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Living Quotes

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Living Quotes

“when death comes like an iceberg between the shoulder blades, I want to step through the door full of curiosity, wondering: what is it going to be like, that cottage of darkness? And therefore I look upon everything as a brotherhood and a sisterhood, and I look upon time as no more than an idea, and I consider eternity as another possibility, and I think of each life as a flower, as common as a field daisy, and as singular, and each name a comfortable music in the mouth, tending, as all music does, toward silence, and each body a lion of courage, and something precious to the earth.”

LifeDeathPoetryPoemLivingCuriosity
Book:New and selected poems
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“On earth, we are like chess dice in the hands of the master. At each tweak, he decides which dice leads first. On his weakness, his own gets defeated. We are like the farmer who has planted and toiled, but on the day of rest, the rain sweeps everything away. All the labor, the hard work – all gone, and never to return as before. We are like the flowers that blossom each day, but then the floods sweep them away. We are left with nothing but heartbreak, sadness, and grief. Hoping to recover, but time doesn't heal anything. We are nothing here, nothing on earth, nothing in this world. Let each of us await his own time. Until then, YOLO.”

LifeInspirationSelf HelpAcceptanceLivingReflectionUncertaintyMotivational Inspirational
Author:@agboportia
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“… this Japanese classic, Ikuru, which, you know, I had loved for most of my life, you know, I think I first saw it when I was a boy, on British TV and it had a huge impact on me, partly because of my Japanese background but I think quite regardless of that… and I thought – I mean, bit of an exaggeration – I think I always kind of lived my life informed by the message in that film as I was growing up. Ikuru is an untypical film of [Kurosawa’s] in many ways. It’s a quiet, personal film, set in what was then the present day. No gangsters or anything like this you know. It’s the story about this civil servant, aging civil servant… whose life has been kind of… semi-lived – if at all. But when he learns that he is terminally ill, he suddenly… it becomes very urgent for him this question, ‘How do I make my life worthwhile?’ Now what really appealed to me about this film... was I thought it said something new and different… You can actually, you can make your life meaningful and triumphant… without having to do anything that’s going to earn you headlines in the newspaper or earn you great applause, you know? You have to locate that sense of… you have to find a very lonely sense of success and failure. And you have to locate that sense of success… you have to be strong enough to locate that sense of success somewhere very private and secret within yourself. But nevertheless it can be absolutely redeeming and fulfilling, if you can find it, you know. And I think it’s a very important message.”

LivingIkuru
Author:Kazuo Ishiguro
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“LIFE is in living. It is not a thing, it is a process. There is no way to attain to life except by living it, except by being alive, by flowing, streaming with it. If you are seeking the meaning of life in some dogma, in some philosophy, that Is the sure way to miss life and meaning both. Life is not somewhere waiting for you, it is happening in you. It is not in the future as a goal to be arrived at, it is herenow, this very moment - in your breathing, circulating in your blood, beating in your heart. Whatsoever you are is your life, and if you start seeking meaning somewhere else, you will miss it.”

LivingMeaning Of Life
Author:Osho
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“What position do I occupy inside her consciousness, Rika wondered, as the woman she hurt so thoroughly-- the woman she let in, and then succeeded in ruining? But then, she asked herself, was I ruined? In the end, it was probably correct to say that Kajii hadn't even succeeded in doing that. 'You can't even be properly ruined!' Kajii had once bellowed at her, maliciously. The people who had wished not only for Kajii's ruin but Rika's as well must have been trembling in dissatisfaction and despair. And yet, however much scorn Kajii might pour on her way of life, which consisted in proceeding clumsily forward, stopping and starting, changing course as she went, Rika no longer had any intention of altering it. Now that she was able to produce with her own two hands what she felt to be lacking, she sensed that tomorrow and the day after would, if anything, be better than today.”

LivingFlourishingWinning Life
Book:Butter
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“Philosophiren, says Novalis, ist dephlegmatisiren vivificiren. The service of philosophy, of speculative culture, towards the human spirit is to rouse, to startle it into sharp and eager observation. Every moment some form grows perfect in hand or face; some tone on the hills or the sea is choicer than the rest; some mood of passion or insight or intellectual excitement is irresistibly real and attractive for us,—for that moment only. Not the fruit of experience, but experience itself, is the end. A counted number of pulses only is given to us of a variegated, dramatic life. How may we see in them all that is to be seen in them by the finest senses? How shall we pass most swiftly from point to point, and be present always at the focus where the greatest number of vital forces unite in their purest energy? To burn always with this hard, gemlike flame, to maintain this ecstasy, is success in life. In a sense it might even be said that our failure is to form habits: for, after all, habit is relative to a stereotyped world, and meantime it is only the roughness of the eye that makes any two persons, things, situations, seem alike. While all melts under our feet, we may well catch at any exquisite passion, or any contribution to knowledge that seems by a lifted horizon to set the spirit free for a moment, or any stirring of the senses, strange dyes, strange colours, and curious odours, or work of the artist's hands, or the face of one's friend. Not to discriminate every moment some passionate attitude in those about us, and in the brilliancy of their gifts some tragic dividing of forces on their ways, is, on this short day of frost and sun, to sleep before evening. With this sense of the splendour of our experience and of its awful brevity, gathering all we are into one desperate effort to see and touch, we shall hardly have time to make theories about the things we see and touch. What we have to do is to be for ever curiously testing new opinions and courting new impressions, never acquiescing in a facile orthodoxy of Comte, or of Hegel, or of our own. Philosophical theories or ideas, as points of view, instruments of criticism, may help us to gather up what might otherwise pass unregarded by us. "Philosophy is the microscope of thought." The theory or idea or system which requires of us the sacrifice of any part of this experience, in consideration of some interest into which we cannot enter, or some abstract theory we have not identified with ourselves, or what is only conventional, has no real claim upon us.”

PhilosophyLivingLive
Book:The Renaissance: Studies in Art and Poetry
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“Life is an experimental journey that we make involuntarily. It is a journey of the mind through matter, and since it is the mind that journeys, that is where we live. And so there are contemplative souls who have lived more intensely, more widely and more turbulently than those who live externally. The end result is what counts. What was felt is what was lived. A dream can tire us out as much as physical labour. We never live as hard as when we've thought a great deal.”

ThinkingLifeLivingExperienceThoughtContemplationIntroversionExtroversionInternal LifeExternal Life
Book:The Book of Disquiet
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“The twilights of ancient cities, with lost traditions inscribed in the black stones of their massive buildings; tremulous dawns over inundated fields, swampy and damp like the air before the sun comes out; the narrow lanes where anything could happen; the heavy chests in age-old sitting rooms; the well behind the farmhouse on a moonlit night; the letter dating from when our grandmother whom we never met was first in love; the mildew in the rooms where the past is stored; the rifle no one knows how to use any more; the fever of hot afternoons next to the window; not a soul on the road; fitful slumber; the blight in the vineyards; church bells; the cloistral grief of living…”

LifeGriefLiving
Book:The Book of Disquiet
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“Students sometimes tell me. that they're waiting for someone to die before they feel they can write their story. They say this sheepishly, guiltily. As if, in some way, they're wishing for that person to expire, already, so they can get on with the business of writing about them. I try to liberate my students from those tortured thoughts by telling them that they may as well just start now, because it can be more difficult to write about the dead than to write about the living. The dead can't fight back. The dead have no voice. They can't say: But that isn't how it was. You're getting it wrong. They can't say: But I loved you so. They can't say: I had no idea.”

WritingDeathLivingGuiltStorytellingRemembrance
Book:Inheritance: A Memoir of Genealogy, Paternity, and Love
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“What is memory but the fashioning of a deep and personal fiction? In memory, we shape the world around ourselves, as if to prove our own existence, to demonstrate the mark we have left upon the universe. We become heralds of something better; the guiding light by which we believe all others might navigate. This, then, is the comfort we award ourselves for the act of living, for to comprehend the truth – that the universe is cold and ambivalent at best, and at worst despises our very existence – is to contemplate madness. So it is that we grow to love the lie.”

UniverseExistenceFictionLivingMemoryTruth And LiesNavigationWarhammer 40kWarhammer 40000Black Library
Book:Awakenings
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“It is fatally easy, under the conditions of the modern world, for a writer of genius to conceive of himself as a Messiah. Other writers, indeed, may have had profound insights before him; but we readily believe that everything is relative to its period of society, and that these insights have now lost their validity; a new generation is a new world, so there is always a chance, if not of delivering a wholly new gospel, of delivering one as good as new. Or the messiahship may take the form of revealing for the first time the gospel of some dead sage, which no one has understood before; which owing to the backward and confused state of men's minds has lain unknown to this very moment; or it may even go back to the lost Atlantis and the ineffable wisdom of primitive peoples. A writer who is fired with such a conviction is likely to have some devoted disciples; but for posterity he is liable to become, what he will be for the majority of his contemporaries, merely one among many entertainers. And the pity is that the man may have had something to say of the greatest importance: but to announce, as your own discovery, some truth long known to mankind, is to secure immediate attention at the price of ultimate neglect.”

GodLivingDeadSecularismRelativity
Book:After Strange Gods : A Primer of Modern Heresy
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