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“I was trying to be appreciative for the education I had, for the sacrifices my parents made. I was very interested in perfect attendance, OK, and straight A's and, you know, dean's list, because those I think were worthwhile, you know, endeavors. And it was important to spend my time in that way and become well-rounded.”

“Nashville has always felt perfect. I don't think Third Man Records could exist in any other town that I know of in America. Anything smaller or larger than the size of Nashville, and also the music - the attention that's paid to music in that town is sort of the right kind. It's not too hipster and it's not too fake; it's something in the middle, which is really good ground for a place like Third Man Records, that aims to be genre-less. It's great to be able to have that kind of access.”

“So who is better off, those who share love long enough to see which parts inevitably fade or those who lose their love when it is still pristine? I think each is lonely in a different place, though if you lose your love while it is still perfect you at least have a clear explanation for your grief, while if it gradually crumbles in your hands you do not.”

“Heaven is the perfect place to raise children. Everything will be just the way it was intended to be in the beginning, a perfect environment without pain and danger, accidents and death and the horrors of this world. Babies won't have to cry. - They'll have everything they need. We'll be able to read their little minds, and we won't have to wonder what they're needing. Just think of all the advantages of rearing children in Heaven. It will be pure pleasure!”

“I usually make up stories for my kids.I like to tell them stories and make up any kind of crazy to involve them in characters. The kind of fairytales I don't like are the ones with happy endings, where there's just good and evil and things are perfect. I think when there's a good story for children it has a moral tale, so that's what I try to teach my kids.”

“Just work. Don't wait. Everybody's waiting until they have the perfect idea to start working. Even if you have an inkling of what you want to do, start moving towards it. And it's going to flesh itself out through the process of moving towards the goal. And by the time you get to where you're going to be, it's not going to look anything like it did when you sat on the couch thinking about it. And if you wait until it's perfect in your head before you get of the couch and start working on it, that's never going to happen.”

“We tried some experiments in mind reading which were not very successful. Think mind reading contrary to common sense, wise provision of the Bon Dieu that we cannot read each others minds, twould stop civilization and everybody would take to the woods. In fifty or hundred thousand centuries when mankind have become perfect by evolution then perhaps this sense could be developed with safety to the state.”

“Unlike most wars, which make rotten fiction in themselves - all plot and no characters, or made-up characters - Vietnam seems to be the perfect mix: the characters make the war, and the war unmakes the characters. The gods, fates, furies had a relatively small hand in it. The mess was man-made, a synthetic, by think tank out of briefing session.”

“Give me the clear blue sky over my head, and the green turf beneath my feet, a winding road before me, and a three hours' march to dinner - and then to thinking! ... I begin to feel, think, and be myself again. Instead of an awkward silence, broken by attempts at wit or dull common-places, mine is that undisturbed silence of the heart which alone is perfect eloquence.”

“We do live in an unsafe world. That's the truth. I'm dealing with that now, with my seven-year-old. He's grappling with the fact that the world is unsafe, and that there are people who do harmful things. I don't think there's anything wrong with presenting that idea. We can't lie to our children and pretend that the world is perfect, and everybody's happy, and everybody's out there to do good. It's just part of a bigger conversation.”

“I try to get a feeling of what's going on in the story before I put it down on paper, but actually most of this breaking-in period is one long, fantastic daydream, in which I think about anything but the work at hand. I can't turn out slews of stuff each day. I wish I could. I seem to have some neurotic need to perfect each paragraph—each sentence, even—as I go along.”

“I was fortunate enough to work at the peak of the great golden age of musicals. And then for awhile, I think they were being advanced in different ways. Andrew Lloyd-Webber brought the rock beat to musicals; people tried different things. The joy of musicals is that there is no perfect recipe; it is what you throw into it.”