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“I've always been fascinated by Picasso and how he would look at a single image through multiple perspectives and from separate moments in time. He would look at a woman's face and he would see almost a three-dimensional look even though it was a flat canvas. I thought, well why couldn't we do the same thing with a football play?”

“Thank God for that. You can shut them, say, 'Hold on a moment.' You play God to it. But who has ever torn himself from the claw that encloses you when you drop a seed in a TV parlour? It grows you any shape it wishes! It is an environment as real as the world. It becomes and is the truth. Books can be beaten down with reason. But with all my knowledge and scepticism, I have never been able to argue with a one-hundred-piece symphony orchestra, full colour, three dimensions, and I being in and part of those incredible parlours.”

“Simply to have all the necessities of life and three meals a day will not bring happiness. Happiness is hidden in the unnecessary and in those impractical things that bring delight to the inner person. . . . When we lack proper time for the simple pleasures of life, for the enjoyment of eating, drinking, playing, creating, visiting friends, and watching children at play, then we have missed the purpose of life. Not on bread alone do we live but on all these human and heart-hungry luxuries.”

“The qualifying system helps the top guys like Sergio Garcia, who play most of their golf in the U.S. They can rely on the world rankings and just play their four extra events [with the four majors and three World Golf Championship events counting as seven European events]. But for the other guys it's tough, and I don't know if that can be changed. It is a tricky situation.”

“I did some professional radio acting as a teenager, and I essentially put myself through college with radio acting in Montreal. When I graduated, I got jobs in professional theatres, repertory, and stock theatres in Canada for a couple of years. And then I went to Stratford, Ontario, where I spent three years with a Shakespeare company. We took a classical play from Stratford to New York City, and I got some good notices there and essentially stayed and did live television. And that brings you to the beginning of filming.”

“Other than his ex-wife and despite appearances with a series of cultivated blondes, Edward de Bono has never publicly aligned himself with a woman. 'I’m looking for a fat, cross-eyed hunchback,' he explains, stifling a giggle. 'A prosthetic hump would do.' His delight evaporates when asked about his three grandchildren. 'Am I a doting grandfather?' He pauses. 'I’m a … something grandfather, yes.' The fact that De Bono remains unperturbed by this lack betrays an emotionally austere childhood, and his passions for play, toys, and bad jokes tell of the same deprivation.”

“I used to play Barbies with my Mormon neighbor friend; it was always, "Oh, we're going to go on a date. Ken's taking us out, and we're going with Ken on a date." And I was like, "We're parachuting behind enemy lines to save the Jews." That's how I played Barbies. I was told when I was a girl that every Jewish woman has to have five children to replace three fifths of our people that were killed. That's how I was raised.”

“For inspiration I look to those great players who consistently found original ways to shock their opponents. None did this better than the eighth world champion, Mikhail Tal. The "Magician of Riga" rose to become champion in 1960 at age twenty-three and became famous for his aggressive, volatile play.”

“I've been involved with Fantasy Football for more than 10 years now, and I'll keep competing each year as long as I'm still having fun. I like to play sports, and I like to compete, but I also have a wife and three daughters. This lets me stay involved with the sport I love and still spend quality time with my family too.”

“The curve and the fast one are important; the change of pace and the other trick deliveries are great but they're not worth a plugged nickel unless you have control to go along with them. And by control I don't mean the ability to put the ball over the plate somewhere between the shoulders and knees. I mean the ability to hit a three-inch target nine times out of ten, the sort of control that lets you put the ball in the exact spot you want it, and to play a corner to the split fraction of an inch.”