Quotessence
Home / Topics / Writers On Thinking Quotes

Writers On Thinking Quotes

Browse 97 quotes about Writers On Thinking.

Writers On Thinking Quotes

“I seek to create an artistic statement of my being by producing a unified voice that speaks for me and to me. I will attempt to capture the pulsation of my mind and harness its incessant rush into a telling format that is revelatory and self-healing. Confessing my sins is the first steps of communing with the self by focusing the light of consciousness upon the darkness of the unconsciousness in an attempt to comprehend what I am for the very first time. I endeavor to open my heart and mind, be an indomitable witness to the paradoxes that bedevil humanity, and serve as an unrepentant admirer of the irrepressible splendor of living in a natural manner undisturbed by the behavior of other people or the inevitable changes in the world that we occupy.”

“Reflecting on the past while living in the present, we make decisions that will reverberate in the future. Our daily actions, thought patterns, and the concepts we choose to cherish will create the paradigmatic structure of our life story; our collective decision-making determines our final manifestation.”

“We learn about ourselves by taking one footstep at a time along a road of discovery. Greek philosopher Heraclitus who lived around 500 BCE proffered cogent advice about how to acquire wisdom and achieve a proper perspective on all worldly events. ‘Whosoever wishes to know about the world must learn about it in its particular details. Knowledge is not intelligence. In searching for truth, be ready for the unexpected. The same road goes both up and down. The beginning of a circle is also its end. Not I, but the world says it: all is one.’ This script tells of one man’s journeying a full circle in an effort to become one with all that exists.”

“Storytelling is ultimately the only way that we know besides song, dance, painting, and music to share with our tribesmen what it means to be human, express the indefinable feelings that unite humankind.”

“Life is a collection of memories and feelings. Mawkish sentimentally urges us to engage in artistic overtures, we yearn to share with other people a melody of rudimentary experiences and respond to a stabilizing tune strung together with a shared ethos. We walk in parallel strides with our brethren seeking out equivalent affirmations of our being. We long to shout out to the world that we once walked this earth; we seek to leave in our wake traces of our pithy habitation. Our unfilled longing propels us into committing senseless acts of self-sabotage and then we desperately seek redemption from our slippery selves by building monuments to the human spirit. We employ a bewildering blend of conscious and unconscious materials to construct synoptic testaments to our temporal existence. We labor on the canvas of our choosing to scrawl our inimitable mark, fanatically toiling to escape a sentence of total obliteration along with our impending mortality.”

“The metaphysical poetry of our innovative life springs from the aesthetic, scenic, and systematic processes of inventiveness, the creative impulse of an active mind generating aesthetical intuition.”

“Assim como todo excesso numa atividade costuma levar ao contrário do que se pretendia, as palavras servem de fato para tornar os pensamentos compreensíveis, mas só até certo ponto. Quando esse ponto é ultrapassado, elas tornam os pensamentos a serem comunicados mais e mais obscuros. Encontrar tal ponto é uma tarefa do estilo e uma questão da capacidade de julgar, pois toda palavra supérflua age diretamente contra seu objetivo.”

“There's still too much energy leftover at this tomb-desk, on Broadway, when I am semi-asleep at night in our bedroom, struggling to get a good night's rest. There's an overflow of loin energy. It spills out from my pores as if I were a cracked drum of reacting chemicals. I need to work to expend this excess energy in words, stories and books....My mind is a body that's a mind.”

“Words are the residue that I was there, that I loved my wife, that I kissed my children goodnight, that I sacrificed my life for them. Words are a curse. Life is a curse. Words escape life. Life escapes words. What in God's name am I? How does someone name a God? What is it to name yourself?”

“An act of consciousness always adopts a point of view by classifying world happenings into favorable, unfavorable, or neutral categories. The consciousness is an observer, reporter, and responder to world events. Writers are perhaps the most conscious observers; they are constantly examining a continuous sequence of events transpiring in the temporal world and partitioning these occurrences into distinct cerebral units. When we read the works of an author, we ask ourselves what is the author’s pathos. When we tell our personal stories, we also adopt a point of view, and reveal our own melody of mental thoughts that describe the gravitonic center of the psyche.”

“Each act of writing represents a separate lock of the author’s tissue and all serious piecework folds into an ongoing anthology. A writer’s portfolio is comprised of interlocking ideas that are in a constant state of change. A writer’s ideas gradually reflect their current mental and spiritual composition and a writer’s way of living reflects the progression of their ideas. Each written version of a person’s life stands as mental testament of who the author was at a given moment in time. Just as we cannot sum up a person’s life with an isolated snapshot, truly to understand who a writer was we must read his or her entire body of work. No single work of writing tells us who the writer was. The compilation of a writer’s scripts defines the shady author, even if some of these works overtake, correct, or contradict previous efforts. Who we are is the summation of who we were as a child, teenager, young adult, in middle age, and as an elder. Only by viewing a person in successive stages do we truly comprehend them. Only by reading the oeuvre of an author, do we appreciate the writer’s ultimate act of creation. Only by reading a person’s obituary do we come to know what their living Magnus opus stood for.”

“Artistic license, also known poetic license, narrative license, and licentiate poetical, is a colloquial term (employed occasionally as a euphemism), which denotes a license to distort the facts, alter the conventions of grammar or language, or reword pre-existing text by an artist in the name of art. Liberal usage of an artistic license to restructure basic facts can result because of conscious or unconscious acts. Artistic embellishment or misrepresentation of the facts and distortion or alteration of the compositional text frequently is the by-product of both intentional and unintentional additions and omissions. An artistic license, employed at an artist’s discretion to fill in details or gloss over factual and historical gaps, raises some ethical issues. Many stories retold verbatim would bore an audience or require inordinate time and resources to reenact, describe, and view. A dramatic license eliminates mundane details and tedious facts, spruces up the picturesque background, and glamorizes the characters’ temperament and action scenes. Is it wrong to be inventive with the facts? What degree of embroidery of a series of events and the characters’ mannerisms and attributes is acceptable? How can anyone paste together a set of facts into an interesting or compelling narrative that has literary value without engaging in some creative organization to enhance the theatrical retelling and to create juxtaposition of ideas and values?”

“You say you have nothing to write about? How do you find things to talk about? You can write about those things you like to talk about, that's your area of expertise”

“Educational personal experiences are seldom the result of efficient enterprises and pleasant occurrences. Personal growth does not entail doing what we find easy or financially profitable. What defines us is not exclusively our natural talent, but also our willingness to go outside ourselves to scramble, discern, locate, and acquire what is heretofore missing in our lives. A person who dares tread the ground that they most fear is an intrepid explorer regardless of the final economic result attained.”

“A community of writers forges civilization. Future writers hold at their fingertips the psychic energy needed to propel us forward in the pursuit of universal justice. Writers’ meticulous observation of their surroundings spurs us to appreciate the impelling bouquets of beauty that rally us to declare the crispness of each day. Writers’ studious contemplation of their place in the world allows us to join them in admitting to the stochastic whimsy of a fateful life.”

“We each sketch the story of our lives. We tell other people whom we have become by making decisions how we carry out our daily affairs, how we confront personal crisis, and when we extend comfort to other people. By talking about our secret dreams, we reveal who we hope to become. Writing changes us. A sentence on paper reflects not only who we now are, but it also exposes who we used to be.”

“I commence the act of personal transformation by unreservedly accepting the inevitability of my death. When I thrust aside fear of death, I become a new person, I transmute into a reformed person who is unafraid. The fear of the unknown does not hold me down. Free from attachment to life allows me to embrace personal ugliness and admit to my decided paltriness. I am no longer ashamed of my personal deformities. I embrace my impermanence with a candid shrug of the shoulders and a slight nod of the head of that conveys utter indifference. Now unhampered by awareness of my transience, I can act by using this limited window in time to paint myself for how I, and only I, see fit.”

“All people intuitively seek emotional equanimity, freedom from anxiety, distress, and trepidation that might cause a person to lose symmetrical balance of their mind. Nature intended for human beings to live in an enthusiastic and curious manner, always exploring, striving, and creating.”

“Evocative memories seared onto the writer’s unconscious mind forms the essential cadence that brokers a writer’s telltale, shadowy light. Floundering in the commodious darkness, the writer’s seeks to discover a ray of lightness that inhabits the darkest recesses of their fitful humanity.”

“The rewards generated from writing materialize at all stages of the work. Simply spending time organizing a person’s thoughts is edifying. Revising thoughts lead to clarification of conflicting thoughts and greater precision of thought. Finishing a piece of writing about hurtful personal experiences allows a person to examine it for everything that the writer learned.”

“I am what I have ever read”

“The communication function of modern writers is akin to the ancient role fulfilled by tribal shamans. All writers ultimately perform a shamanistic role in society; their mythmaking voices speak to us from the underworld after their passage to the other side. Writers place themselves in a trance-like state where their unconscious mind dictates to them what to write.”

“Writing and other efforts to produce an enduring piece of artwork is a gallant response to the prospect of death. Every person knows that they must die, and consequently people build elaborate symbolic defenses mechanism to shield themselves from knowledge of their impermanence. Every person possesses autonomy of the will, the ability to choose how to conduct their life. The freedom to act towards objects is ultimately useless; it provides a person with no sense of meaning and supplies no purpose to life because a mere collection of objects will not transcend their physical demise. An artist does not deny their impermanence but embraces the prospect of their death by laboring to create a monument of their existence that will survive their expiry.”

“The womb of the world births us. My filth comes from the same earthwork that gives rise to all stories. My interior light connects me with all the other creatures that inhabit this world of rocks, air, grass, woods, and water. My genetic code links me inextricably with all of nature. I enter the medley in the river of life with the ability to respond as life unfolds before my childlike eyes. My homemade medicinal poultice might not be of any benefit to other people. Nonetheless, we should each write our stories because each of us aims to attain a greater degree of awareness of our own authenticity. We owe a moral obligation to our family, friends, and ourselves as well as to the community to make a determined effort to wring the most out of life. We must applaud all efforts to investigate the human condition. Even if my writing amounts to nothing more than a clumsy attempt to travel the same tracks other people burnished with much more insight, clarity, precision, and style, it is an act of self-definition to ascribe to any philosophy. Philosophy represents a living charter; it is a life of action.”

“The principal theme of any autobiography revolves around the brushwork of self-transformation, the freeing of the self from the strictures of self-imposed limitations, fears, and doubts. Autobiographical writing represents a heroic journey towards self-discovery; it enables us to get to know ourselves, and initiate a new phase where we begin thinking of the needs of other people.”

“Taking advantage of the privilege of reading is an apt starting point in the developmental process of declaring a living philosophy. A perceptive reader takes into account what the author says, rolls that material around in their brain, contrast what the author said in comparison to what other knowledgeable people wrote, and examines each writer’s variegated utterances based upon the reader’s own accumulation of real life experiences. In order to appreciate great literature, a person must endure an active personal engagement in the real world. We must acquire a clutch of hands-on experiences and reflect upon this well of vetted information in order to gain a modicum of intelligent discernment.”

“You can edit what you write. Why not edit what you say? If it hurts somebody, you can still offer an apology or withdraw your statements”

“Words disappear in the air, but writing remains. If you want something to be remembered about you, write it down”

“People speak even after their death. Only do speak those who have recorded their speech in writing before they die, the rest go silent forever”

“We write, not because we claim to know more than others, but perhaps because we want to know more than others. Writers are explorers”

“Writing is exposing yourself to strangers”

“. If you want to write, just write anything that comes into your mind. You will be surprised at how you can force inspiration to stand on your side.”

“One day I will write a book. An epitaph”

“If you are writing fiction, think like a god. Release all the power of your imagination; create worlds and destroy them at your will, create as many miracles as your story needs”

“Writing is a competition between the writer and the page. When the page wins, you fail as a writer.”

“Writing is magic happening on paper”

“I am sorry, I am not a writer. I simply put my thoughts on paper. Those helped by them call them a book and me a writer. Those who are not helped call it rubbish and me a fool. Both have reason.”

“Every book has its ancestors”