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Strings Quotes

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Strings Quotes

“...every once in a while it seems like the cosmos part and something great plops into your lap, that's how it was with "Hotel California".. a leased beach house in Malibu ... all the doors wide open on a spectacular July day probably in 1975 ... soaking wet ... thinking the world is a wonderful place to be... with an acoustic 12 string ... those chords just oozed out.”

“Going down (descending), I realized, was like taking hold of the loose strand of yard on a sweater you'd just spent hours knitting and pulling it until the entire sweater unraveled into a pile of string. Hiking the PCT was the maddening effort of knitting that sweater and unraveling it over and over again. As if everything gained was inevitably lost.”

“A lean, loose-jointed Negro had commenced plunking a guitar beside me while I slept. His clothes were rags; his feet peeped out of his shoes. His face had on it some of the sadness of the ages. As he played, he pressed a knife on the strings of the guitar in a manner popularized by Hawaiian guitarists who used steel bars. The effect was unforgettable.”

“In the Bible (Hebrews, 6:19), hope is ‘an anchor of the soul, both sure and stedfast, and which entereth into that within the veil.’ Here [in Watts painting], Hope is blindfolded, seated on a globe and playing a lyre of which all but one of the strings are broken . . . Hope’s attempts to make music appear futile and several critics argued that the work might have been more appropriately titledDespair. Watts explained that ‘Hopeneed not mean expectancy. It suggests here, rather, the music which can come from the remaining cord’.”

“Imagine craving absolutely nothing from the world. Imagine cutting the invisible strings that so painfully bind us: what would that be like? Imagine the freedoms that come from the ability to enjoy things without having to acquire them, own them, possess them. Try to envision a relationship based on acceptance and genuine care rather than expectation. Imagine feeling completely satisfied and content with your life just as it is. Who wouldn't want this? This is the enjoyment of non-attachment.”

“There was a blithe certainty that came from first comprehending the full Einstein field equations, arabesques of Greek letters clinging tenuously to the page, a gossamer web. They seemed insubstantial when you first saw them, a string of squiggles. Yet to follow the delicate tensors as they contracted, as the superscripts paired with subscripts, collapsing mathematically into concrete classical entities - potential; mass; forces vectoring in a curved geometry - that was a sublime experience. The iron fist of the real, inside the velvet glove of airy mathematics.”

“Many of the younger generation know my name in a vague way and connect it with grotesque inventions, but don't believe that I ever existed as a person. They think I'm a nonperson, just a name that signifies a tangled web of pipes or wires or strings that suggest machinery. My name to them is like a spiral staircase, veal cutlets, barber's itch — terms that give you an immediate picture of what they mean.”

“Some string theorists prefer to believe that string theory is too arcane to be understood by human beings, rather than consider the possibility that it might just be wrong.”

“A SWEET disorder in the dress Kindles in clothes a wantonness : A lawn about the shoulders thrown Into a fine distraction : An erring lace which here and there Enthrals the crimson stomacher : A cuff neglectful, and thereby Ribbons to flow confusedly : A winning wave (deserving note) In the tempestuous petticoat : A careless shoe-string, in whose tie I see a wild civility : Do more bewitch me than when art Is too precise in every part.”

“Looking back over sixty-odd years, life is like a piece of string with knots in it, the knots being those moments that live in the mind forever, and the intervals being hazy, half-recalled times when I have a fair idea of what was happenng, in a general way, but cannot be sure of dates or places or even the exact order in which events took place.”

“One day people will touch and talk perhaps easily, and loving be natural as breathing and warm as sunlight, and people will untie themselves, as string is unknotted, unfold and yawn and stretch and spread their fingers, unfurl, uncurl like seaweed returned to the sea, and work will be simple and swift as a seagull flying, and play will be casual and quiet as a seagull settling, and the clocks will stop, and no one will wonder or care or notice, and people will smile without reason, even in winter, even in the rain.”

“When we hear a Mozart piano concerto today, we're most likely to hear the piano part played on a modern concert grand. In the hands of a professional pianist, such a piano can bury the strings and the winds and hold its own against the brass. But Mozart wasn't composing for a nine-foot-long, thousand-pound piano; he was composing for a five-and-a-half-foot-long, hundred-and-fifty-pound piano built from balsa wood and dental floss.”

“Without question, the balance of power on the planet today lies in the hands of business. Corporations rival governments in wealth, influence, and power. Indeed, business all too often pulls the strings of government. Competing institutions-religion, the press, even the military-play subordinate roles in much of the world today. If a values-driven approach to business can begin to redirect this vast power toward more constructive ends than the simple accumulation of wealth, the human race and Planet Earth will have a fighting chance.”

“She suddenly remembered studying the brain in science class- how a steel rod pierced a man's skull, and he opened his mouth to speak Portuguese, a language he'd never studied. Maybe it would be like this, now, for Josie. Maybe her native tongue, from here on in, would be a string of lies.”

“A good way to work on alternate picking is to choose three or four notes, and work on those. Too often, players who are trying to improve their right hand dexterity get hung up by playing too many notes with the left hand.I hear a lot of players running whole scales from the sixth string to the first , and playing them really sloppy.Keeping it very basic-and using only a few notes-and playing slowly with perfect rhythm is a task in itself.”

“The first track is the end of a string. At the far end, a being is moving; a mystery, dropping a hint about itself every so many feet, telling you more about itself until you can almost see it, even before you come to it. The mystery reveals itself slowly, track by track, giving its genealogy early to coax you in. Further on, it will tell you the intimate details of its life and work, until you know the maker of the track like a lifelong friend.”