get through and last. I don't know that it was much better thirty years ago. The music industry just wasn't as efficient. The music industry was more oddball guys who did it for fun and now they are huge corporations that have become more structured.”

“The Iraq war is a huge subject and there have been many films about it. But it was when the private contractors started taking over and taking responsibilities from the regular army, which hides the war. You have these private armies of mercenaries acting with immunity for their actions, the worst of which was the Blackwater case where they killed 17 Iraqi civilians and the guys who did it just went home. We [screenwriter Paul Laverty and Loach] felt this deserved a story.”

“I'm not talking about what came later [after the American underground punk scene], indie music, or whatever you want to call it, but the music that came before that - that's an important story. So many interviews with musicians get the time or context wrong. You have these older bands, usually men, who tell stories about "Oh, we got into this huge fight, this guy punched that guy," that's the wrong sort of story. My view of the time is truly pioneering.”