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“The thing about great fictional characters from literature, and the reason that they're constantly turned into characters in movies, is that they completely speak to what makes people human. They're full of flaws as much as they are full of heroics. I think the reason that people love them and hate them so much is because, in some way, they always see a mirror of themselves in them, and you can always understand them on some level. Sometimes it's a terrifyingly dark mirror that's held up.”

“Eyes are bold as lions,--roving, running, leaping, here and there, far and near. They speak all languages. They wait for no introduction; they are no Englishmen; ask no leave of age or rank; they respect neither property nor riches, neither learning nor power, nor virtue, nor sex, but intrude, and come again, and go through and through you in a moment of time. What inundation of life and thought is discharged from one soul into another through them!”

“This is some fellow, Who having been prais'd for bluntness, doth affect A saucy roughness and constrains the garb Quite from his nature: he can't flatter, he! An honest mind and plain,--he must speak truth! And they will take it so; if not he's plain. These kind of knaves I know, which in this plainness Harbor more craft, and far corrupter ends, Than twenty silly, ducking observants, That stretch their duty nicely.”

“I know them, yea, And what they weigh, even to the utmost scruple; Scambling, out-facing, fashion-mong'ring boys, That lie, and cog, and flout, deprave, and slander, Go antickly, and show outward hideousness, And speak off half a dozen dangerous words, How they might hurt their enemies, if they durst; And this is all.”

“My rage is gone, And I am struck with sorrow. Take him up. Help, three o' th' chiefest soldiers; I'll be one. Beat thou the drum, that it speaks mournfully, Trail your steel spikes. Though in this city he Hath widowed and unchilded many a one, Which to this hour bewail the injury, Yet he shall have a noble memory. Assist.”

“Of little use, the man you may suppose, Who says in verse what others say in prose; Yet let me show a poet's of some weight, And (though no soldier) useful to the state, What will a child learn sooner than a song? What better teach a foreigner the tongue? What's long or short, each accent where to place And speak in public with some sort of grace?”

“Everything we did was done in form and with propriety, and the result of our proceedings is the document [the Quebec Resolutions] that has been submitted to the imperial government as well as to this house and which we speak of here as a treaty. And that there may be no doubt about our position in regard to that document we say, question it you may, reject it you may, or accept it you may, but alter it you may not.”

“Art is not for the personal satisfaction of one or the other, but art wants to return all what's in life... Art wants to give back everything what's in our lives. The more comprehensive the artist stands in life the more powerful his work will speak, and therefore a work of art is a measure of the mental size of his creator.”

“I felt that film (Let It Be) was set up by Paul for Paul. That is one of the main reasons the Beatles ended. I can't speak for George, but I pretty damn well know we got fed up of being sidemen for Paul. After Brian died, that's what happened, that's what began to happen to us. The camera work was set up to show Paul and not anybody else. And that's how I felt about it.”