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Towns Quotes

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Towns Quotes

“There are houses in certain provincial towns whose aspect inspires melancholy, akin to that called forth by sombre cloisters, dreary moorlands, or the desolation of ruins. Within these houses there is, perhaps, the silence of the cloister, the barrenness of moors, the skeleton of ruins; life and movement are so stagnant there that a stranger might think them uninhabited, were it not that he encounters suddenly the pale, cold glance of a motionless person, whose half-monastic face peers beyond the window-casing at the sound of an unaccustomed step.”

“P. G. Wodehouse... used, when in town, to solve the problem of the long walk to the post-office by the simple expedient of tossing his letters out of his window: his belief that the average human, finding a stamped and addressed envelope on the pavement, would naturally pop it into the nearest pillar-box was never once, in decades, shown to be unfounded.”

“I just moved onto Queen West, after 20 years in Cabbagetown. The whole area around Trinity-Bellwoods is one of the juiciest in Toronto - all kinds of people to watch, dogs to pat, food to eat, galleries to check out. And the walk home from CBC delivers some of the most interesting window-shopping in town.”

“I once gave a workshop and I asked the women poets there, If you went back to that little town you've come from - these were from small towns - would you say, I'm a poet? And one of them said, If I said I was a poet in that town, they'd think I didn't wash my windows. And that stayed with me for so long, the sense of the collective responsibility of someone as against the individual thing it takes to be a poet.”

“If you and I took a walk down a shopping street in Jo'burg or Cape Town or London, we see two guys looking in a shop window, we think, "Oh, they're wondering what they're going to buy." A cop looks at them and thinks, "Why are they standing there? Are they doing a drug deal? Are they going to mug someone? Are they going to rob the shop?"”

“I stand on the end platform of the tram and am completely unsure of my footing in this world, in this town, in my family. Not even casually could I indicate any claims that I might rightly advance in any direction. I have not even any defense to offer for standing on this platform, holding on to this strap, letting myself be carried along by this tram, nor for the people who give way to the tram or walk quietly along or stand gazing into shop windows. Nobody asks me to put up a defense, indeed, but that is irrelevant.”

“When we pulled out into the winter night and the real snow, our snow, began to stretch out beside us and twinkle against the windows, and the dim lights of small Wisconsin stations moved by, a sharp wild brace came suddenly into the air. That's my middle-west - not the wheat or the prairies or the lost Swede towns, but the thrilling returning trains of my youth and the street lamps and sleigh bells in the frosty dark and the shadows of holly wreaths thrown by lighted windows on the snow.”

“A short time later, when the carpenter was taking measurements for the coffin, through the window they saw a light rain of tiny yellow flowers falling. They fell on the town all through the night in a silent storm, and they covered the roofs and blocked the doors and smothered the animals who slept outdoors. So many flowers fell from the sky that in the morning the streets were carpeted with a compact cushion and they had to clear them away with shovels and rakes so that the funeral procession could pass by.”

“...solitary like a pool at evening, far distant, seen from a train window, vanishing so quickly that the pool, pale in the evening, is scarcely robbed of its solitude, though once seen. *** Here sitting on the world, she thought, for she could not shake herself free from the sense that everything this morning was happening for the first time, perhaps for the last time, as a traveller, even though he is half asleep, knows, looking out of the train window, that he must look now, for he will never see that town, or that mule-cart, or that woman at work in the fields, again.”

“All along — not only since she left, but for a decade before — I had been imagining her without listening, without knowing that she made as a poor a window as I did. And so I could not imagine her as a person who could feel fear, who could feel isolated in a roomful of people, who could be shy about her record collection because it was too personal to share. Someone who might have read travel books to escape having to live in the town that so many people escape to. Someone who — because no one thought she was a person — had no one to really talk to.”

“The window opened in the same direction as the king's, and there, summer-bright and framed by the darkness of the stairwell, was the same view. Costis passed it, and then went back up the stairs to look again. There were only the roofs of the lower part of the palace and the town and the city walls. Beyond those were the hills on the far side of the Tustis Valley and the faded blue sky above them. It wasn't what the king saw that was important, it was what he couldn't see when he sat at the window with his face turned toward Eddis.”

“When I look out [the window] at the big houses on either side of the road, it's obvious we've entered the rich side of town. Poor people don't post signs like NO TRESPASSING, PRIVATE DRIVE, PRIVATE PROPERTY, MONITORED BY CAMERA SURVEILLANCE. I should know because I've been poor my entire life, and the only person I know who ever posted a sign like these is my friend...and he actually stole the sign off a rich guy's yard.”

“So the crew fly on with no thought that they are in motion. Like night over the sea, they are very far from the earth, from towns, from trees. The clock ticks on. The dials, the radio lamps, the various hands and needles go though their invisible alchemy. . . . and when the hour is at hand the pilot may glue his forehead to the window with perfect assurance. Out of oblivion the gold has been smelted: there it gleams in the lights of the airport.”