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“I was at Mount Tamalpais near San Francisco hiking when a boulder came hurling down the mountainside and smashed my left hand. When I looked at my mangled bloody fingers, I had a strange reaction. 'Thank God I will never have to play again,' I said. The fact is that dedication to one's art does involve a sort of enslavement.”

“Performers always come back from the Edinburgh festival with adventure stories. Watts told a few: meeting a young kilt maker who spent a year in a madhouse after eating too much LSD, and accompanying Seattle actor and musician Michael McQuilken (of Collaborator Productions) to the hospital after a Frisbee accident. He reached up to catch it and cut his hand on a sign, .. He had to get a few stitches, but I think he can still play.”

“Every time you play a hand differently from the way you would have played it if you could see all your opponents' cards, they gain; and every time you play your hand the same way you would have played it if you could see all their cards, they lose. Conversely, every time opponents play their hands differently from the way they would have if they could see all your cards, you gain; and every time they play their hands the same way they would have played if they could see all your cards, you lose.”

“Most of the people dishing out judgment have no working experience of the theatre, have not written a professional play, a sketch, or even a joke; have never worked in a theatre, taken an acting class, or published any extended piece of work. They are creative virgins; everything they know about theatre is book-learned and second-hand.”

“Wit is something more than a gymnastic trick of the intellect; true wit implies a beam of thought into the essence of a question, a flash that lights up a situation. Wit suggests the delicate but delightful play of a rapier in the hands of a master.”

“In avant garde drama ... primitivism goes hand in hand with aesthetic experimentation designed to advance the technical progress of the art itself by exploring fundamental questions: What is a theatre? What is a play? What is an actor? What is a spectator? What is the relation between them all? What conditions serve this best?”

“Here's why I don't have time to 'play church': at the end of the day, when I was supposed to be discarded, and the tools came in to kill me, to crush my head or whatever you're supposed to do, the Lord took His hand, pushed in there, and pushed me back out of the way. And they thought they got me. But at the end of the day God had a plan for a broken situation.”

“In order to even begin to learn how to play his instrument, it takes the guitarist weeks to build calluses on his fingertips; it takes the saxophonist months to strengthen his lip so that he might play his instrument for only a five-minute stretch; it can take the pianist years to develop dual hand and multiple finger coordination. Why do writers assume they can just “write” with no training whatsoever-and then expect, on their first attempt, to be published internationally? What makes them think they're so much inherently greater, need so much less training than any other artists?”

“I think Chris Paul is a great player. He is very unselfish and plays very hard, so he would be a guy if he plays. I think his hand is still questionable, though. I hear they are talking about resting him that weekend. I'm excited to play with all the guys. Marvin Williams is starting to play well, and Salim Stoudamire, I think he should be there.”