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“If Henry James were still with us, he'd not only approve of Paris, He Said, he could have written it himself, though without his serpentine syntax. It's a delicious treat, studded with wise and beautifully observed detail, that places side by side those perpetually fascinating antagonists, the eager, casual American and the meticulous, pleasure-driven French. Christine Sneed knows everyone's intimate secrets and her book is lively, amusing, and, ultimately, kind to pretty much all of them.”

“Live as though you don't exist; like you are two eyeballs floating in space with nothing behind them. No brain attached. Not even hair - Nothing.There is a place inside your own heart, inside your own being that knows the kind of seemingly foolish things I speak and it is totally thrilled to be reminded of this infinite expanse and infinite joy that it is. Find this place.”

“Attention spans are changing. It's very noticeable. I am very aware that the kind of books I read in my childhood kids now won't be able to read. I was reading Kipling and PG Wodehouse and Shakespeare at the age of 11. The kind of description and detail I read I would not put in my books. I don't know how much you can fight that because you want children to read. So I pack in excitement and plot and illustrations and have a cliffhanger every chapter. Charles Dickens was doing cliffhangers way back when. But even with all the excitement you have to make children care about the characters.”

“What's required of me in the field is to feel,' Stirton says with emphasis. 'And trying to take that feeling and put it in a form that communicates a particular set of emotions or circumstances - whether that involves depicting masculine pride, or a particular kind of suffering, or love, or closeness - my primary job is to feel and to try to put that feeling into some kind of visual form. My goal is to get to the heart of each story, you know? I’m trying to evolve in my work.”

“Know how to play the card of contempt. It is the most politic kind of revenge. For there are many of whom we should have known nothing if their distinguished opponents had taken no notice of them. There is no revenge like oblivion, for it is the entombment of the unworthy in the dust of their own nothingness.”

“There is again a living prophet on the earth speaking in the name of the Lord. And how we need such guidance! Our times are turbulent and difficult. We see wars internationally and distress domestically. Neighbors all around us face personal heartaches and family sorrows. Legions know fear and troubles of a hundred kinds.”

“I have nothing against Canada. I think that Canadians might know the secret to all existence, but to us it just comes off as timid and kind and too nice, and it strikes us as lacking edge. Unless you are hijacking someone and going on a reality show with your eight kids and wearing a velour pink pantsuit, then you have no edge to us.”

“I've never quite been a peer of Donald [Trump]. When I knew him it was more in a social way. We were single at kind of the same time. You know having fun in that sense, but I've watched his career with great admiration, and now to really see him as an employee sees him as an aspirant within the corporate structure of the Trump enterprises is really fascinating.”

“All gods have good points, just as have all priests. Personally, I attach much importance to Hanuman , and am kind to his people the great gray apes of the hills. One never knows when one may want a friend.”

“Perhaps you don't desire poetry as much as you would like to have my torchy knowledge of your possible futures, but I dare say poetry will do you far more good. For knowing the future only makes you timid and complacent by turns, while poetry can shape you into the kind of souls who can face any future with boldness and wisdom and nobility, so that you need not know the future at all, so that any future will be an opportunity for greatness, if you have greatness in you.”

“I remember when I got the part in Gentlemen Prefer Blondes. Jane Russell - she was the brunette in it and I was the blonde. She got $200,000 for it, and I got my $500 a week, but that to me was, you know, considerable. She, by the way, was quite wonderful to me. The only thing was I couldn't get a dressing room. Finally, I really got to this kind of level and I said, "Look, after all, I am the blonde, and it is Gentlemen Prefer Blondes!" Because still they always kept saying, "Remember, you're not a star." I said, "Well, whatever I am, I am the blonde!”

“The worst fear in the hearings was that you would get some evil interrogator: you could never know what might happen then. No one who lives in a free country will ever understand that kind of fear. What is most horrifying is the realization that you have no idea what can happen, that your life is totally in the hands of someone in the chair in front of you, someone might well be a demon.”

“The rock-star thing became very destructive, like, wow. I didn't know what I was doing. I just kind of became that thing. The hair, that rock-star kind of lifestyle, just living a dream. It kind of took over. It started out very innocent and then I turned into a cartoon character. And I started to feel like a cartoon character.”

“To answer oppression with appropriate resistance requires knowledge of two kinds: in the first place, self-knowledge by the victim, which means awareness that oppression exists, an awareness that the victim has fallen from a great height of glory or promise into the present depths; secondly, the victim must know who the enemy is. He must know his oppressor's real name, not an alias, a pseudonym, or a nom de plume!”

“What really worries me is that those who are in positions of power are not really affected by what we are writing. In the moral dialogue you want to start, you really want to involve the leaders. People ask me: "Why were you so bold as to publish A Man of the People? How did you think the Government was going to take it? You didn't know there was going to be a coup?" I said rather flippantly that nobody was going to read it anyway, so I wasn't likely to be fired from my official position. It's a distressing thought that we cannot engage our leaders in the kind of moral debate we need.”

“I would then say that there are two kinds of feeling. The first is to feel in the sense of concentrating your emotions on something immediately available for your understanding: you make your understanding out of the emotions you have about it. The second is to feel in the sense of being affected without trying to understand: something is felt, you do not know what, and it is more important to feel it than to try to understand it, since once you try to understand it you no longer feel it.”

“I see a lot of people dressing very similarly, and I see brands being cool because of their name and because of who wears the brands, but that's always been the case. That's kind of the history of fashion. You know, celebrities wear their clothes and people think these celebrities are cool, and then the clothes become valuable. It gives clothes a commodity factor once a certain individual starts wearing that brand. But do I think there's something wrong? I think what's wrong with the fashion world, particularly men's fashion, is the lack of creativity behind it.”