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Streets Quotes

“My nana was always a widow as long as I was alive; my grandfather died before I was born. All the women on my street - there were four houses in a row with all old women who lived alone who were widowed. They all had kids, but they were all widowed. My mom didn't put me in preschool; I didn't know that was a thing. I just hung out with these women all day.”

“A drone strike is a terror weapon, we don't talk about it that way. It is; just imagine you are walking down the street and you don't know whether in 5 minutes there is going to be an explosion across the street from some place up in the sky that you can't see. Somebody will be killed, and whoever is around will be killed, maybe you'll be injured if you're there. That is a terror weapon. It terrorizes villages, regions, huge areas. It's the most massive terror campaign going on by a long shot.”

“A long time ago, I took a walk down a street in Harlem in New York City. I came upon a man who asked me for a dollar. He had asked a few other people before me, but they only passed him by without glancing his way. I stopped and handed the man some money. As I began to turn away, he reached out and shook my hand. He looked me in the eyes and said, "I will bless you." Now, I'm not saying that was God Himself. But how do we know that it wasn't someone working for him, walking around in disguise, just to see what we would do?”

“The idea (for the painting 'Room in New York', 1932, ed.) had been in my mind a long time before I painted it. It was suggested by glimpses of lighted interiors seen as I walked along city streets at night, probably near the district where I live (Washington Square, New York, fh) although it's no particular street or house, but is really a synthesis of many impressions.”

“Three miles long and two streets wide, the town curls around the bay ... a gaudy run with Mediterranean splashes of color, crowded steep-pitched roofs, fishing piers and fishing boats whose stench of mackerel and gasoline is as aphrodisiac to the sensuous nose as the clean bar-whisky smell of a nightclub where call girls congregate.”

“My vocation is to write and I have known this for a long time. I hope I won't be misunderstood; I know nothing about the value of the things I am able to write. I know that writing is my vocation. When I sit down to write I feel extraordinarily at ease, and I move in an element which, it seems to me, I know extraordinarily well; I use tools that are familiar to me and they fit snugly in my hands. But when I write stories I am like someone who is in her own country, walking along streets that she has known since she was a child, between walls and trees that are hers.”

“TV taste is an aftertaste. Whatever gets on the tube is always a foregone conclusion, a fait accompli. That is, any new ideas or social changes have already been fought for in the real world of the streets, or in the bedroom or even the law courts long before they reach the screen. By the time you see it on prime time, it's usually all over and done with, whatever it was. Television by definition is not avant garde. It is often reactionary and always sentimental.”

“The summer lasted a long long time, like verse after verse of a ballad, but when it ended, it ended like a man falling dead in the street of heart trouble. One night, all in one night, severe winter came, a white horse of snow rolling over Bountiful, snorting and rolling in its meadows, its fields.”

“It's like a jumble of huts in a jungle somewhere. I don't understand how you can live there. It's really, completely dead. Walk along the street, there's nothing moving. I've lived in small Spanish fishing villages which were literally sunny all day long everyday of the week, but they weren't as boring as Los Angeles.”

“Reformers have long observed city people loitering on busy corners, hanging around in candy stores and bars and drinking soda popon stoops, and have passed a judgment, the gist of which is: "This is deplorable! If these people had decent homes and a more private or bosky outdoor place, they wouldn't be on the street!" That judgment represents a profound misunderstanding of cities. It makes no more sense than to drop in at a testimonial banquet in a hotel and conclude that if these people had wives who could cook, they would give their parties at home.”

“Managing the other fellow's business is a fascinating game. Trade unionists all over the country have pronounced ideas for the reform of Wall Street banks; and Wall Street bankers are not far behind in giving plans for the tremendous improvement of trade union policies. Wholesalers have schemes for improving the retailer; the retailer knows just what is wrong in the conduct of wholesale business-and we might go through a long list.... Yet for some reason the classes that ought to be helped keep on stubbornly clinging to their own method of running their affairs.”

“I must say, I am thrilled with my fan base. For some reason some of them are quite young, so they are quite frightened. I remember when I did 'Click' and I'd see Adam Sandler's fan base. He's the guy that people feel that he's their best friend, so he's walking down the street and people sort of high five him and want to tell him a joke or invite him to come home and have a sandwich with them. Mine are not like that. Mine tend to go: 'Argh,' and look horrified. They shake and take a picture from a really long way away. I do feel I've got quite good, respectful ones though.”

“We do not know what awaits each of us after death, but we know that we will die. Clearly, it must be possible to live ethically-with a genuine concern for the happiness of other sentient beings-without presuming to know things about which we are patently ignorant. Consider it: every person you have ever met, every person you will pass in the street today, is going to die. Living long enough, each will suffer the loss of his friends and family. All are going to lose everything they love in this world. Why would one want to be anything but kind to them in the meantime?”

“If you work in the city long enough, it begins to deal with you on a personal level. Streets reveal their moods. Sometimes the signal light loves you. Sometimes they fight you. When you're hunting for a new building, you hope the city is on your side. You have to use a little bit of thinking--you might call it the process of elimination--and you need a little bit of instinct, but not too much of either. If you think too hard, you overshoot your target and end up at the Pier or the Tenderloin. If you relax and let the city help, the destination does all the work for you.”

“Everything about singing, I learned from busking. Everything I learned about songwriting, I learned from busking. Busking, you learn people, you learn about reading people. You learn about reading the atmosphere of the street. If you stand still in any city long enough, you see everyone pass you by. It's almost like you get to know personality types, just by watching people walk past. You get a sense for things.”

“If 'The Wild One' were filmed today, Marlon Brando and the Black Rebel Motorcycle Club would all have to wear helmets. I used to be afraid that when (Hells) Angels became movie stars and Cal the hero of the book, the bikerider would perish on the coffee tables of America. But now I think that this attention doesn't have the strength of reality of the people it aspires to know, and that as long as Harley-Davidsons are manufactured other bikeriders will appear, riding unknown and beautiful through Chicago, into the streets of Cicero.”

“It's obvious that a lot of Tea Party members tend to be elderly. You've seen that famous sign, 'Tell the government to keep its hands off my Medicare.' And I think as long as the government does keep its hands off their Medicare, they're fine with talking about low taxes. But once they start to realize that the Republicans really do want to not just cut Medicare, but essentially abolish it, you know, I just think those people are not going to be part of the Tea Party. They're going to be over with Occupy Wall Street.”

“I knew that I'd lived in New York too long when, a few years ago, I was on a subway going downtown, and it stopped at 14th Street. At the station, the doors opened, and the conductor announced that there was a bomb on board and we should evacuate immediately. Nobody moved. We just looked at each other, 'Do you see a bomb?' 'I don't see a bomb.' 'There's no bomb.' 'I've only got two stops - let's go for it.”

“There's an old, private cemetery here in Palm Springs, where I live, just down the street from the airport, that belongs to one of the local Native American tribes, and it occurred to me one day that if you really wanted to get away with murder, you'd kill someone, put them in a coffin and bury them in a private cemetery or, better, an abandoned one. And then suddenly this whole idea of a long con appeared before me and I had this idea of using a Jewish cemetery.”

“We could have saved Wall Street without putting our future in jeopardy. I predicted that there would be all-around consequences - in the long run as well as in the short run. People are now saying we can't afford health care reform because we spent all the money on the banks. So, in effect, we're saying that it's better that we give rich bankers a couple of trillion than giving ordinary Americans access to health care.”

“I think we are making progress, but we have long way to go. People also have got to understand the agenda that we are fighting for. This is a senator who has taken on every powerful special interest, whether it's Wall Street, whether it's drug companies who are ripping off the American people, the military industrial complex.”

“I'd already started directing short films when we were doing 'Lord of the Rings,' then videogame projects. So Peter's known that I've been heading towards directing for a long time. But I always thought my first outing would be a couple of people and a digital camera in the back streets of London somewhere!”