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Real Life Quotes

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Real Life Quotes

“I think I do become someone else. In real life, I’m very shy, but people think I’m this angry, sexy kind of... god knows what they think! And there I am in front of them, nervous and blushing and stuttering and whatnot. So I’m definitely not the person you see in pictures. I mean, in pictures, you look like something you’re not.”

“Real life is a story, too, only much more complicated. It’s still got a beginning, a middle, and an end. Everyone follows the same rules, you know. . . It’s just that there are more of them. Everyone has chapters and cliffhangers. Everyone has their journey to make. Some go far and wide and come back empty-handed; some don’t go anywhere and their journey makes them richest of all. Some tales have a moral and some don’t make any sense. Some will make you laugh, others make you cry. The world is a library, young Poison, and you’ll never get to read the same book twice.”

“I patterned the accent after this guy I was in a play with, but that was three years ago. Now I'm listening to Tony Head (Giles in Buffy), who sounds kind of like Spike in real life. It's much more tough-guy talk in real life. His accent (as Giles) is just as fake as mine. His is nice and gritty, but it's not North London. I'm always afraid that I'm morphing over into Tony Head, wherever he's from.”

“I realize I have a lot of amazing opportunities, but I don't know how you can play a human being going through real human experiences without being able to walk down the street. If you can't live a real life, how do you play a real person? It always confuses me when actors work back-to-back-to-back with no break. If you live your life on a film set, how the hell can you relate to real people? You don't know what its like to not have people fussing over you all day, and that's not life - that's silly movies. I will always want to take breaks and I wouldn't be OK with losing that.”

“People accuse journalism of being too personal; but to me it has always seemed far too impersonal. It is charged with tearing away the veils from private life; but it seems to me to be always dropping diaphanous but blinding veils between men and men. The Yellow Press is abused for exposing facts which are private; I wish the Yellow Press did anything so valuable. It is exactly the decisive individual touches that it never gives; and a proof of this is that after one has met a man a million times in the newspapers it is always a complete shock and reversal to meet him in real life.”

“God's love is as objective as light. Because the sun in a sense is light, or the source of light rather than being lit, it really gives its light to the earth. And because the earth really receives light from the sun, it is really transformed every morning from darkness to light. Just as objectively, because God is love, God really gives love to us. And because we receive real life-changing love from God, we are really transformed from darkness to light.”

“There’s a side to me that likes to make clothes for everyday. But I also think of fashion as an escape. It’s like a dream. It shouldn’t always be practical and about real life. Sometimes you have to do a piece that has a bit more of a wow - almost like, "I don’t know who’s going to wear that. It’s almost too much." That’s a lot of what fashion is about. Even in an economy that isn’t strong and where it’s important to sell clothes, you have to make things that let people dream a little, you know?”

“The theory of Marx, Engels, Lenin and Stalin is universally applicable. We should regard it not as a dogma, but as a guide to action. Studying it is not merely a matter of learning terms and phrases but of learning Marxism-Leninism as the science of revolution. It is not just a matter of understanding the general laws derived by Marx, Engels, Lenin and Stalin from their extensive study of real life and revolutionary experience, but of studying their standpoint and method in examining and solving problems.”

“She told her therapist it reminded her of coming home the summer after her freshman year at Rutgers, stepping back into the warm bath of family and friends, loving it for a week or two, and then feeling trapped, dying to return to school, missing her roommates and her cute new boyfriend, the classes and the parties and the giggly talks before bed, understanding for the first time that that was her real life now, that this, despite everything she'd ever loved about it, was finished for good.”

“It's a movie, OK? I went to see GONE WITH THE WIND, but did I really believe there was a guy named Rhett Butler who said, "Frankly, my dear, I don't give a damn"? No. Movies need heroes and villains, and real life doesn't usually have heroes and villains. Real life has a lot of shades of gray, and moves have black and white even when they're in color.”

“Mine, said the stone,mine is the hour.I crush the scissors,such is my power.Stronger than wishes,my power, alone.Mine, said the paper,mine are the wordsthat smother the stonewith imagined birds,reams of them, flownfrom the mind of the shaper.Mine, said the scissors,mine all the knivesgashing through paper'sethereal lives;nothing's so properas tattering wishes.As stone crushes scissors,as paper snuffs stoneand scissors cut paper,all end alone.So heap up your paperand scissor your wishesand uproot the stonefrom the top of the hill.They all end aloneas you will, you will.”

“A work of art is something produced by a person, but is not that person — it is of her, but is not her. It’s a reach, really — the artist is trying to inhabit, temporarily, a more compact, distilled, efficient, wittier, more true-seeing, precise version of herself — one that she can’t replicate in so-called ‘real’ life, no matter how hard she tries. That’s why she writes: to try and briefly be more than she truly is.”

“Speaking of love, one problem that recurs more and more frequently these days, in books and plays and movies, Is the inability of people to communicate with the people they love: husbands and wives who can't communicate, Children who can't communicate with their parents, and so on. And the characters in these books and plays and so on, And in real life, I might add, spend hours bemoaning the fact that they can't communicate. I feel that if a person can't communicate, the very least he can do is to shut up!”

“The old idea is that when tragedy strikes or when an obstacle blocks us, there are only two possibilities. We either become a smaller person or we become a bigger person. If it's a real life change you cannot come out the same. So therefore, you're either going to come out smaller or you're going to rise up and ultimately come out of it a bigger person.”