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Speak Quotes

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Speak Quotes

“One learned gentleman, "a sage grave man," Talk'd of the Ghost in Hamlet, "sheath'd in steel"— His well-read friend, who next to speak began, Said, "That was poetry, and nothing real;" A third, of more extensive learning, ran To Sir George Villiers' Ghost, and Mrs. Veal; Of sheeted Spectres spoke with shorten'd breath, And thrice he quoted Drelincourt on Death.”

“Step back in time; look closely at the child in the very arms of his mother; see the external world reflected for the first time in the yet unclear mirror of his understanding; study the first examples which strike his eyes; listen to the first words which arouse within him the slumbering power of thought; watch the first struggles which he has to undergo; only then will you comprehend the source of his prejudices, the habits, and the passions which are to rule his life. The entire man, so to speak, comes fully formed in the wrappings of his cradle.”

“Conversation should be like juggling; up go the balls and the plates, up and over, in and out, good solid objects that glitter in the footlights and fall with a bang if you miss them. But when dear Sebastian speaks it is like a little sphere of soapsud drifting off the end of an old clay pipe, anywhere, full of rainbow light for a second and then - phut! vanished, with nothing left at all, nothing.”

“A dream inspiring a story is different than placing a description of a dream in a story. When you describe a character's dream, it has to be sharper than reality in some way, and more meaningful. It has to somehow speak to plot, character, and all the rest. If you're writing something fantastical, it can be a really deadly choice because your story already has elements that can seem dreamlike.”

“What I have always found most beautiful in the theatre, in my childhood, and still today, is lustre--a beautiful object, luminous, crystalline, complex, circular, symmetrical. However, I do not absolutely deny the value of dramatic literature. Only, I should like the actors to be mounted on high pattens, to wear masks more expressive than the human face, and to speak through megaphones.”

“When I speak now, my experience in art wells up so articulately that I am surprised even while I am talking. I move around a podium as easily as if it were my living room and although I am keyed up I am not anxious. I feel as if I were doing what I should be doing - the feeling I have when intent in my studio.”

“The relativism which is not willing to speak about truth but only about ‘what is true for me’ is an evasion of the serious business of living. It is the mark of a tragic loss of nerve in our contemporary culture. It is a preliminary symptom of death.”

“At the moment, it actually says nothing about a possible cosmic-ray effect on clouds and climate, but it's a very important first step.” This may be because he was ordered to speak circumspectly. According to science writer Nigel Calder, Rolf-Dieter Heuer, the director of the CERN lab, told a German newspaper that “I have asked the colleagues to present the results clearly, but not to interpret them. That would go immediately into the highly political arena of the climate change debate. One has to make clear that cosmic radiation is only one of many parameters.”

“I felt naked. I felt as perhaps a bird may feel in the clear air knowing the hawk wings above and will swoop. I began to feel the need of fellowship. I wanted to question, wanted to speak, wanted to relate my experience. What is this spirit in man that urges him forever to depart from happiness, to toil and to place himself in danger?”

“We ourselves, though we're guilty of every sin, are not just a work of God: we're image. Yet we have cut ourselves off from our Creator in both soul and body. Did we get eyes to serve lust, the tongue to speak evil, ears to hear evil, a throat for gluttony, a stomach to be gluttony's ally, hands to do violence, genitals for unchaste excesses, feet for an erring life? Was the soul put in the body to think up traps, fraud, and injustice? I don't think so.”

“As the base rhetorician uses language to increase his own power, to produce converts to his own cause, and to create loyal followers of his own person - so the noble rhetorician uses language to wean men away from their inclination to depend on authority, to encourage them to think and speak clearly, and to teach them to be their own masters.”

“Like Karl Kraus [Wittgenstein], was seldom pleased by what he saw of the institutions of men, and the idiom of the passerby mostly offended his ear - particularly when they happened to speak philosophically; and like Karl Kraus, he suspected that the institutions could not but be corrupt if the idiom of the race was confused, presumptuous, and vacuous, a fabric of nonsense, untruth, deception, and self-deception.”

“We know, Southern men declare that their slaves are better off than hired laborers amongst us. How little they know, whereof they speak! There is no permanent class of hired laborers amongst us. Twenty-five years ago, I was a hired laborer. The hired laborer of yesterday, labors on his own account today; and will hire others to labor for him tomorrow.”

“You and I have formerly seen warm debates and high political passions. But gentlemen of different politics would then speak to each other and separate the business of the Senate from that of society. It is not so now. Men who have been intimate all their lives, cross the streets to avoid meeting, and turn their heads another way, lest they should be obliged to touch their hats. This may do for young men with whom passion is enjoyment. But it is afflicting to peaceable minds. Tranquility is the old man's milk.”