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Steps Quotes

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Steps Quotes

“I didn't fall in love with you. I walked into love with you, with my eyes wide open, choosing to take every step along the way. I do believe in fate and destiny, but I also believe we are only fated to do the things that we'd choose anyway. And I'd choose you; in a hundred lifetimes, in a hundred worlds, in any version of reality, I'd find you and I'd choose you.”

“Fresh beauty opens one's eyes wherever it is really seen, but the very abundance and completeness of the common beauty that besets our steps prevents its being absorbed and appreciated. It is a good thing, therefore, to make short excursions now and then to the bottom of the sea among dulse and coral, or up among the clouds on mountain-tops, or in balloons, or even to creep like worms into dark holes and caverns underground, not only to learn something of what is going on in those out-of-the-way places, but to see better what the sun sees on our return to common every-day beauty.”

“Step back in time; look closely at the child in the very arms of his mother; see the external world reflected for the first time in the yet unclear mirror of his understanding; study the first examples which strike his eyes; listen to the first words which arouse within him the slumbering power of thought; watch the first struggles which he has to undergo; only then will you comprehend the source of his prejudices, the habits, and the passions which are to rule his life. The entire man, so to speak, comes fully formed in the wrappings of his cradle.”

“You don't let a guy put his hand on your chest, and put his foot on the ball and look into your eyes and tell you a bedtime story. No. sorry. He controlled the ball on his chest, step on it, look, see if someone was in the stands, take a coffee, turn, call his family, no one was answering, left a message, and then thought "Oh, I might cross the ball." He crossed it and they scored.”

“Man little knows what calamities are beyond his patience to bear till he tries them; as in ascending the heights of ambition, which look bright from below, every step we rise shows us some new and gloomy prospect of hidden disappointment; so in our descent from the summits of pleasure, though the vale of misery below may appear, at first, dark and gloomy, yet the busy mind, still attentive to its own amusement, finds, as we descend, something to flatter and to please. Still as we approach, the darkest objects appear to brighten, and the mortal eye becomes adapted to its gloomy situation.”

“My self . . . is a dramatic ensemble. Here a prophetic ancestor makes his appearance. Here a brutal hero shouts. Here an alcoholic bon vivant argues with a learned professor. Here a lyric muse, chronically love-struck, raises her eyes to heaven. Her papa steps forward, uttering pedantic protests. Here the indulgent uncle intercedes. Here the aunt babbles gossip. Here the maid giggles lasciviously. And I look upon it all with amazement, the sharpened pen in my left hand.”

“Man is at his furthest remove from the animal as a child, his intellect most human. With his fifteenth year and puberty he comes astep closer to the animal; with the sense of possessions of his thirties (the median line between laziness and greediness), still another step. In his sixtieth year of life he frequently loses his modesty as well, then the septuagenarian steps up to us as a completely unmasked beast: one need only look at the eyes and the teeth.”

“Architecture is, to a certain extent, a sensual gratification. It addresses itself to the eye, and affords the best scope for the parade of barbaric pomp and splendour. It is the form in which the revenues of a semi-civilized people are most likely to be lavished. The most gaudy and ostentatious specimens of it, and sometimes the most stupendous, have been reared by such hands. It is one of the first steps in the great march of civilization.”

“Painting seems to be to the eye what dancing is to the limbs. When that has educated the frame to self-possession, to nimbleness,to grace, the steps of the dancing-master are better forgotten; so painting teaches me the splendor of color and the expression of form, and as I see many pictures and higher genius in the art, I see the boundless opulence of the pencil, the indifferency in which the artist stands free to choose out of the possible forms.”

“Most days I feel like the sole survivor of a shipwreck, rowing my paddleboat across a sea of people on waves made of an infinite array of hands and crests that reveal anonymous faces. On a good day, the clouds part to alight on-lo and behold-an island! I step ashore, only find that it too is made of people, mangled bodies somehow still alive. They grab at my feet, pulling me under like quicksand. The last thing I see before suffocating is the sky, a billion eyes staring down, blinking in undulating electric ripples. The cold rain I feel on my cheeks is the tears of the people.”

“Freedom is the freedom you choose, when you're not getting in your own way. The best way to start every day is to wake up and wash your face and look yourself in the mirror, right in the eyes of your reflection, and say, "don't get in my way." Because it's only when we get in our own way that we have to step back or step aside or step over here and not walk at all.”

“So there you have it: Nature is a rotten mess. But that's only the beginning. If you take your eyes off it for one second, it will kill you. Thorns, insects, fungus, worms, birds, reptiles, wild animals, raging rivers, bottomless ravines, dry deserts, snow, quicksand, tumbleweeds, sap, and mud. Rot, poison and death. That's Nature.It's a wonder you even step outside of your cabin, I said.My bravery exceeds my good sense, he said.”

“I think that's true of all cinema, that's why cinema is the great humanistic art form. Whatever the film is, it doesn't matter what the film is about, or even whether it's a narrative or figurative film at all, it's an invitation to step into somebody else's shoes. Even if it's the filmmaker's shoes filming a landscape, you go into somebody else's shoes and you look out of their lens, you look out of their eyes and their imagination. That's what going to the pictures is all about.”

“The people of Iran have been battling against consecutive conflicts between tradition and modernity for over 100 years... some have tried and are trying to see the world through the eyes of their predecessors and to deal with the problems and difficulties of the existing world by virtue of the values of the ancients... many others...seek to go forth in step with world developments and not lag behind the caravan of civilization, development and progress.”

“Within each of us exists the image of God, however disfigured and corrupted by sin it may presently be. God is able to recover this image through grace as we are conformed to Christ. Just as the figure of David lay hidden within the marble, discernible only to the eye of its creator, so the image of God (however tarnished by sin) lies within us, see and known by God Himself. Yet God loves us while we are still sinners. He doesn't have to wait until we stop sinning. Acceptance of His love is a major step along the road that leads to our liberation from the tyranny of sin.”