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Liars Quotes

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Liars Quotes

“Joe: You don't want me, Sugar. I'm a liar and a phony. A saxophone player. One of those no-goodniks you keep running away from. Sugar: I know, every time. Joe: Sugar, do yourself a favor. Go back to where the millionaires are, the sweet end of the lollipop, not the cole slaw in the face, the old socks and the squeezed-out tube of toothpaste. Sugar: That's right. Pour it on. Talk me out of it. (She grabs him to kiss him.)”

“Tira: Whatever you're thinkin' you're wrong. I only like him like a brother. You ain't got nothin' to worry about. . . . Say listen you. A better dame than you once called me a liar and they had to sew her up in twelve different places. You're lucky I'm a little more refined than I used to be. And if you was as much a lady as I am, you'd get out of here before I get real sore. Alicia: You haven't a streak of decency in you. Tira: I don't show my good points to strangers. I'll trouble you to scram.”

“Those who say they dislike dogma, or 'certainty', tend to be liars, hypocrites, or simply wrong. What they really dislike is the dogma of those they disagree with. A society that was certain, certain beyond all certainty, that putting its citizens in death camps was wrong, would never put people in death camps. Such things are only possible when you're open to new ideas.”

“I’ve never agreed with the conventional wisdom that ‘actors are great liars.’ If more people understood the acting process, the goals of good actors, the conventional wisdom would be ‘actors are terrible liars,’ because only bad actors lie on the job. The good ones hate fakery and avoid manufactured emotion at all costs. Any script is enough of a lie anyway. (What experience does any actor have with flying a spacecraft? Killing someone?) What’s called for, what actors are hired for, is to bring reality to the arbitrary.”

“None of the male characters are as powerful or as interesting as the four central female characters. The men work best as representations of the current stage of a particular female’s psyche. The men function as catalysts, and are certainly important to the development of the story, but the relationships are not the goal. I do not see romance as being what’s central to the success of PRETTY LITTLE LIARS.”

“PRETTY LITTLE LIARS works as a metaphor for our central human experience: we have no way to objectively know about anything, no way to move forward with certainty, and yet move forward we must. We stumble through life, trying to find our own way, not knowing whom to listen to, whom to trust, whom to suspect, what to believe. But in that process we discover our most authentic selves.”

“In 1996, the late, great New York Times columnist William Safire published a column, 'Blizzard of lies,' in which he laid out a series of falsehoods by Hillary Rodham Clinton and declared 'Americans of all political persuasions are coming to the sad realization that our First Lady -€” a woman of undoubted talents who was a role model for many in her generation -€” is a congenital liar.'”

“The liar at any rate recognizes that recreation, not instruction, is the aim of conversation, and is a far more civilized being than the blockhead who loudly expresses his disbelief in a story which is told simply for the amusement of the company.”