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One Day Quotes

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One Day Quotes

“My books are based on the "what if" principle. "What if you became invisible?" or "What if you did change into your mother for one day?" I then take it from there. Each book takes several months in the long process of writing, rewriting, writing, rewriting, and each has its own set of problems. The one thing I dislike about the writing process is the sometimes-loneliness of it all. Readers only get to see the glamour part of a bound book, not some of the agonizing moments one has while constructing it.”

“I think everyone should read The Girl on The Train, especially if they loved Gone Girl. It's about Rachel, a girl who sees a couple on her commute. Then one day she sees one of the people from the couple kiss another person. The next day they go missing. The story is told by 3 different perspectives, all characters you absolutely can't trust. It's an insane psychological thriller that's seriously addicting and the kind of book you can't put down.”

“Mark Tobey fills his canvases with elliptical, calligraphic lines, beautiful whirls that seem at first glance to be completely abstract and to come from nowhere at all except his own subjective musing. But I shall never forget how struck I was, on visiting Tobey's studio one day, to see strewn around books on astronomy and photographs of the Milky Way. I knew then that Tobey experiences the movement of the stars and solar constellations as the external pole of his encounter.”

“There yet remains but one concluding tale, And then this chronicle of mine is ended - Fulfilled, the duty God ordained to me, A sinner. Not without purpose did the Lord, Put me to witness much for many years, And educate me in the love of books. One day some indefatigable monk, Will find my conscientious, unsigned work; Like me, he will light up his ikon-lamp, And, shaking from the scroll the age-old dust, He will transcribe these tales in all their truth.”

“I own a few thousand snapshots, which is small by the standards of most collectors I know. I generally only buy photos I think I may actually be able to use in a book one day. I need that focus when buying, because without it I'd just buy everything and my house would be overrun with bucket loads of snapshots; there are just too many beautiful images in the world, and I'd need to own them all.”

“If you loved everything you were writing, you would be deluding yourself or a complete and absolute narcissist. It's not about liking what you write, it's about improving with every word, little by little, exploring your craft, becoming the artist you hope to be one day. And you can only do that by working at it every day. It doesn't happen overnight, it doesn't happen over a weekend, it is a lifelong pursuit.”

“Surely we all occasionally buy books because of a daydream we're having - a little fantasy about the people we might turn into one day, when our lives are different, quieter, more introspective, and when all the urgent reading, whatever that might be, has been done. We never arrive at that point, needless to say.”

“There are other books in a man's library besides Ovid, and after dawdling ever so long at a woman's knee, one day he gets up and is free. We have all been there; we have all had the fever--the strongest and the smallest, from Samson, Hercules, Rinaldo, downward: but it burns out, and you get well.”

“There must be a connection between the lust for power and impotentia coeundi. I liked Marx, I was sure that he and his Jenny had made love merrily. You can feel it in the easy pace of his prose and in his humor. On the other hand, I remember remarking one day in the corridors of the university that if you screwed Krupskaya all the time, you'd end up writing a lousy book like Materialism and Empiriocriticism.”

“My books are a subject of much discussion. They pour from shelves onto tables, chairs and the floor, and Chaz observes that I haven't read many of them and I never will. You just never know. One day I may - need is the word I use - to read Finnegans Wake, the Icelandic sagas, Churchill's history of the Second World War, the complete Tintin in French, 47 novels by Simenon, and By Love Possessed.”

“My work is very dear to me, and certainly I have had all the emotional highs and lows that go with trying to get it to an audience. But I do have some kind of detachment that seems somewhat unusual in my trade. I'm a writer who writes every day. I don't have a period of months where I can't get anything done and I wander around tearing my hair out. When I come back from a book tour, for instance, I might have one day where I sleep late and then check my e-mail, and then go for a walk, and then the next day I'm really itching to get back at writing a story.”

“I remember one letter from a girl in a midwestern town who read one of my books and thought she had discovered it- that no one had ever read it or knew about it. Then one day in her local library she found cards for one or two of my other books. They were full of names- the books were borrowed all the time. She resented this a bit and then walked around the town looking in everybody's face and wondering if they were the ones who were reading my books. That is someone I write for.”

“We've all had the experience of you pick up a book, you can't get into it, you can't concentrate.Then one day you pick up the same book and you don't hear the phone ring. You're totally absorbed. Same thing I have to do every day. When you get into that special place of unconsciousness - you get it listening to great music or seeing a great movie - it just takes you out of yourself, out of this whole world. There's no feeling quite like it.”

“Eventually, as my books became best-sellers, the nickels pile up and one day I was offered a substantial four-book deal that was lucrative as any airliner hijacking in history. Though writing those four books was hard work, at least I didn't have to wear Kevlar body armor, carry heavy bandoliers of spare ammunition, or work with associates named Mad Dog.”

“I have a low opinion of books; they are but piles of stones set up to show coming travelers where other minds have been, or at best signal smokes to call attention. No amount of word-making will ever make a single soul to know these mountains. As well seek to warm the naked and frostbitten by lectures on caloric and pictures of flame. One day's exposure to mountains is better than cartloads of books.”

“I have been interested in the 12th century since my 20s when it was very fashionable to say of anybody with whom you disagreed, which was basically anybody over the age of 30, "One of the great minds of the 12th century", and one day I thought, "I don't know anything about the 12 century." So I started buying books, reading about it, and I discovered it was a period of great flowering, it was a Renaissance before what we think is the Renaissance, the Italian Renaissance of the 16th century.”

“I had a friend who was the King's surgeon in England. One day I asked him what makes a great surgeon. He replied, "What distinguishes a great surgeon is his knowledge. He knows more than other surgeons. During an operation he finds something which he wasn't expecting, recognizes it and knows what to do about it." It's the same thing with advertising people. The good ones know more. How do you get to know more? By reading books about advertising. By picking the brains of people who know more than you do. From the Magic Lanterns. And from experience.”

“I'm criticizing the way they are perceived. I was going through a book of Marina Abramovic and Ulay's 1970s performance work the other day. These people did two, even three Documentas or Venice Biennales over the course of a decade without any fuss. They would just treat it as any of their other engagements, with the same level of dignity and commitment they'd reserve for a one-day event in a small gallery on the Austrian mountains.”

“Think of a book special to you, and how much bleaker and poorer your life would be if that one writer had not existed - if that one writer had not, a hundred times or a thousand, made the choice to write. You're going to be that one writer one day for somebody you may never meet. Nobody can write that book you're going to write - that book that will light up and change up a life - but you.”

“I started as an artist and I had a side job moving some heavy boxes for a publishing company. They had just gotten a Mac for their art department, the department that creates the book covers. I was kind of showing the art director a thing or two about how to use a Mac. And one day everyone went out to lunch and I jumped on the computer and designed a book jacket and slipped it in the pile to go to the review board in New York. They picked my jacket and when the art director got back to Boston, he wanted to know who designed it and I said, "Me." He was like, "The box guy?"”

“Because I'm a "strong person," the symptoms hit me by surprise. It was, as I write in the book, stinging in my eyes after Sunday that I thought was an allergy, until one day I sat in the car and decided to just let my eyes tear up so that whatever was in them would come out, and what came out were tears that wouldn't stop. It was literally a physical reaction that was my first indication there was anything wrong.”

“Sadly I don't sing. I missed it for a long time, but my daughter Emma said something wonderful when I was feeling blue one day: "Mom, you've just found a different way of using your voice, and that's with your books." In a way, she's right. It's just a different way of expressing what I feel about music, individuality, art and all the things I've always loved.”

“One day - I remember it was a Sabbath afternoon - I came to the synagogue with a book in my hand. I saw a commentary on the Bible by a certain Rabbi Moshe Dessauer, better known as Moses Mendelssohn. An elderly man came up to me - I was then maybe 10 or 12. "What are you studying?" he said. "Dessauer's commentaries," I said. So he gave me a slap on my face.”

“There's no such thing as a folk writer. There's no such thing as somebody who's never read a book before suddenly sitting down one day and writing one. You have to learn how to captivate a reader. Right? And I don't mean you have to go to school for it. But if you're - if you pay attention, you can learn it by reading books. And so I feel like I learned a lot by reading books.”

“I think the hardest part of being in the band and trying to make it is waiting, you know? I think, to be fair, if we would have gotten a big break early on, it would have been wasted on us. All of that perseverance you often learn by failing. We went from barely being able to book anywhere to being nominated for Grammys. It's a snowball effect that happens to a lot of bands. I think the hardest part is having a side job: bussing tables, bartending, and waiting tables to make ends meet. Sometimes they are really worth doing, because one day things might actually work out in your favor.”

“In seventh grade I had a magical teacher, her name was Mrs. Fried. She wore only pink, she drove a pink Mustang, and she was half out of her head. But very inspiring. And one day she said, "Take out a paper and pen and write something about peace." For some reason I wrote a poem on Noah - I don't know why I chose Noah - and it turned out it was for a contest for the UN. I ended up winning and reading the poem in front of the UN. I remember Mrs. Fried telling me, "When you write your first book, dedicate it to me." That was like, "Whoa."”