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Streets Quotes

“I have this horrific thing where I'm really bad with names and faces. I have an appalling memory. Someone will come up to me in the street and go, 'Eddie!', and I'll try and give myself time by going into overdrive, 'Hey, hi! Nice to see you!' and start a whole conversation because I can't distinguish between who I know and who I don't.”

“The fact that you are here tonight gathered together with us testifies to the fact you understand the need for this organization and the need for redoubling our efforts in this organization to try to assure that democracy as represented by the United States must depend upon a total freedom of religion, which is written into our Constitution, of course, and the mere suggestion that anyone could maintain that one's patriotism, one's devotion to one's country can be judged by one's religion is so vile, so vile that we have to take to the streets indeed and to put it aside.”

“Living on the street as a kid changed the way I looked at everything. It was a different time and while it had its dangers, it was nothing like it would be today. It was the Summer of Love and there was a real sense of community among us. We were hippies who looked out for each other instead of trying to rip each other off. We only had to watch out for the police who liked to roust us just on general principles, and the kids who came in from the suburbs to do a little hippie-bashing.”

“Read as much as you write. Go out and meet other writers. Look for stories in everything around you - music, movies, family, strangers, your bus ride to work, and of course the streets. Also - keep moving forward, keep creating new things. Leave evidence of yourself in this world. Imagine what your legacy could be and try to create it.”

“We are the people who run this country. We are the deciders. And every single day, every single one of us needs to step outside and take some action to help stop this war. Raise hell. Think of something to make the ridiculous look ridiculous. Make our troops know we're for them and trying to get them out of there. Hit the streets to protest Bush's proposed surge. If you can, go to the peace march in Washington on Jan. 27. We need people in the streets, banging pots and pans and demanding, 'Stop it, now!'”

“If a man stopped me in the street and demanded of me my watch, I should refuse to give it to him. If he threatened to take it by force, I feel I should, though not a fighting man, do my best to protect it. If, on the other hand, he should assert his intention of trying to obtain it by means of an action in any court of law, I should take it out of my pocket and hand it to him, and think I had got off cheaply.”

“the very minute we think we 'have' God, God will surprise us. As we search in fire and earthquakes, God will be in the still small voice. As we listen in silent meditation, God will be shouting protests in the street. God is warning us that we had best not try to find our security in any well-defined concept or category of what is Godly - for the minute we believe we are into God, God is off again and calling us forth into some unknown place.”

“I think that when young players really see their game rise next level, it's when practices are like competition and there's no separation there. Of course, there are adrenaline and the butterflies; you don't have that so much in practice. You want to fake yourself out and try to get them there because you want to be as close to that game mentality as you can when you step on that field every single day whether it's practice or in your backyard or down the street with your dad.”

“I can remember when I first got to los Angeles . I didn't have a car, I didn't have any money. I was walking the streets, you know, trying to get from place to place on foot almost. Sometimes, you know, you say, how am I ever going to get from here to there? There are a lot of people still having that dream and not being able to get there. So you never know. The idea is to keep on tap dancing, though.”

“I actually hear into life - seeing everything that's occurring as a conversation with God in some form. So it really is the next song on the radio - a chance utterance of a friend on the street - it really is what's happening right now. I stop and think, 'What is life trying to tell me right now?' And "What does my soul know about this?'”

“The street is as diverse as any other sector, but in peoples' mind it gets appropriated as a black man who's tough. Trying to make it through by staying hard and phallocentric. To me, that is just an impoverished conception of what it is to be a black male. It doesn't do justice to my grandfather, my father, my brother - or just the black men I grew up with.”

“When you're going to try and have people talk in a room and actually reflect life as we know it and have people recognize themselves and their own street and their own house in it, well then you're aiming for the high country and it's a much bigger gamble. You can interview all the marketing gurus and the people in charge of, you know, the people you gotta fight with in order to get your seats here, and they all talk about release dates and counterprogramming. At the end of the day, it's gotta be a good movie.”

“Drag for me is costume, and what I'm trying to do is, sometimes I'll go around and wear makeup in the streets, turn up to the gig, take the makeup off, do the show, and then put the makeup back on. It's the inverse of drag. It's not about artifice. It's about me just expressing myself. So when I'm campaigning in London for politics, I campaign with makeup on and the nails. It's just what I have on, like any woman.”

“When you walk in your home you don't have to maintain the same attitude that you had out in the street. You can be different with your people and your family than you are with a person that you run into in the hood. Even them they have to know to respond to you differently in the hood cuz if people see something out of the character that they portray you. They'll try you.”

“I learned to fire guns at the age of nine or so, but luckily was not out killing people. We zigzagged the streets to escape those trying to kill us. I guess it would have been a matter of time till I turned around with a gun myself, to go after those coming for us. But I was fortunate. The grenade incident was about an explosion which destroyed a section of my school, from a grenade that me and my cousin detonated by accident. We both lived to tell about it.”

“I use the [vulgar] words because apparently these words do not corrupt morally. I'm from the street in New York, hung around in a tough neighborhood. It was common to curse, you make your point. It's a very effective language. I try not to overdo it. It's never to shock. I know where it fits, it's never to shock. There's no shock value left in words.”

“Maybe we should be directing our anger elsewhere - like toward Wall Street. Why is it we never think of Big Business when we think of welfare recipients? Companies take more of our tax dollars, and in much more questionable ways, than do those who are trying to heat their apartments with a kerosene stove.”

“Michael [Douglas] was just leaving the TV series The Streets of San Francisco and he said, 'Dad, let me try it.' I thought, 'Well, if I couldn't make it...' So, I gave it to him and he got the money, the director and the cast. The biggest disappointment for me, I always wanted to play McMurphy. They got a young actor, Jack Nicholson. I thought, 'Oh God. He will be terrible.' Then I saw the picture and, of course, he was great in it! That was my biggest disappointment that turned out to be one of the things I'm most proud of because my son Michael did it. I couldn't do it, but Michael did it.”

“I think it's very important to get this stuff on film, not just the behind-the-scenes of the process, but also the interviews with the women. We're going to try to do some on-the-street filming, getting people's reactions to the work, and seeing if we can get some street harassment happening on film so people can see what we're talking about. It's important to have some type of documentation so people can see what happens when we create this artwork and why I'm creating it.”

“We have to enforce the laws we've already got, make sure that we're keeping guns out of the hands of criminals, those who are mentally ill. I also share your belief that weapons that were designed for soldiers in war theaters don't belong on our streets. And so what I'm trying to do is to get a broader conversation about how do we reduce the violence generally.”

“I started getting really curious about art. I read about the Dadaists and the Futurists and the Constructivists - those kind of movements which were reflecting the angst of the people of their times. Their work was trying to lead a movement. I began thinking about what was happening, with painting on the streets and painting on the trains as being similar but also coming from a real, pure space. It wasn't being created by academies. It was a spontaneous combustion of ideas that just happened.”