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Talking Quotes

“It was fantastic to be able to have my kids on set. Dash, my eldest son, who’s not quite five, was into knights and his godmother had given him a plastic Marks & Spencer knights’ outfit and [first assistant director] Tommy Gormley said that he could stand to protect me during the scene where Clive [Owen] is talking about the immensity of sitting on the throne. I’m actually looking through an archway at my son standing in his knights’ costume protecting me!”

“I did 40 voices for Chris Wedge, the director of the first film, before coming up with the version we used. He was hard to please, I don't know why. I gave him really slow talking voices. then I thought perhaps Sid could be an Indian sounding sloth. To find out more about my character, I watched footage of sloths. I discovered that the food they store in their pouches rots and ferments and half the time they're drunk.”

“I'm in, like, dating Babylon. Like, I go on dates with men and, literally, like Sarah Palin will come up in like the first 20 minutes, and that doesn't put me in the mood. Like, talking about Sarah Palin. And they just want to know gossip, and I'm just kind of taking a little hiatus from dating right now, because I just don't want to talk about Sarah Palin.”

“When I'm talking to people, I find myself quoting the three organizing rules of Black Lives Matter. Black Lives Matter was initiated by three young women, and too few people know that. But, anyway, the first one is lead with love. The second is low ego, high impact. The third is move with the speed of trust. I must say those make me feel very hopeful for the future.”

“We need that same mentality in philanthropy, trying things, taking risks, recognizing the first try, maybe the second try, maybe the third try won't work. But if you stay at it and you're learning, you're talking to others, and you're learning together, eventually you'll break through and see the kind of impact you were hoping for.”

“If a society takes it upon itself to prescribe and proscribe certain streams of belief - to prohibit certain less-favored strains of conscience - it may be the non-believer who is among the first to be condemned. A coercive monopoly of belief threatens everyone, whether we are talking about those who search the philosophies of men or follow the words of God.”

“Because if you remember - and people forget this - the first two years of Game of Thrones everybody was going, "I don't know what's going on, but I really like it." And you really didn't know what to make of a lot of people, and now it's changed and people aren't really talking about that. Now it's like you're watching West Wing or Friends, you know the characters and you're like, "What in the world is going to happen?"”

“It was the first thing I learned when I started. An old boss said to me, 'Your job is to reflect interest, not to create it.' And what I've taken from that is, if you're not talking about things people are interested in, then they're going to find someone who is. It's not any more complicated than that. But if you forget it, you won't have a show for very long.”

“If you read Herodotus, the first Greek historian 2,500 years ago, he was talking about that - about people mixing with other people. Sometimes it produces great societies. Sometimes it triggers war. But, we're not going to change that. I don't think so. We're living in nations that are state nations and countries.”

“First of all, I had the desire for that format [silent movie], and then when I was talking to people, I felt that people needed justification. Why are you doing a silent movie? Is it just for your own pleasure? I felt it was not enough for them so I realized I have to choose the subject that will make things easier for them and to tell the story of a silent actor makes sense for doing a silent movie.”