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Records Quotes

“I hate the thought that someone had picked up one of my song records and was really excited about it, and walks [out of] a record shop with On Land and is disappointed because it isn't what they wanted. So, I try to make signs, graphically and visually, to say to people "Okay, this is this department of my work and this is this other department of my work." And of course I'm very pleased if people like all of them, but I don't want them to feel deceived at any point.”

“I don't get particularly precious about things like this, though. Like the record company said, "We need a radio edit that delivers the hook" - I don't even know what they consider the hook in that song ["Oh No"] - "that delivers the hook sooner." So I'm like, "Okay. I see that." And they were all walking on eggshells, like is this going to be sacrilegious to me or something, to mess with this art I've created? And I'm like, "Great. I get to tinker with it, I get to mess with my song some more."”

“With rock music, it usually revolves around the band. You go in as a band and probably take about a year to record an album. But for a hip-hop song, you can create a track and an idea with verses and choruses in a day, and get three different people on it. It seems like you're able to do more with hip-hop.”

“Although I have guitars all around and I pick themm up occasionally and write a tune and make a record, I don't really see myself as a musician. It may seem a funny thing to say. It's just like, I write lyrics amd I make up songs, but I'm not a great lyricist or songwriter or producer. It's when you put all these things together - that makes me.”

“My philosophy on writing a song for myself is that I always, always, always want to write a song. I always want to write a song. I realize that as a record producer or a singer or whatever I might not, if I recorded on myself or someone else, the first time out I might not give it the right treatment, so that the world or many people will accept it and it'll be a public hit, or anything like that.”

“I've had a very different career than a lot of other musicians. I went through the major labels. I was signed to two major labels and bands. I've toured with Aerosmith, and I've had records on the charts, songs in the movies. If you had checklist of things a person wants to accomplish in music...I've done a lot. And I don't mean that in an egotistical way; I never take it for granted. But you can't think outside the box unless you know what's in the box.”

“All the good music has already been written by people with wigs and stuff...Basically what people want to hear is: I love you, you love me, the leaves turn brown, they fell off the trees, the wind is blowing, it got cold, you went away, my heart broke, you came back, and my heart was okay...Modern music is people who can't think signing artists who can't write songs to make records for people who can't hear. Most people wouldn't know good music if it came up and bit them on the ass...If lyrics make people do things, how come we don't love each other?”

“I have a real soft spot for flying saucer songs and Frenkenstein songs. When I was a kid the first record I ever really liked was called "The Mummy", and the flip-side was called "The Beat Generation" which Richard Hell later re-wrote as "The Blank Generation". I thought it was the greatest thing I had ever heard. I didn't like Elvis much then, but I was very young. When I was a kid I used to play that monster all the time!”

“I think if you listen to our records, they come at different points in your life. When people say to me that Stars records have themes, I think what they mean is we write songs - or try to write songs - that are timeless. We try to write songs that catch you at the right time in your life, and that you can hold on to. We write kitchen sink songs. If you're doing the dishes or you're driving to your mom's funeral, or if you're getting over having done MDMA and you feel sad, you can listen to Stars because we're not going to demand of you that you be cool.”

“I felt like I could get away with calling it Black Hours. That could easily be the most depressing record ever written, but because there is this sense of fun throughout the whole thing I felt like I could get away with it. Like "5 A.M."; that song's in a minor key and I'm just wailing away and it could have been just wallowing depression, but it's not.”

“I'd break out in hives if I had to sing (`Stairway to Heaven') in every show. I wrote those lyrics and found that song to be of some importance and consequence in 1971, but 17 years later, I don't know. It's just not for me. I sang it at the Atlantic Records show because I'm an old softie and it was my way of saying thank you to Atlantic because I've been with them for 20 years. But no more of `Stairway to Heaven' for me.”

“I played a couple of ideas and then had this unusual texture underneath which was like this little granulated kind of pipe organ almost like a scratchy record which he started [inaudible] brilliantly. "Oh I love that song." And when things go fine, it's good. So he started loving that song and that song was used quite a lot in the movie which is very granulated stuff on the guitar.”