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Originals Quotes

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Originals Quotes

“One of the first decisions I made, as the director of "Hide and Seek," was that our film would be silent and use underscoring of original music that I was planning on composing. The decision was mostly predicated on knowing how time consuming the editing of dialogue can be and given the various locations we shot in, I didn't want to worry about having to mix room tones in such a short amount of time.”

“I think he's [Louis Brandeis] a great model for progressive justices today who want to answer the originalists. It's not that the original paradigm cases are irrelevant, but you have to focus on the values the framers were trying to protect, not on the means with which those values were invaded in the 18th century.”

“The time came where I was able to write an original screenplay [Allied], and it would be read and noticed. I had a meeting with Brad [Pitt], just around the time that he was making World War Z. I basically told him the story and said, "This is what I want to do," and he really responded, so that helped me put the thing together and write it.”

“There are some - called 'death fatigue' - people who just grow so tired of death, so they don't want to keep perpetuating death and creating more victims and more anger and more pain. They want to heal from that, and I think that's exactly what God wants to do. And, interestingly enough, that's part of what God's original law was doing with the 'eye for an eye' thing. It was actually to limit the patterns of retaliation and then to begin to heal from that.”

“I think romance is a tool, comedy is a tool and drama is a tool. I really just want to tell stories that challenge the viewer, move people, make you laugh, perhaps push an idea about being open-minded but never settle on a genre or an opinion. I hate genre. I like movies that are original in their approach.”

“Days to come stand in front of us like a row of lighted candles— golden, warm, and vivid candles. Days gone by fall behind us, a gloomy line of snuffed-out candles; the nearest are smoking still, cold, melted, and bent. I don’t want to look at them: their shape saddens me, and it saddens me to remember their original light. I look ahead at my lighted candles. I don’t want to turn for fear of seeing, terrified, how quickly that dark line gets longer, how quickly the snuffed-out candles proliferate.”

“I don’t understand all the nuances of the women’s movement. But I do understand that there are feminists who want to challenge the dominant paradigm, not only of patriarchy, but of where the original wealth came from and the relationship of that wealth to other peoples and the earth. That is the only way that that I think you can really get to the depth of the problem.”

“There is a yearning that is as spiritual as it is sensual. Even when it degenerates into addiction, there is something salvageable from the original impulse that can only be described as sacred. Something in the person (dare we call it a soul?) wants to be free, and it seeks its freedom any way it can. ... There is a drive for transcendence that is implicit in even the most sensual of desires.”

“I've got two daughters who will have to make their way in this skinny-obsessed world, and it worries me, because I don't want them to be empty-headed, self-obsessed, emaciated clones; I'd rather they were independent, interesting, idealistic, kind, opinionated, original, funny – a thousand things, before 'thin'. And frankly, I'd rather they didn't give a gust of stinking chihuahua flatulence whether the woman standing next to them has fleshier knees than they do. Let my girls be Hermiones, rather than Pansy Parkinsons. Let them never be Stupid Girls.”

“Oh, well, if you want original conversations, you'd better go and talk to yourself.”

“To me, then, true criticism consists in trying to find out the intrinsic worth of the thing itself, and not in attributing a quality to that thing. You attribute a quality to an environment, to an experience, only when you want to derive something from it, when you want to gain or to have power or happiness. Now this destroys true criticism. Your desire is perverted through attributing values, and therefore you cannot see clearly. Instead of trying to see the flower in its original and entire beauty, you look at it through coloured glasses, and therefore you can never see it as it is.”

“Everybody wants to write a hit song, but in Nashville people want to write the best song, which was my original intention as a singer/songwriter. ... I left because I could no longer make records that sounded less and less like me. I tried to please people instead of believing in my own strength, until the only thing I could do was walk away.”

“Philosophical argument, trying to get someone to believe something whether he wants to believe it or not, is not, I have held, a nice way to behave towards someone; also it does not fit the original motivation for studying or entering philosophy. That motivation is puzzlement, curiousity, a desire to understand, not a desire to produce uniformity of belief. Most people do not want to become thought-police. The philosophical goal of explanation rather than proof not only is morally better, it is more in accord with one's philosophical motivation.”

“I had to de-program myself. From myself. Had to reinvent rituals of purification. So full of the vagrant pollutions of others. It was time to detox. Not only from alcohol, sex, and drugs, but from needy leeches who looked to swab me with their sores. Detox from my own needy lechery. Had to locate the center wound and cauterize. Undo the original sin, the origin of my sickness...Had to learn to replace Them, It, Want, Hurt, Anger, Sorrow, Loss, with Power, Healing, Wisdom, Fulfillment, Satisfaction.”