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Novel Quotes

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Novel Quotes

“When I first thought of the idea for 'Sweet Valley High,' I loved the idea of high school as microcosm of the real world. And what I really liked was how it moved things on from 'Sleeping Beauty'-esque romance novels where the girl had to wait for the hero. This would be girl-driven, very different, I decided - and indeed it is.”

“R.G. Belsky's thought-provoking thriller, The Kennedy Connection, introduces us to a smart, witty, and human hero whose quest to find answers about two crimes - one famous, one all but unnoticed - is loaded with tension and full of unexpected twists and turns. I loved The Kennedy Connection, and can't wait for the next Gil Malloy novel.”

“I suppose as long as novels last, and authors aim at interesting their public, there must always be in the story a virtuous and gallant hero; a wicked monster, his opposite; and a pretty girl, who finds a champion. Bravery and virtue conquer beauty; and vice, after seeming to triumph through a certain number of pages, is sure to be discomfited in the last volume, when justice overtakes him, and honest folks come by their own.”

“In almost every thriller, a point is reached when someone, usually calling from a phone booth, telephones with a vital piece of information, which he cannot divulge by phone. By the time the hero arrives at the place where they had arranged to meet, the caller is dead, or too near death to tell. There is never an explanation for the reluctance of the caller to impart his message in the first place.”

“Folk-lore means that the soul is sane, but that the universe is wild and full of marvels. Realism means that the world is dull and full of routine, but that the soul is sick and screaming. The problem of the fairy tale is: what will a healthy man do with a fantastic world? The problems of the modern novel is: what will a madman do with a dull world? In the fairy tales the cosmos goes mad; but the hero does not go mad. In the modern novels the hero is mad before the book begins, and suffers from the harsh steadiness and cruel sanity of the cosmos.”

“Some time ago a publisher told me that there are four kinds of books that seldom, if ever, lose money in the United States--first,murder stories; secondly, novels in which the heroine is forcibly overcome by the hero; thirdly, volumes on spiritualism, occultism and other such claptrap, and fourthly, books on Lincoln.”

“I wanted to avoid what some modern tellers have done, quite legitimately, to make fairy tales more like novels and short stories, to characterize the heroes and the heroines much more than they are characterized in Grimm. I like the psychological flatness of them, the fact that they're more like masks than individuals.”

“You can do everything differently in a novel. Hero narrates the novel; we're in his head. You're hearing all his thought processes and you're hearing him call himself out on his bad behavior. You don't have the benefit of that narrator in a movie. What you see a character do, very often, becomes that much more important because you don't have him editorializing it for you.”

“I am really interested in who owns ideas of religion. What if I say I'm a libertarian, socialist, Occupy-supporting, anti-war, Christian? Is that a controversial idea? I don't see anything really in the original semiotics of Christianity, in the specific parable of the radical socialist Jew from Galilee who becomes the hero figure in the Homeric-word-of-mouth-gossip-novel that becomes the Bible that should make that a paradox.”