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David Sedaris

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“It can take years. With the first draft, I just write everything. With the second draft, it becomes so depressing for me, because I realize that I was fooled into thinking I'd written the story. I hadn't-I had just typed for a long time. So then I have to carve out a story from the 25 or so pages. It's in there somewhere-but I have to find it. I'll then write a third, fourth, and fifth draft, and so on.”

“I met a young woman the other day, and she said, what advice would you have for a writer, and I said it would be to work every day... Your job is to write. The rest of it will take care of itself. But, generally, it seems ... you know how that is, you meet people and they have a talent for self-promotion. Those are the pushy people. And you know their writing's not going to be any good, because that's not their talent.”

“Traveling across the United States, it's easy to see why Americans are often thought of as stupid. At the San Diego Zoo, right near the primate habitats, there's a display featuring half a dozen life-size gorillas made out of bronze. Posted nearby is a sign reading CAUTION: GORILLA STATUES MAY BE HOT. Everywhere you turn, the obvious is being stated. CANNON MAY BE LOUD. MOVING SIDEWALK IS ABOUT TO END. To people who don't run around suing one another, such signs suggest a crippling lack of intelligence.”

“I like the trail that the Internet created. For example, I was watching one of those Douglas Sirk movies, and I noticed that Rock Hudson towered over everyone, and I typed in "How tall was" and I saw "How tall was Jesus," and I'm like, "Sure," and half an hour later you're somewhere you didn't expect to be. It doesn't work that same way in books, does it? Even if you have an encyclopedia, the trail isn't that crazy. I like that aspect of it.”

“At the morgue, people were so desensitized that they would eat lunch in the glass walled room adjacent to the autopsy room. A viewing room. Because it had the best air conditioning in the building. So they would eat in there and maybe somebody would come in who had been found after being dead for three days and they would say: That is the exact purple I want for those drapes in the study. They didn't miss a beat. They could eat through anything.”

“Even as a child I was fascinated by death, not in a spiritual sense, but in an aesthetic one. A hamster or guinea pig would pass away, and, after burying the body, I'd dig it back up: over and over, until all that remained was a shoddy pelt. It earned me a certain reputation, especially when I moved on to other people's pets. "Igor," they called me. "Wicked, spooky." But I think my interest was actually fairly common, at least among adolescent boys. At that age, death is something that happens only to animals and grandparents, and studying it is like a science project.”

“One thing I like about the United States, and I kind of miss about the United States, is there's an election coming up here in England, but no one's going to have a sign in front of their house. Nobody's going to wear buttons. And in France, same thing. In America I like that people have signs and buttons and bumper stickers. Sometimes you'll smile at someone from a distance, then you'll get up close and you'll see their pin, and you're like, "Oh my god. I wasted a smile on you?"”

“I always say to young people, "Get the hell out of the United States." Especially if you're young, like if you're 21 or something. Let's say you don't speak any Italian. You're 21. Everyone's going to want to sleep with you and be nice to you. And the best way to learn a language is to sleep with someone from that country.”

“I think I became a better writer after I started writing for the New Yorker. Well, I know I did. And part of it was having my New Yorker editor and part of it is that was when I started really going on tour and reading things in front of an audience 30 times and then going back in the room and rewriting it and reading it and rewriting it. So you really get the rhythm of the sentences down and you really get the flow down and you get rid of stuff that's not important.”

“The walking tour guides one through the city's various landmarks, reciting bits of information the listener might find enlightening. I learned, for example, that in the late 1500s my little neighborhood square was a popular spot for burning people alive. Now lined with a row of small shops, the tradition continues, though in a figurative rather than literal sense.”