“The joy for me of television is the sort of family feeling of being involved with an ensemble - the cast and the crew and the director of photography and the guys in the camera truck - and you're all coming together. There's a great feeling when that is a successful unit, a successful family.” FeelingsTogetherJoyGuySuccessfulTelevisionInvolvedDirectorsPhotographyCamerasCastsUnitsCrewTruckEnsembleComing TogetherGreat Feelings Author:Jeffrey Pierce
“I find that in the process of making a film you're constantly discovering things that you never even imagined would work at the beginning. Actors come into the film and do things you never even imagined. Production designers come in, the director of photography lights it in a way that you never imagined. So, it's always evolving, always exciting.” WayLightFilmActorsProcessDirectorsPhotographyExcitingProductionsEvolveDesignerDiscoveringDiscovering Things Author:Peter Jackson
“I joke around sometimes and say that the DP [director of photography] is like a shrink for the director, but there's some truth in there.” SometimesDirectorsPhotographyJokesShrinks Author:Reed Morano
“It might sound crazy, but filming in a conflict zone, in Afghanistan, and being a female filmmaker was the easy part. I found people open and understanding of the importance and beauty of filmic storytelling. I never had to explain why Jake Bryant, my Director of Photography, and I were climbing up a ladder to get a high shot, or running ahead to get an arrival shot, or filming weeks after weeks, months after months, collecting so much material. The process was respected and honored.” PeopleMightRunningFoundEasyProcessUnderstandingSoundWeekCrazyMaterialsMonthsDirectorsConflictPhotographyShotsFemaleImportanceStorytellingFilmmakerZoneClimbingAfghanistanHonoredLaddersCollectingArrivalsJakeClimbing Up Author:Pietra Brettkelly
“If the audience gets everything, if they see the photography and notice that it is good, then the story goes out the window, but if you become involved with the lives of the actors and forget that you are seeing mechanical devices on a huge screen - forget the make-believe - this is the job of the director to involve the audience with the actors.” IfsBelieveStoriesJobsActorsForgetAudienceSeeingHugeInvolvedDirectorsPhotographyWindowScreensDevicesMake Believe Author:Frank Capra
“If you are able to see on a monitor what it's actually going to look like and have that kind of feedback informing your decisions, then you're bringing back a lot of the decision-making process of the designer, the director of photography and the director away from the post-production process and bringing it back into the actual capturing of the event on film.” IfsLooksKindAbleFilmProcessDecisionEventsDirectorsPhotographyProductionsPostsDesignerDecision MakingFeedbackInformingDecision Making ProcessPost Production Author:Rick Heinrichs
“My favorite part about costume designing is the artistry of the job. You meet with a director and a visionary to discuss ideas. You research the characters and figure out the components of their look through your own vision. You create a color palette for a film, television or stage medium and discuss it with the director of photography who then lights your colored subjects.” LooksIdeasCharacterLightJobsFilmVisionSubjectsStageFiguresDesignTelevisionColorDirectorsPhotographyResearchMy FavoriteMediumsCostumesComponentsVisionariesArtistryPalette Author:Ruth E. Carter
“Just someone trying to shoot in 70mm deserves the nomination, and he[Quentin Tarantino] is shooting interiors, like tight interior shots, for that matter. Obviously [Quentin] is the director and demanding the shots, but all credit for the beauty of that film [Hateful Eight] goes to the director of photography.” TryingMatterFilmDirectorsPhotographyShotsDeserveEightCreditShootingInteriorsHatefulNominationsQuentinTarantino Author:Bun B
“I actually had some funny dialogue [ in Stardust Memories], a little piece, and we shot all day in this big ballroom. Gordon Willis was the director of photography, and at the end of the day, Gordon turned to Woody Allen and said, "We cannot accomplish all of this in this space. It's impossible." And we'd been rehearsing and trying to shoot this thing all day. So Woody said, "Okay, let's do something else." He looked at me and said, "Come back tomorrow, I'll put you in something else." And he did.” TryingLittlesSaidEndsBigsMemoriesSpacePiecesImpossibleTomorrowDirectorsPhotographyShotsOkayAccomplishDialogueThe End Of The DayWoodyStardustBallroomRehearsingAnd At The End Of The Day Author:Brent Spiner
“The artistry on the show [ Underground] is apparent in each episode. From the riveting writing to the purposeful and precise direction, the masterful work of the DP [Director of Photography] Kevin McKnight and his crew, and the layers and depths each actor goes to to ensure we the audience feel a human connection to these characters led me to sign my name on the dotted line.” FeelsWritingHumansCharacterShowsActorsNamesLinesAudienceDirectorsPhotographyConnectionsDepthLayersEpisodesCrewPreciseArtistryKevinHuman Connection Author:Aisha Hinds
“Any time you talk about the look of the film, it's not just the director and the director of photography. You have to include the costume designer and the production designer.” LooksFilmDirectorsPhotographyProductionsDesignerCostumes Author:Spike Lee
“No matter how much crap you gotta plow through to stay alive as a photographer, no matter how many bad assignments, bad days, bad clients, snotty subjects, obnoxious handlers, wigged-out art directors, technical disasters, failures of the mind, body, and will, all the shouldas, couldas, and wouldas that befuddle our brains and creep into our dreams, always remember to make room to shoot what you love. It's the only way to keep your heart beating as a photographer.” WayMindHeartArtMatterDreamBodyRememberRoomsBrainAliveSubjectsDirectorsPhotographyArt IsPhotographerDisasterClientsCrapBad AssOur DreamsBad DayCreepsWhat You LoveAssignmentsStaying AliveObnoxiousHeart BeatMind BodyInspirational PhotographyHeart BeatingArt Director Author:Joe McNally
“Photographers should make three or four prints from one negative and then crop them differently. When I was art director at Harper's Bazaar and at several agencies as a consultant, young photographers would bring me their portfolios and all the prints would be in the same standard proportions, either for the Leica or the Rolleiflex. Many times, by limiting themselves in this way, they missed the true potentialities of their photographs.” WayShouldArtWould BeYoungThreeFourDirectorsPhotographyStandardsNegativePhotographerPhotographAgencyProportionPrintCropsPortfoliosConsultantsHarperBazaarsArt DirectorLeica Author:Alexey Brodovitch