“The sound of water escaping from mill-dams, etc., willows, old rotten planks, slimy posts, and brickwork.those scenes made me a painter and I am grateful.” MadeSoundWaterSceneGratefulPainterPostsEtcRottenEscapingMillsI Am GratefulDamsSound Of Water Author:John Constable
“Nowadays, one of the churches of Tlön maintains platonically that such and such a pain, such and such a greenish-yellow colour, such and such a temperature, such and such a sound, etc., make up the only reality there is. All men, in the climactic instant of coitus, are the same man. All men who repeat one line of Shakespeare are William Shakespeare.” MenRealityPainSoundChurchLinesInstantRepeatsColourEtcYellowTemperatureOne Line Author:Jorge Luis Borges
“A sound does not view itself as thought, as ought, as needing another sound for its elucidation, as etc.; it has not time for any consideration--it is occupied with the performance of its characteristics: before it has died away it must have made perfectly exact its frequency, its loudness, its length, its overtone structure, the precise morphology of these and of itself.” DoeMadeSoundViewsOughtPerformancesDiedStructureCharacteristicsEtcConsiderationLengthPreciseFrequencyMorphology Book:Silence: Lectures and Writings Source: Silence: Lectures and Writings
“we have complaints that institutional dominance of the stock market has put 'the small investor at a disadvantage because he can't compete with the trust companies' huge resources, etc. The facts are quite the opposite. It may be that the institutions are better equipped than the individual to speculate in the market.But I am convinced that an individual investor with sound principles, and soundly advised, can do distinctly better over the long pull than large institutions.” MayLongFactsIndividualSoundCan DoCompanyPrinciplesHugeResourcesOppositesInstitutionsConvincedEtcInvestorsComplaintsDisadvantagesDominance Author:Benjamin Graham
“I just love crafting and shaping sounds. Actually, many of the sounds that I work with start off as organic instruments - guitar, piano, clarinet, etc. But I do love the rigidity of electronic drums.” SoundInstrumentsGuitarPianoEtcRigidityClarinet Author:Imogen Heap
“We may say that feelings have two kinds of intensity. One is the intensity of the feeling itself, by which loud sounds are distinguished from faint ones, luminous colors from dark ones, highly chromatic colors from almost neutral tints, etc. The other is the intensity of consciousness that lays hold of the feeling, which makes the ticking of a watch actually heard infinitely more vivid than a cannon shot remembered to have been heard a few minutes ago.” KindMayHas BeensTwoFeelingsSoundDarkConsciousnessWatchesHeardMinutesColorShotsLaysLoudRememberedEtcIntensityVividDistinguishedLuminousCannons Author:Charles Sanders Peirce
“The techniques are all means of dealing with one simple idea: She wrote it. (That is, the "wrong" person--in this case, female--has created the "right" value--i.e., art.) Denial of Agency: She didn't write it. Pollution of Agency: She shouldn't have written it. Double Standard of Content: Yes, but look what she wrote about. False Categorizing: She is not really she [an artist] and it is not really it [serious, of the right genre, aesthetically sound, important, etc.] so how could "she" have written "it"? Or simply: Neither "she" nor "it" exists (simple exclusion).” WritingLooksMeanPersonsArtImportantIdeasArtistValuesSoundSimpleCasesWrittenSeriousStandardsFemaleCriticismTechniqueDenialGenreAgencyEtcSexismPollutionExclusionDouble StandardLiterary CriticismWrong PersonSimple IdeasCategorizing Book:How to Suppress Women's Writing Source: How to Suppress Women's Writing
“We perceive nature through the senses, which give us images of forms of colour, sounds etc. A form which exists only in relation to another form on its own, it does not exist.” GivingDoeFormSoundRelationSensesPerceiveColourEtc Author:Edouard Vuillard
“I am always interested in the ways of scoring the sound of the poem, especially a poem with long lines. Spaces within a line, double colons, slashes, are indications of pause, of breath, of urgency, they are not metrically exact as in a musical notation but they serve (I hope) to make the reader think about the sound of the poem - just as traffic symbols, when driving, make us almost unconsciously aware of a steep hill, an intersection, an icy bridge etc.” ThinkingWayLongSoundLinesSpaceReaderBreathsMusicalDrivingSymbolsHillsBridgesEtcTrafficPausesUrgencyIndicationSteepIcyIntersectionsLong Lines Author:Adrienne Rich
“Sound continues to be a mystery to me, in that one could create infinite songs focusing on the same subject, but depending on the melody, instrument choice, minor or major key, time signature, etc., each song could elicit an entirely different response.” DifferentSongChoicesSoundMysterySubjectsKeysMajorsInfiniteInstrumentsResponseEtcMelodyMinorsSignatures Author:Josh Garrels
“As the writer, you can choose the word that seems best in terms of meaning, nuance, sound, etc. As the translator you are unlikely to find a word in your language that exactly matches, so that you are always making a decision about which meaning or nuance to choose, or emphasize, over the others.” SeemsLanguageSoundTermDecisionEtcUnlikelyNuanceTranslators Author:Ann Goldstein