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Writers On Writing Quotes

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Writers On Writing Quotes

“If you are waiting for a message, know that it is already moving through you. You do not have to think. You do not have to know. You do not have to understand. All you have to do is release and go with the flow.”

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Book:Spirit In Disguise: A Guide to Miraculous Living, Book 2
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“I'll call any length of fiction a story, whether it be a novel or a shorter piece, and I'll call anything a story in which specific characters and events influence each other to form a meaningful narrative. I find that most people know what a story is until they sit down to write one. Then they find themselves writing a sketch with an essay woven through it, or an essay with a sketch woven through it, or an editorial with a character in it, or a case history with a moral, or some other mongrel thing. When they realize that they aren't writing stories, they decide that the remedy for this is to learn something that they refer to as "the technique of the short story" or "the technique of the novel." Technique in the minds of many is something rigid, something like a formula that you impose on the material; but in the best stories it is something organic, something that grows out of the material, and this being the case, it is different for every story of any account that has ever been written.”

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Book:Mystery and Manners: Occasional Prose
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“Your aim shouldn’t be simply to produce marketable products; you should strive to tell stories that genuinely resonate with readers, creating characters and narratives they will cherish and return to time and again.”

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Book:Trust Your Story: Master Storytelling and Build a Successful Creative Writing Career
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“Storytelling isn’t an invention but a natural product of brain activity, and as such, it obeys natural laws rooted in human psychology.”

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Book:Trust Your Story: Master Storytelling and Build a Successful Creative Writing Career
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“Great stories draw us into their world and never let go. They continue to influence us long after the last page or the rolling credits. They grow on us, becoming a part of us. They create shared experiences, allowing us to build bridges with others and form communities. Behind their magic lies a science—something we can study, understand, and master.”

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Book:The Natural Laws of Story: Master the Art and Science of Engaging Narratives
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“What determines the success of a story is not its ability to mirror real life or its escapist value; it’s its power to illuminate specific aspects of the human experience in an engaging way. Ultimately, the main goal of storytelling is to create shared emotional experiences.”

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Book:The Natural Laws of Story: Master the Art and Science of Engaging Narratives
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“I wish to create a piece of work that produces a permanent mark in the record book of human existence. I also write to insulate myself from leading a meaningless life. Awareness of an inescapable mortality urges me to write at a frantic pace, in a hysterical attempt to assign a purpose to my life by creating something external that endures.”

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Book:Dead Toad Scrolls
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“Reflecting on the past while living in the present, we make decisions that will reverberate in the future. Our daily actions, thought patterns, and the concepts we choose to cherish will create the paradigmatic structure of our life story; our collective decision-making determines our final manifestation.”

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Book:Dead Toad Scrolls
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“Storytelling is one means to entertain, share knowledge, and transmit cultural ideology. Through the universal lens of storytelling, do we become familiar with the life altering dilemmas and moral challenges that fuselage provides the linkage to mode the character patterns essential to leading a principled life? By shuffling through scores of loose leafed stories, can we glean the clarity of thought and the lucidity of perception needed successfully to tackle our own life with gusto? Is reading stories of struggle and redemption one way that we become acquainted with the chemistry of pain and suffering that permeates the arteries of all thinking human beings? Does appreciation for other people’s hardbound stories assist us place the vertebrae of our own experiences into a telling template? Can we draw upon the accumulated experiences of other people’s lives as well as our own hands-on experiences when we see our lives folded into a comprehensible scabbard depicting what it means to be human and, therefore, fallible?”

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Book:Dead Toad Scrolls
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“We learn about ourselves by taking one footstep at a time along a road of discovery. Greek philosopher Heraclitus who lived around 500 BCE proffered cogent advice about how to acquire wisdom and achieve a proper perspective on all worldly events. ‘Whosoever wishes to know about the world must learn about it in its particular details. Knowledge is not intelligence. In searching for truth, be ready for the unexpected. The same road goes both up and down. The beginning of a circle is also its end. Not I, but the world says it: all is one.’ This script tells of one man’s journeying a full circle in an effort to become one with all that exists.”

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Book:Dead Toad Scrolls
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“Storytelling is ultimately the only way that we know besides song, dance, painting, and music to share with our tribesmen what it means to be human, express the indefinable feelings that unite humankind.”

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Book:Dead Toad Scrolls
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“Life is a collection of memories and feelings. Mawkish sentimentally urges us to engage in artistic overtures, we yearn to share with other people a melody of rudimentary experiences and respond to a stabilizing tune strung together with a shared ethos. We walk in parallel strides with our brethren seeking out equivalent affirmations of our being. We long to shout out to the world that we once walked this earth; we seek to leave in our wake traces of our pithy habitation. Our unfilled longing propels us into committing senseless acts of self-sabotage and then we desperately seek redemption from our slippery selves by building monuments to the human spirit. We employ a bewildering blend of conscious and unconscious materials to construct synoptic testaments to our temporal existence. We labor on the canvas of our choosing to scrawl our inimitable mark, fanatically toiling to escape a sentence of total obliteration along with our impending mortality.”

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Book:Dead Toad Scrolls
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“The metaphysical poetry of our innovative life springs from the aesthetic, scenic, and systematic processes of inventiveness, the creative impulse of an active mind generating aesthetical intuition.”

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Book:Dead Toad Scrolls
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“The story of what it means to be human is never complete. Every generation will produce its own share of comedies and tragedies, fools and geniuses. What the Greeks started the rest of the world will continue to build upon. The old stories will continue to explicate where we came from, while the new stories will illuminate in what direction humankind trends. The collection of future stories of humanity will add to the cumulative library of stories that past writers told, an anthology of collaborative stories will shed light upon the singleness of the human spirit in its aspirations, powers, vicissitudes, and wisdom.”

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Book:Dead Toad Scrolls
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“Storytelling is an ancient art. The lucent vibes of stories express what we cannot articulate directly. When we hear someone’s story, we respond to the spark of humanness within ourselves that seeks to come out in the light and greet the world. When we tell the stories of our lives, we give voice to people bereft of speech, we make the persons whom we love or loved immortal, and we pass along our familiarity with the natural and physical world.”

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Book:Dead Toad Scrolls
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“Each of us, along with our ancestors, inhabits the same cosmos. When we tell stories, we enter the stream of human consciousness; we take with us into the Ring of Time the people whom we crossed paths with in our earthly sojourn.”

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Book:Dead Toad Scrolls
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“There is one myth about writers that I have always felt was particularly pernicious and untruthful—the myth of the "lonely writer," the myth that writing is a lonely occupation, involving much suffering because, supposedly, the writer exists in a state of sensitivity which cuts him off, or raises him above, or casts him below the community around him. This is a common cliché, a hangover probably from the romantic period and the idea of the artist as a Sufferer and a Rebel. Probably any of the arts that are not performed in a chorus-line are going to come in for a certain amount of romanticizing, but it seems to me particularly bad to do this to writers and especially fiction writers, because fiction writers engage in the homeliest, and most concrete, and most unromanticizable of all arts. I suppose there have been enough genuinely lonely suffering novelists to make this seem a reasonable myth, but there is every reason to suppose that such cases are the result of less admirable qualities in these writers, qualities which have nothing to do with the vocation of writing itself.”

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Book:Mystery and Manners: Occasional Prose
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“Passionate attraction to someone of the opposite sex will make a hero or a fool of a novelist each time.”

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Book:The Love of Europa: Limited Time Edition
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“They say you shouldn't judge a book by its cover. But if there's a shirtless guy on your cover, or your title includes the words billionaire, alpha-male, werewolf or werebear, your "book" is probably a pile of unimaginative, derivative drivel devoid of a single original thought. Yet another poorly written romance clone the world didn't need.”

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Book:The Ugly Truth About Self-Publishing: Not another cookie-cutter contemporary romance
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“Whenever people ask me, "How are your books doing?" or, "How is your book doing?" I just say, "It's okay." I mean, what am I supposed to say? I'm a writer; that means I write because I need to write, because that's how I breathe and that's how I bleed. I'm not an author; I'm a writer. Even when I don't want to write; I can't stop! So, how are my books doing? The hell I know! The moment after I publish one book, I'm writing another one! I don't know how my books are doing! I just know that I'm writing them! I'm a writer, I'm a writer. I'm not an author.”

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Author:C. JoyBell C.
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“Even if there were no more books published ever, there are still more books in existence today than anyone can read. And most of them suck. Good luck trying to find a good one. It's like finding a needle in a hay stack.”

Writers On WritingAuthor QuotesWriting AdviceWriting QuotesWriting TipsAuthors On WritingQuotes About WritingHow To WriteSelf PublishingHow To Be A Better Writer
Book:The Ugly Truth About Self-Publishing: Not another cookie-cutter contemporary romance
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