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One Day Quotes

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One Day Quotes

“The landscape, like Los Angeles itself, is transitional. Impermanence haunts the city, with its mushroom industries--the aircraft perpetually becoming obsolete, the oil which must one day be exhausted, the movies which fill America's theatres for six months and are forgotten. Many of its houses--especially the grander ones--have a curiously disturbing atmosphere, a kind of psychological dankness which smells of anxiety, overdrafts, uneasy lust, whisky, divorce and lies.”

“Henry David Thoreau, who never earned much of a living or sustained a relationship with any woman that wasn't brotherly -- who lived mostly under his parents' roof . . . who advocated one day's work and six days "off" as the weekly round and was considered a bit of a fool in his hometown . . . is probably the American writer who tells us best how to live comfortably with our most constant companion, ourselves.”

“There was a cinema called The Orient outside the community centre where we rehearsed in Six Ways, and whenever it showed a horror film the queue would go all the way down the street and around the corner. 'Isn't it strange how people will pay money to frighten themselves?' I remember Tony [Iommi] saying one day. 'Maybe we should stop doing blues and write scary music instead.'”

“Here's what a lot of the media want us to believe: One day, we'll get everything right about our appearance. Our hair will look fabulous, our skin will be smooth and crease-free, men will have perfect six-pack abs and we'll be three sizes smaller than we are now. We'll look so good we'll have made over not just our looks but our lives.”

“I have a work presently in the Press named 'Six Months in Hell' which you may one day read. I consider it will be worth perusing, bruising badly the morals of Britain and America, while Royalty, clergy, critics, society and bloodhounds of law must all incur its censure.”

“I was never the kind of girl who said, "One day, I am going to be a beautiful bride, and I am going to have a family." I wanted to work and support myself and make my parents proud. All I did was work. I did three or four films a year, and felt like I was on a treadmill. Finally I said, "Nothing is exciting to me anymore." So I took six months off, which turned into a year, and said, "God, I don't miss it." That's when all kinds of interesting things crossed my path.”

“I was born in the south of France, I moved to Paris 30 years ago. I was running nightclubs and restaurants, so that was my business - working until six o'clock every morning, and then one day I noticed my wife. We opened the gallery together. She got pregnant, she was 22, I was 35, and it was time for me to change my life, and I decided to wake up early - wake up at the time I used to sleep.”

“I remember, and I will never forget, one day - I was six years old and I was playing beside the road and this plantation owner drove up to me and stopped and asked me "could I pick some cotton." I told him I didn't know and he said, "Yes, you can. I will give you things that you want from the commissary store," and he named a huge list that he called off. I picked the 30 pounds of cotton that week, but I found out what actually happened was he was trapping me into beginning the work I was to keep doing and I never did get out of his debt again.”

“We worked six days a week [on the The Breakfast Club], so you have one day off. So on that Saturday night, it's not like we could all go out and have a drink because Molly [Ringwald ] and Michael [Hall] weren't old enough. And Ally [Sheedy] pretty much kept to herself. So Emilio and I, every Saturday night, would go into Chicago because we were shooting outside of Chicago in Des Plaines. It's so funny, because even though we might be adversaries in the film, we certainly weren't off-camera. He's a very funny guy.”