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Streets Quotes

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Streets Quotes

“Your street, rich street or poor Used to always be sure, on your street There's a place in your heart you know from the start Can't be complete outside of the street Keep moving on through the joy and the pain Sometimes you got to look back To the street again Would you prefer all those castles in Spain? Or the view of your street from your window pane?”

“My divorce has changed my life. I don’t cry anymore. My bad dreams are starting to go away. I feel stronger, as if all these ordeals have toughened me. When I go out in the street, sometimes women in the neighborhood call to me, congratulating me and shouting ‘Mabrouk!’ – a word once tainted by evil memories, but which I know like to hear again. And shouted by women I don’t even know! I blush, but deep down I’m so proud.”

“If the street life, not the Whitechapel street life, but that of the common but so-called respectable part of town is in any city more gloomy, more ugly, more grimy, more cruel than in London, I certainly don't care to see it. Sometimes it occurs to one that possibly all the failures of this generation, the world over, have been suddenly swept into London, for the streets are a restless, breathing, malodorous pageant of the seedy of all nations.”

“About the presence of death and dying I don't remember the society in the 1950s being so skittish as it has since become. People still died at home, among relatives and friends, often in the care of a family physician. Death was still to be seen sitting in the parlor, hanging in a butcher shop, sometimes lying in the street.”

“Wall Street sometimes gets confused between risk and uncertainty, and you can profit handsomely from that confusion. The low-risk, high-uncertainty [situation] gives us our most sought after coin-toss odds. Heads, I win; tails, I don't lose much.”

“I can remember when I first got to los Angeles . I didn't have a car, I didn't have any money. I was walking the streets, you know, trying to get from place to place on foot almost. Sometimes, you know, you say, how am I ever going to get from here to there? There are a lot of people still having that dream and not being able to get there. So you never know. The idea is to keep on tap dancing, though.”

“In Europe, I'm recognized on the street sometimes. And that's cool, because I don't have to live there and deal with it every day. Unless you're Stephen King - a great writer, by the way, and anyone who says different knows nothing about the craft - you're more likely to be recognized in America if you play in a soap opera than if you're a novelist.”

“Sometimes I'll be confident and go into a shop and say, "Hello, yeah, all right," and then the next day, if someone looks at me or talks to me, I just don't know what to do. If you're walking down the street with a baseball cap, you might be fine. But if you're in a pub and you see someone look at you, you think the worst thing in the world now is if they come over. It's a really weird feeling.”

“Though Lexington is not a small town, it sometimes feels like one, with circles of acquaintance overlapping once, then again; the person you meet by chance at the library or the pool may turn out to be the best friend of your down-the-street neighbor. Maybe thats why people are so friendly here, so willing to be unhurried.”

“Cities need old buildings so badly it is probably impossible for vigorous streets and districts to grow without them.... for really new ideas of any kind--no matter how ultimately profitable or otherwise successful some of them might prove to be--there is no leeway for such chancy trial, error and experimentation in the high-overhead economy of new construction. Old ideas can sometimes use new buildings. New ideas must use old buildings.”

“Drag for me is costume, and what I'm trying to do is, sometimes I'll go around and wear makeup in the streets, turn up to the gig, take the makeup off, do the show, and then put the makeup back on. It's the inverse of drag. It's not about artifice. It's about me just expressing myself. So when I'm campaigning in London for politics, I campaign with makeup on and the nails. It's just what I have on, like any woman.”

“It is never appropriate to comment on a woman's breasts. I would never do it on the street or at a supermarket, but when I'm sitting a table signing books, sometimes I notice that a woman will have remarkable breasts. And I will maybe quietly say something about it. It's not in a sexual way, because I'm a gay man - I would never say to a man "great ass" because that would be sort of creepy.. I hope it's not creepy to quietly tell a woman she has nice breasts.”

“People sometimes ask me if I would not give anything to be white, I answer, in the words of the song, most emphatically, 'No.' How do I know what I might be if I were a white man? I might be a sand-hog, burrowing away and losing my health for $8 a day. I might be a street-car conductor at $12 or $15 a week. There is many a white man less fortunate and less well equipped than I am. In fact, I have never been able to discover that there was anything disgraceful in being a colored man. But I have often found it inconvenient - in America.”

“If you work in the city long enough, it begins to deal with you on a personal level. Streets reveal their moods. Sometimes the signal light loves you. Sometimes they fight you. When you're hunting for a new building, you hope the city is on your side. You have to use a little bit of thinking--you might call it the process of elimination--and you need a little bit of instinct, but not too much of either. If you think too hard, you overshoot your target and end up at the Pier or the Tenderloin. If you relax and let the city help, the destination does all the work for you.”

“People who are homeless, they're not all addicts. A lot of times, they're just people who, through something like losing their job or losing someone in their life, ended up on the streets. So much of our time is spent in cars that sometimes you need to look out of those windows. And you see that a dollar, 50 cents, whatever you have, may not mean much to you, but it means everything to people who are hungry and who are in need.”

“There is something about the light, the heat (physical and perhaps metaphysical), the vibrancy of street life, and the rawness and disjointedness of much of the tropical world that has moved and disturbed me - in places where the indigenous culture is often transformed by an external northern culture (sometimes my own... I suspect that one has a few serious creative obsessions in life. I certainly cannot seem to escape this one.”

“Sometimes the messages I put out are somewhat of that [street] nature, but the thing is, that's not the person, it's just like an actor or something. It's just like when Wesley Snipes is not [the character he played in] 'New Jack City,' but a lot of people get it twisted. They think, 'That's that guy. That's that dude. That's how he roll.' But man, that's definitely not how I roll. I believe in God. I'm a Christian... People always trying to stereotype people because of their job.”