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Moving Quotes

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Moving Quotes

“I think the key to success is vision that adjusts on the way, but doesn’t at all falter. It’s about not compromising and following your gut to a certain degree, based on knowledge, instinct, etc. And not listening to the naysayers.... You develop strength through adversity. You have to keep moving towards your goal through huge obstacles.”

“Are You Seeing Me? is written powerfully with both the heart and the head, and neither gives an inch. It's funny, moving and hugely insightful. Darren Groth puts the reader into the heads of Perry and Justine in a way that feels so true and so revealing that I think I've come away with a greater capacity for empathy. I didn't know a book could do that. We all need to spend some time inside this story.”

“As human beings we have this immediate gateway - you’ve just to articulate exactly the way that you’re exiled, exactly the way that you don’t belong, exactly the way that you can’t love, exactly the way that you can’t move ... and you’re on your way again. You’re on your way home. If you can just say exactly the way that you’re imprisoned - the door swings open.”

“One thing I'd do was put a great writer's book beside the typewriter and... type out a beautiful and moving paragraph... and see those sentences rising up... and... think, 'Someday maybe I can write like that....' It was like a dream of possibilities for my own self. And maybe I began to know that there was no other way for the sentence... to... arouse the same feeling. The someone writing whose words were rising from the typewriter became like a mentor for me.... You shouldn't do it more than a few times because you must get on with your own work.”

“Every act of motherhood contains a dual intent, as the mother holds the child close and prepares it to move way from her, as she supports the child and stands it firmly on its own feet, and as she guards it against danger and sends it out across the yard, down by the stream, and across the traffic-crowded highway. Unless a mother can do both - gather her child close and turn her child out toward the world - she will fail in her purpose.”

“There's a conspiracy / to protect the young, so they'll be fearless, / it's why you travel - it's a way of trying / to let go, of lying. You don't sit / in a stiff chair and worry, you keep moving. / Postcards from the Alamo, the Alhambra. / ... / You, fainting at the Buddhist caves. / Climbing with thousands on the Great Wall, / ... / Having the time of your life, blistered and smiling. / The acid of your fear could eat the world.”

“To know that you are God is another way of saying that you feel completely with this universe. You feel profoundly rooted in it and connected with it. You feel, in other words, that the whole energy, which expresses itself in the galaxies, is intimate. It is not something to which you are a stranger, but it is that with which you, whatever it is, are intimately bound up. That in your seeing, your hearing, your talking, your thinking, your moving, you express that which it is that moves the sun and other stars.”

“We should not laugh at the person who becoming caught up in his prayer bends his body or moves about in strange ways. Perhaps he moves in this manner to wave off unwelcome thoughts that would interrupt the prayer. Would we find it funny if we saw a person drowning going through strange motions doing whatever was necessary to save his life?”

“I feel good about the fact that I finally found something I love. I never lived in one place for very long - that's the way my whole life has been. I was always packing and moving around, staying in Canada, Kentucky, Jersey, St. Louis - it all helped because I was always learning new accents, experiencing different environments.”

“I think we need to find a way to provide people with a reason that the average man on the street can grasp and embrace, that would cause him to move away from the centuries-old idea of the individual and individualism, and move toward a different concept of what it means to be human in a collective society. Unless he has that reason, unless he has a fundamental reason to do that, it's going to be very difficult to cause him to make that shift, in my view.”

“It is easy for desire to be caught like a bird in a net, its wings fouled and twisted, no longer free to cross back and forth between silence and word. Desire may also find itself so amputated by tradition and community that it wanders in a void with nothing to orient it, to shape or discipline it. Desire must find ways to navigate its bitter and sweet paradox: it moves toward but also always through and beyond every object.”

“I get worried sometimes that people are saying 'Why is she on television - is it because of Survivor?' That people are saying,'She got here the easy way.' But I have been working hard all these years, and I figured I needed to move forward and embrace it, respect it and perfect it. If I didn't, then everybody would lose.”

“Whether you're moving to a new company or a new department within your current organization, I believe you'll end up miles ahead if you shop for a boss, not a position. You may secure the greatest job in the world, but a miserable boss will turn gold into ashes. ... In many ways, your boss may be more important than the job.”

“God is bigger than time, dates, and appointments. He wants you to move through this day with a quiet heart, an inward assurance that He is in control, a peaceful certainty that your life is in His hands, a deep trust in His plan and purposes, and a thankful disposition, toward all that He allows. He wants you to put your faith in Him, not in a timetable. He wants you to wait on Him and wait for Him. In His perfect way He will put everything together, see to every detail... arrange every circumstance... and order every step to bring to pass what He has for you.”

“The nobility of Teresa Leo's poems is that they are not disposed to hide from the dark-rather, they display a mind that tends toward obsession and brooding, that works against fatality like fingers at a knot. The firm, attentive mind on display and the lucid unfolding of the poems are the life instinct seeking and finding its way through again and again. Love and beauty are the argument, but they don't win easily. Bloom in Reverse works through elegy toward survival with moving persistence, both driven and compelling.”

“Krys Lee has written a book of unforgettable stories, each one building on the other to create a complex, moving portrait of contemporary Korea and its diaspora. She guides us surely through the fallout of war, immigration, and financial crisis, always alert to the possibility of tenderness, transcendence, and even humor along the way. Lee is a writer who really understands loneliness, but her voice is so appealing, and her perceptions so wise, that we feel all the less lonely for knowing her characters and experiencing their lives.”

“What quality is shared by all objects that provoke our aesthetic emotions? Only one answer seems possible— significant form. In each, lines and colors combined in a particular way; certain forms and relations of forms, stir our aesthetic emotions. These relations and combinations of lines and colors, these aesthetically moving forms, I call ‘Significant Form’; and ‘Significant Form’ is the one quality common to all works of visual art.”

“Well, I think the way you feel as a teenager stays with you, forever. I really believe that. And we try to change and we hope that we change, but we don't really in big ways, in serious ways. I think the personality is formed at that time, for the good and for the bad. ... We all want to grow up and move on and appear to be different to people. And we want people to see us in a different way. But, I don't know, I think the personality is very, very strongly cemented, and we just bear whatever shortcomings we have and learn to live with it.”