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Record Companies Quotes

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Record Companies Quotes

“I saw the Ramones, early on at a country-rock palace in Denver. They were opening for some record-company band, so the local music establishment, and I emphasize the word "establishment," was there in force, and the handful of us who knew the Ramones were up in front. And half the fun was, you know, not only were the Ramones the most powerful band I had ever seen at that point, but they made it look so simple - that anyone could do it, hell, even I could do it. This is what I should be doing.”

“I can do whatever I want, I can have my band, I can use different people, I can use studio players, it's complete, total freedom for me. If I want to make a video, now that I own my own record company, if the video has an American flame being engulfed by a huge puddle of oil, I can do that, I can say that if I want to.”

“But I did mine through a production company. All the music I did, I gave to the production company. Then the production company would give the record company the album. I used to do all my albums like that. It was fantastic. But now, understand, I have never planned to do anything with these other tapes. The one that are released, like the Virgin Ubiquity you have there, I wasn't going to do anything with that music. One day, I was talking to this guy that owns BBE over in England, and I said I've got some tapes and stuff that you might be interested in, and he went berserk.”

“That was an idea of the record company, and also that was my first album after MCA and we wanted to come back with a strong album that would be noticed. If we put the vocals by very talented people and very meaningful songs, then the vocals would be a platform so that I could be noticed again. All of the MCA albums were just loaded with problems -- you know, the right musicians, the engineers. The record company would say 'You have to make music for black radio, you can't do what you have been doing with The Crusaders.' Everybody was telling me that was over, finished, done.”

“I think I'm just trying to show a more mature side of the band and I think we've really come into the sound of our band. With every album we've grown, but I think this is just a really good picture of where we are right now and how we feel our music represents us. Under the thumb of other record companies we haven't had as much creative control and I think with this record we really did our own thing.”

“Rap music and rap records used to always be like this: we get one or two shots to a piece cause it was a singles marketplace and when the major record companies saw that it could also handle the sales of the albums then they started to force everybody to expand their topics from 1 to about 10 and you gotta deliver 12 songs, so a lot of times if you took a person who wasn't really developed, and the diversity of trying say 12 different things, you know the companies were like "Cool! Say the same thing 12 different ways."”

“What was happening with me, with the album [A Period of Transition], with the people who took the pictures, the record company, everything, getting a new manager [Harvey Goldsmith]-it was all saying a period of transition to me so that was the title choice. It says what it is and obviously nobody is going to analyze that. It's exactly what it is.”

“I won't necessarily make new music because when you make a record there are these great expectations on the side of the record company who are going to produce your record, promoters that are going to do your shows. They want you to do interviews, they want you to play shows. I mean, they want it to be a campaign.”