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“I pass for a hypersensitive, reclusive neurotic, which I may well be, but I hope the year won't come when my anxieties and fatigue will destroy my love of this life, of all the things that inspire me--a line of music, a face in a Vermeer portrait, a character in an opera, or a model born in Harlem.”

“What I really think is that our current model of copyright is fundamentally broken. We badly need to replace it with a different system for remunerating creators, which gets it the hell out of the face of the public (who were never aware of it to begin with in the pre-internet dead tree era). Unfortunately, the current copyright model is enshrined in international trade treaty law, making it almost impossible to work around.”

“To my way of thinking, the concept drawings that Rembrandt did, the drawings he made that he used to model his artists, to work out the compositions of his paintings: those are cartoons. Look at his sketch for the return of the prodigal son. The expression on the angry younger brother's face. The head is down; the eyebrow is just one curved line over the eyes. It communicates in a very shorthand way. It's beautiful, expressive, and, in a peculiar way, it's more powerful than the kind of stilted, formalized expression in the final painting.”

“All hair is away from the face - there's no emotion and all of the personality is taken away. I envisioned the way a 'virtual girl' is drawn in a cartoon. Then I added these different colored extensions - white, red and black, which adds to the synthetic feeling of the hair. I used colors which looked most dramatic against each of the models' real hair. The different colors give you that pop of fakeness so we're not talking about reality. Like a futuristic princess.”

“Fear is not at the heart of Christianity nor of our nation. The very essence of Christian faith lies in forgiveness. Christians believe that Jesus died so we may live. He took upon himself our sins so that we may be forgiven and thereby gave us a model of forgiveness for others. This is a cycle that allows civility and progress in the face of man's faults and imperfectability.”

“You have to look for a unique quality in that person and it's not just always physical. I don't think models are great models because of their face or their body. Obviously, I think their physical characteristics are important, but I think it's very much about your personality and inner beauty and really understanding how to be a great model instinctively. And that's where it all comes from.”

“When you look at Steven Meisel's pictures and you see girls rolling around in mud or cars are blowing up? It takes a tremendous amount of courage to be able to do that. I think you have to be malleable, and that's what makes a truly great model. It's not the perfect lip or the perfect face, it's your own ability to take on a character and that's, I think, something there's a misconception about.”

“If you had a personal trainer, you would probably eat him. I know that in every fat person, there's a skinny person inside, but you could have all the season's contestants of America's Next Top Model in you. I hope I get reincarnated as your feet. That way, you'd never see my face again... Oh, I'm sorry. I shouldn't have insulted you. Because in my country, cows are sacred.”

“All aspects of photography interest me and I feel for the female body the same curiosity and the same love as for a landscape, a face or anything else which interests me. In any case, the nude is a form of landscape. There are no reasons for my photographs, nor any rules; all depends on the mood of the moment, on the mood of the model.”

“The Domino Effect could stand for anything. It could be just the simple game of the domino rocks falling off one after another, all kinds of decision we make that come back to our face. For example take an anorexic model that stops eating until she dies, or the bombs that a are thrown in a war and the effect they have on people, or even something simple as listening to a record that you like until you get bored of it and leave it in your shelf.”

“To me, my Dad's the greatest guy - next to Jesus Christ - who ever walked this planet. He's been that outstanding male role model in my life. And he's still the same guy I grew up around, very conscious of the image he sets forth. As he would say, 'Wouldn't do anything behind your back that I wouldn't do to your face.'”

“Having the ability to be brutally honest with yourself is the greatest challenge you face when creating a business model. Too often we oversell ourselves on the quality of the idea, service, or product. We don't provide an honest assessment of how we fit in the market, why customers will buy from us, and at what price.”

“The problem the world faces today is that only one-third of the world's population lives in decent circumstances, while half the population of the world lives on one or two dollars a day. And even as we have this poverty and backwardness, we are facing a global environmental crisis. We need developmental models that will take into account the specific and unique position of each country and at the same time will address the environmental crisis.”

“One of my first role models was Eugene Lang, a wealthy businessman who went back to his elementary school in East Harlem and addressed the sixth-grade class. He looked out at that sea of faces and said, "If any of you wants to go to college, I will pay for it." When I read that, I burst into tears. It was so generous and so basic. Not fluffy. I can't understand why we scrimp on education and shortchange our kids. Why would the citizenry do that to the people who are going to inherit its republic?”

“Science manipulates things and gives up living in them. It makes its own limited models of things; operating upon these indices or variables to effect whatever transformations are permitted by their definition, it comes face to face with the real world only at rare intervals. Science is and always will be that admirably active, ingenious, and bold way of thinking whose fundamental bias is to treat everything as though it were an object-in-general - as though it meant nothing to us and yet was predestined for our own use.”

“A hand landed on his shoulder like an anvil. “How’d you like to stay for dinner?” Butch looked up. The guy was wearing a baseball cap and had some kind of marking—was that a tattoo, on his face? “How’d you like to be dinner?” said another one, who looked like some kind of model.”