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Periods Quotes

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Periods Quotes

“I love silence. And one of the paradoxes about the way I live and also about my work is that definitely one of the reasons I went into music, and especially into composing is that I love setting up an environment where I can be by myself for long periods of time and have everything as quiet as possible, either to think about sound, or to think about ideas, or just to focus on things that are important to me.”

“I was once doing a question and answer period with the novelist Jane Smiley in a bookstore and someone asked us what our processes were and Jane said hers and then I said mine and Jane said, "Well, if I had a student like that I'd force him never to write like that again because you could never write a novel in the way that you write poetry."”

“All my life I've been involved with racial politics. I was a Freedom Rider in the South. I was the author of books on gang violence, I was a community organizer in Newark, New Jersey, and when I spoke to the Black Caucus, congressional and state, I realized they were going all the way for Hillary [Clinton] and so was the Latino caucus in Sacramento and I asked myself this question: "Do I really want to cast my vote against these people who have been central to my life and to the soul of the country?" And so I went with them. Period.”

“We've just gone through this period of years where the players in the game were at least written about as being a Democratic administration, establishment Republicans, and then the rabble-rousing radicals of the tea party. And it was like a three-way negotiation between them. But we are going to enter an era where there's a physical, powerful, vibrant progressive movement that will, I think, be able to exercise power in the same way as the right-wing and the right does.”

“For a long period of time, the media covered rap music and hip hop the same way they cover a lot of black people, people of color, you know, the bad news happens to be news. They used to have these little stupid colloquialisms that pop up like, "You know what? No news is bad news!" They trick the masses into thinking that any news is great for you. And I just think that's a piece of crap.”

“There are some pretty obvious ways of benchmarking creativity. One way is to perform what I call a creativity audit, which is to look at your capabilities and look at your performance and examine the percentage of revenue that comes from products that are less than five years old, less than three years old and that are current with the present accounting period. You can then compare those figures to those of your competition along the same axes.”

“'The anthropocene' refers to the way we live now, in a highly globalized world, characterized by a large human population and powerful technologies that allow for "action at a distance" that aggregate apparently negligible acts into powerful forces that are transforming fundamental planetary systems. In this sense 'the anthropocene' refers to a period in which nature as an independent autonomous domain comes to an end or is under serious threat.”

“This has been a huge problem for a very long period of time that we have, that Mexico's economy and Mexico's socialist orientation makes it so that people want to come to the United States in such numbers. I wish that we could figure out a way to do this in a legal fashion because I believe in the Latino culture.”

“It's important that the disparities in the living conditions cannot be allowed in this digital period to be too marked. Each and every one must be given an opportunity to participate, which is why Germany's fate in many ways depends on the firmness of its alliance with NATO, with the European Union.”

“Simon McBurney on "All My Sons" on Broadway - we had an eight-week rehearsal period and I really enjoyed the way that he prepared us to go onstage. It was different than anything I've done and it was a different way of being directed, so I tried to take my different experiences of these directors and give those to my actors.”

“I watch a sort of primitive form of the recommodification machine around my friends and myself in sixties, and it took about two years for this clumsy mechanism to get and try to sell us The Monkees. In 1977, it took about eight months for a slightly faster more refined mechanism to put punk in the window of Holt Renfrew. It's gotten faster ever since. The scene in Seattle that Nirvana came from: as soon as it had a label, it was on the runways of Paris.There's no grace period, so that's a way in which I see us losing the interstitial.”

“We need to roll back precarious employment models. Temporary and limited contracts were initially seen as a way of introducing more flexibility so as to bridge periods of need in certain phases of production. Some employers have taken advantage of the model to push down wages. In general, we must strive for equal pay for equal work.”

“Having a child is the polar opposite experience of the awards season experience. The awards-season experience requires you to be out in the community, in the heart of the community, at the nucleus of the film community in a really committed way for about a six-month period of time. Having a child requires you to nest, to be in your home, and to create and make your home and environment that is one that is potentially very welcoming and nurturing for a child.”