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Limits Quotes

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“You had to form for yourself a lucid language for the world, to overcome the battering of experience, to replace everyday life's pain and harshness and wretched dreariness with - no not with certainty but with an ignorance you could live with. Deep ignorance, but still a kind that knew its limits. The limits were crucial.”

“I'm not sure I'd classify any topics as off-limits, but I don't look for new territories to offend. There's my joke about when my roommate beat cancer. People talk about cancer survivors like they're warriors, but from where I was sitting, she was just watching television and eating soup. Like, did she go to war? No. She kind of just sat around.”

“I longed for a power of vision which might overpass that limit; which might reach the busy world, towns, regions full of life I had heard of but never seen: that I desired more of practical experience than I possessed; more of intercourse with my kind, of acquaintance with variety of character, than was here within my reach.”

“Humans, like all other creatures, must make a difference; otherwise, they cannot live. But unlike other creatures, humans must make a choice as to the kind and scale of difference they make. If they choose to make too small a difference, they diminish their humanity. If they choose to make too great a difference, they diminish nature, and narrow their subsequent choices; ultimately, they diminish or destroy themselves. Nature, then, is not only our source but also our limit and measure.”

“I kind of enjoy the limits. If you've got no limits, you can do absolutely anything, it's very difficult, actually. I always enjoyed working with machines like color photocopiers and letter-pressing type settings, things where the limits are very apparent. You push the machine to do something, and it tries to do its best, and it usually has wonderful qualities all of its own. Then you get a sort of dialogue going, and the limitations become qualities.”

“People learn a lot about what they think they know about other people from what they see in the media. If they see certain types of images reproduced over and over again for other groups that limit them to narrow types of roles and portrayals, they start to take those prejudices into their interactions with those people in real society, and that creates all kinds of discriminatory problems.”

“Even a superficial glance is sufficient to show that all the innumerable forms in which the life-urge of Nature manifests itself are subject to a fundamental law - one may call it an iron law of Nature - which compels the various species to keep within the definite limits of their own life-forms when propagating and multiplying their kind.”

“I see myself as no color. I can play the role of a man. I can paint my face white if I want to and play the role of white. I can play a green, I can be a purple. I think I have that kind of frame and that kind of attitude where I can play an animal. If you think in color, then everyone around you is going to think in color and that puts limits on the way you think. I don't think like that. A lot of the roles that I'm doing are roles that a man or a person of any color can do.”

“...liberation from constraints that operate at the level of ordinary humanity---limits imposed by space and time, by the needs of the body, and by the opaqueness of the computer-like mind. All three examples [Jacob Lorber, Edgar Cayce, and Therese Neumann] illustrates the paradoxical truth that such 'higher powers' cannot be acquired by any kind of attack or conquest conducted by the human personality; only when the striving for 'power' has entirely ceased and been replaced by a certain transcendental longing, often called the love of God, may they, or may they not be 'added unto you.”

“I had been in Africa for six weeks on a safari with my family. I said, "You know, I made a lot of money. I am getting kind of burned out. I really want to do something special." So I went on this extended trip to Egypt, Kenya, Sardinia - I really did it, man. I was coming home, and while I was gone, they changed the speed limit from 65 to 55.”

“I just love any kind of language that can change the energy in a room. There are no limits for me, as long as it feels like it's being used in a particular way to garner or elicit a very particular reaction, so that you can then use that reaction later for something else. But when it's gratuitous language or physical exposure, then I get a bit like, "Oh! Put it away!"”

“I'm very primitive in terms of economics. The kind of new business in which stock gets more valuable because the company grows, but there must be limits to growth. But if publishing is expanding to fill that retail space, it seems like there may be a necessary and unpleasant correction waiting down the road. How many books to people WANT?”

“There are plenty of good reasons for fighting...but no good reason to ever hate without reservation, to imagine that God Almighty hates with you, too. Where's evil? It's that large part of every man that wants to hate without limit, that wants to hate with God on its side. It's that part of every man that finds all kinds of ugliness so attractive....it's that part of an imbecile that punishes and vilifies and makes war gladly.”

“This is the most important lesson you must learn about magic," Miss Ochiba went on. "There are many ways of seeing. Each has an element of truth, but none is the whole truth. If you limit yourselves to one way of seeing, one truth, you will limit your power. You will also place limits on the kinds of spells you can cast, as well as their strength. To be a good magician, you must see in many ways. You must be flexible. You must be willing to learn from different sources. And you must always remember that the truths you see are incomplete.”

“Oh, pooh, you’re just like akri. No, Simmi, don’t be breathing fire around the flammable objects or small children. Except for that black plastic card that’s not really plastic. It some metal thing, but the Simi loves it cause it let her buy everything she want without limit. He never say no to Simi when she use it. Oh, hello, there, Fang. You okay? You looking kind of peaked or piqued or…? Oh, heck, the Simi can never keep those straight. (Simi)”

“There are two kinds of pity. One, the weak and sentimental kind, which is really no more than the heart's impatience to be rid as quickly as possible of the painful emotion aroused by the sight of another's unhappiness, that pity which is not compassion, but only an instinctive desire to fortify one's own soul agains the sufferings of another; and the other, the only one at counts, the unsentimental but creative kind, which knows what it is about and is determined to hold out, in patience and forbearance, to the very limit of its strength and even beyond.”