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“Some good leaders are rough around the edges and some leaders are difficult. Some have difficult personalities and some are really nice to be around, but those are not the qualifications. The qualifications are their desire to see us achieve more, their desire to push us to be the best we can be. Not for their selfish gain, but because they believe that we have something to offer.”

“Right now we're concerned about budget. Right now we're concerned about the prospect of interest rate rise. We're concerned about government corruption, government handing out deals to specific groups. Coolidge fixed a problem like that. He came into a rough time and he, and Harding before him, fixed that by budgeting.”

“There's a few historical reasons for why git was considered complicated. One of them is that it was complicated. The people who started using git very early on in order to work on the kernel really had to learn a very rough set of scripts to make everything work. All the effort had been on making the core technology work and very little on making it easy or obvious.”

“Women had always been thought of as looking after the family when men go and earn an income and they're the bread earner and so on. So there is a kind of generation of inequality, [and], on top of the fact, women have pregnancies and periods, [and] when the children are very small, there are greater demands on their time. So one way or another women have had a pretty rough deal in the past, and there's no reason why that should continue, and any country that has tried to remedy that has succeeded in doing so.”

“My mom and my real father divorced before I was one. My mom and my stepfather divorced when I was in high school. Then she fell in love with a guy, and the guy died. That was a rough time. She has handled adversity well. That's where I got my work ethic. So my mother's where I got my love of music, but my father's where I got my athletic ability. And my hair loss. And my love of women.”

“The collective shortfall of the 3.08 billion people (47 percent of world population) who, in 2005, lived below $2.50 per day was $507 billion per annum, which indeed comes to about two-thirds of the present US military budget. This gives us a rough sense of how much the eradication of poverty would cost.”

“If you're a playwright, unless you're really lacking in get-up-and-go, you can always get your play up somewhere. You can't necessarily make a living doing it, but theater is about meeting an audience. Plays are not easier to write necessarily, they take less time to write. If you get them up, it's a much more rough-and-tumble kind of existence. I think it's, from my perspective, easier than novel writing.”

“Justin Lin is one of the most impressive people I've met professionally. I don't think he sleeps, or I think he sleeps 20 minutes every few hours during the night. Mostly, between shooting days, he was making rough cuts and other decisions with creative things on the Star Trek. He blew me away; in spite of working insane hours most days, his energy is incredibly generous and calm. Within the eye of storm, there was Justin there. He's someone who takes the temperature down and makes you feel calm in the middle of that, which is the greatest asset a huge production could have.”

“Donald Trump can't even handle the rough and tumble of a presidential campaign. He loses his cool at the slightest provocation. When he has gotten a tough question from a reporter, when he is challenged in a debate. When he sees a protester at a rally. Imagine, if you dare imagine, imagine him in the Oval Office facing a real crisis. A man you can bait with a tweet is not a man we can trust with nuclear weapons. And in the end, it comes down to what Donald Trump doesn't get, America is great because America is good.”

“We've always done things the way we wanted to. It's true that our experience affects some of our decision making, but that's a part of growing up and evolving as a band and as people. The first five or six years were really rough. We had no money. We were lost and crazy and made mistakes, but we learned a lot and suffered through tough times, and I think what we did reflected where we were and who we are.”

“I liked trumpet because it's related to boxing, but also it has a capacity to create a different type of beauty. There are fight fans, people who want to see that, but what they're really there to see is pretty rough. They're there for blood, which is fine. It's part of it. I enjoyed having the same type of internal, mental, physical fight, but enduring that sort of trauma or pain to send a message of love. I can still have the fight, but what I'm fighting for is more a reality that I want to create.”

“The first time I took my daughters to the ocean - and I love the ocean but where we swim is very rough, very New England, rip tide, not messing around ocean - and a thought arrived: I was asking my daughters to slowly recognize death, just dip their toes in its fathomless edge, to know it is there, even in the night when we don't see it and that it, in its mystery and largeness, in its terror, is the thing that makes life precious, magnificent and full of never-ending curiosity.”

“Now social media is a centerpiece of our lives. It can be a useful tool for connection and communication. It can ease the isolation that so many people feel in the modern world. But like anything that is powerful, it can have a bad side. As adults, many of us are able to handle mean words, even lies. Children and teenagers can be fragile. They are hurt when they are made fun of or made to feel less in looks or intelligence. This makes their life hard and can force them to hide and retreat. Our culture has gotten too mean and too rough, especially to children and teenagers.”

“I had never really heard of Meryl Streep before. Someone told me she was an actress and she'd been in a few things, but I said, you know, whatever. She showed up and she seemed somewhat inexperienced, so I gave her a few pointers, and I think she has a decent career ahead of her. It's always hard to tell these things in Hollywood, but I do think that she has some talent under there. I think she's a diamond in the rough.”

“I was just staying home and getting stoned and drinking. It was a pretty rough period. I think that's kind of the whole theme of Indestructible Machine, how when you have social anxiety, you can sort of convince yourself that you've gotten over it by drinking a bottle of whiskey, but once you sober up you're still terrified of everything. Hence you're treating your body like it will never die. I think I have gotten better, just from touring so much, but I still definitely have the skittish nature.”

“Digression is my passion. I love telling the main stories, but in some ways, what I love most is using those narratives as a way of stringing together the interesting stories that people have kind of forgotten, and that are kind of surprising. The problem is, how do you pare stories away so that the book doesn't become a distracting jumble of material, and readers lose focus? In my experience, there's really only one way to do that. I pack it all in with the rough draft, then count on myself and my trusted readers to tell me what's good and what's not good.”

“With stand-up you meet almost constant rejection. You put yourself out there with your thoughts and your ideas, and you think they're funny, and you hope other people think they're funny too. The only way you're going to find out is when you do it and what the reaction is going to be. So if you're not prepared for that, if you're not willing to go along with that, it's going to be a rough road. But beyond stand-up, in terms of auditioning for acting roles, you don't get most of the roles you audition for - you get a precious few.”

“There was always this sort of weird process in the development and pre-production, thinking, 'How do we get the studio tracks that Joy Division recorded that are so clean and pristine but sound rough and live and how do we get the live versions to actually sound clear enough so you can make out what they're saying?' That was sort of the frustration with Anton Corbijn and myself, figuring out how we make that work.”

“For any economy, there are two basic factors determining how many jobs are available at any given time. The first is the overall level of activity - with GDP as a rough, if inadequate measure of overall activity - and the second is what share of GDP goes to hiring people into jobs. In terms of our current situation, after the Great Recession hit in full in 2008, US GDP has grown at an anemic average rate of 1.3 percent per year, as opposed to the historic average rate from 1950 until 2007 of 3.3 percent.”

“It's the rough diamond that dictates what you can get out of a diamond. You can't say, "I'm going to make this," or, "I'm going to make that." It's nature. Whatever nature gives us, we explore and we build on. We can't create something that is not in the stone, so we take away as many imperfections as we can. Sometimes, you can't take them all away. But mostly, our cut, our polish, the life we put into the stones, the beauty that we bring out is exceptional.”

“I suppose it's nice that I've made films that some people have heard of and respect. That's great. And it's certainly helpful in some regards, but they're really tough economic prospects. They always have been, and that's not necessarily getting any better. And not just the films, but it's also been a rough 10 years for that independent film market. And so I have stumbled onto this point in the timeline where the kind of stuff that I'm trying to do is not... it was a lot easier to know what to do with it 20 years ago.”

“When I pick up a pencil, that this is a rough draft. This is not going anywhere, and no one's going to see it. You have permission to make all the mistakes you want. It signals freedom to me, and it signals mistakes. Then when I put it on the computer, a different part of my brain kicks in and I really evaluate every single word and sentence and make decisions. I like that step of polishing while I'm rewriting the entire thing, not just cutting and pasting. Really putting in every word and making a decision: is this something I can stand by?”

“The act of choosing what to place in your piece when you're a historian or a non-fiction writer already renders it into fiction for someone else. In some ways fiction comes a lot closer to reality. When you start talking about something as brutal as slavery and life in the American West, it's really important to take a non- judgmental stance. We romanticize a great deal about life in the American West, but I thank God I wasn't living during that time. No matter what color you were, it was rough, crude, tough living.”