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Rooms Quotes

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Rooms Quotes

“This is advice I would give to any young actor - if you go into a room with anybody and you come in with a positive attitude and a place of love, and you truly do love what you're doing, then the negative energy doesn't even get into the room. You just have to prepare, and then go in and be the best you that you can be, and you'll either get the job or you won't.”

“I love to go and mingle with the young In the gay festal room--when every heart Is beating faster than the merry tune, And their blue eyes are restless, and their lips Parted with eager joy, and their round cheeks Flush'd with the beautiful motion of the dance.”

“Upon its debut, The Room was a spectacular bomb, pulling in all of $1,800 during its initial two-week Los Angeles run. It wasn't until the last weekend of the film's short release that the seeds of its eventual cultural salvation were planted. While passing a movie theater, two young film students named Michael Rousselet and Scott Gairdner noticed a sign on the ticket booth that read: NO REFUNDS. Below the sign was this blurb from a review: “Watching this film is like getting stabbed in the head.” They were sold.”

“Our chaotic economic situation has convinced so many of our young people that there is no room for them. They become uncertain andrestless and morbid; they grab at false promises, embrace false gods and judge things by treacherous values. Their insecurity makes them believe that tomorrow doesn't matter and the ineffectualness of their lives makes them deny the ideals which we of an older generation acknowledged.”

“The time-use studies also show that employed women spend as much time as nonworking women in direct interactions with their children. Employed mothers spend as much time as those at home reading to and playing with their young children, although they do not, of course, spend as much time simply in the same room or house with the children.”

“Is it not manifest that our academic institutions should have a wider scope; that they should not be timid and keep the ruts of the last generation, but that wise men thinking for themselves and heartily seeking the good of mankind, and counting the cost of innovation, should dare to arouse the young to a just and heroic life; that the moral nature should be addressed in the school-room, and children should be treated as the high-born candidates of truth and virtue?”

“As a young filmmaker, I shot a lot of stuff because I wanted to make sure that I got everything, but now I've gotten much more precise with my shooting. Editing is a whole other layer because then, sometimes you realize characters don't even need to say this or that. It becomes an issue of exposition, and over-explaining something. In the script, I'd reinforce certain things about what I wanted people to know two or three times, but in the editing room, I'd be like, "I only need to say this once, maybe twice."”

“There is something disorderly about the death of a young person. In a universe disturbed by so much over which we have no control, an untimely tragedy rattles the teeth of our already shaken confidence. We want to domesticate death, fight it on our own turf, in familiar rooms with shades drawn evenly, top sheets turned back, and a circle of hushed voices closing in.”