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I Realized Quotes

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I Realized Quotes

“I had gone through several crazy headache bouts, and I realized that part of the reason I was having them was because I wasn't smoking marijuana. When my daughter gave me a vape pen, I realized that I could relegate it to where I needed it to be. And I would talk to my older grandkids in their 20s, and they'd say they use weed to stop cramps. That's when I really started to investigate and asked the question, "Is anybody doing this?" And they gave me that horrifying answer: "niche market".”

“Instagram was the first one I jumped on to, and I realized it's more about checking in with your friends and seeing what they're doing. It's weird how it's turned into something that's so prominent in our everyday lives. We're all hooked to our phone because of social media, and it's great that we can stay connected, but at the same time, I like frolicking outside and not looking at my phone. So it's hard to find that balance.”

“My schooling was very conservative. I went to Trinity School, and then to the Hill School, which is a boarding school, then to Yale. My parents got divorced in that period, and I realized I didn't have a life anymore. I was the only child, so a three-person family breaks apart. I ended up very conformist, very scared, very lonely. I couldn't go on with Yale, just couldn't do it. I'd been doing too much of that for too long. I didn't know what I wanted, but I knew what I didn't want, which was to go to Wall Street and join the crowd there.”

“I came out to Los Angeles for a couple of meetings in the summer of 2005, and I ended up getting a movie called Firehouse Dog for Fox. And I thought, "Oh, man. I'm doing a movie. Maybe I'll work a lot more now. I'm an actor now." Then, for eight, nine months I didn't work after that. After that movie, I began to get some guest star roles, fairly consistently, but because I had been so presumptuous before in thinking that the other jobs would lead to something, I realized: "Just get up. Go to work. Go home. This is your job just like everyone else's job."”

“My son is actually named after Beck, the musician. We heard Beck on the radio and thought that was a good nickname for a child. We named our son Beckett so we could call him Beck - we reverse engineered. And then after he was born and I saw the name on the birth certificate I realized Beckett was a really pretentious name, way too literary. Luckily he's grown into it. We nearly named my second son Dashiell. Can you imagine? Beckett and Dashiell. It would have been a disaster of pretentiousness.”

“I've been working on a graphic about carbon emissions. It's an incredibly simple graphic - a bunch of blocks and a table below it - but it's taken me three weeks to design. For some reason it just wasn't working. Then finally I realized there was a number present, which I was rendering in each version, that wasn't necessary for the understanding of the piece. This figure was getting in the way and distracting from the main flow of the narrative. As soon as I pulled that graphic out of the design, it sprang into focus. Suddenly it worked.”

“I realized that many men are happy to play a supporting role to another man, but they are much less happy to play a supporting role to a woman. People are saying we need more females in our industry and we need more female-driven stories, but that takes the men of bankable star quality to come forward and play supporting roles in those films, because ultimately that's what the women have always done. We've always lent our name value to male-centric stories, and now we're going to have to ask the men to swallow their pride, because it seems that it's about pride.”

“I used to get pissed every day. I would wake up and pick up my phone and look at the alerts, and it's like, "What am I gonna read today?" But then I realized I needed to try and be as grateful as I could possibly be. What we're in need of is a greater leadership that's inclusive and truly hears the people and doesn't have a knee-jerk reaction out of anger. Scenarios like this, while divisive, also clarify what we really want in the future. And we'll have a chance in a few years to cast another vote, and we'll see where the American people are when that time comes.”

“In a way, 'Sin City''s designed to be paced somewhere between an American comic book and Japanese manga. Working in black and white, I realized that the eye is less patient, and you have to make your point, and sometimes repeat it. Slowing things down is harder in black and white, because there isn't as much for the eye to enjoy.”

“Then finally I said, 'Okay, well, I want to know all the details. I want creative input. I want to be consulted. I want to know what they're doing and who's involved. And I want to see the space.' So they took me to see it, and then I realized it was major! All these red flags on the Rue de Rivoli with my name on them right by the Louvre!”

“Five years after Aerosmith got back together, I realized how fragile we are as humans. There was a time I thought we were bulletproof, but then things happened and I came to the realization that I had to play every gig as if it was my last show. You have to start thinking that way, because you never know what's going to happen next.”