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George Saunders

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Famous George Saunders Quotes

“If you have a friend, what's the best way you can experience her beauty? It's to really accept her. She's weird in this way, I accept it. She's hard to talk to, I accept it. Then that person eventually will come all the way out into the sun. I think it's the same way with our talent. We say, "Look, I'm not going to judge you. I'm going to try to use you in the very best way."”

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“The way I understood purgatory - and maybe you've got a different version - but in Chicago in the '70s, the idea was it was like detention. You had screwed up and you go over there in purgatory and you sit there until the end of days and then we'll decide. You'd made your mistake, and you were in prison, and it's not terrible and it's not great, and you feel a little crappy because you were not in the presence of God.”

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“What concerns me most is the horrible degradation our notions of truth, civility, and decency have undergone. Also the way that language has been malformed - we have been overcome with banality and the cynical misuse of language. When a candidate runs a campaign on a series of dog-whistles to bigots, then turns around and talks about "healing the wounds of division," that is right out of Orwell.”

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“This - where we are now - is where a culture gets to, when it has chosen, for many years, banality over intelligence, the literal over the immaterial or complex, materialism over spirituality. This is the result of many years of disrespecting the intellectual project - of a collective acceptance of the idea that thinking and reasoning and reading deeply in difficult text and being respectful of history are somehow "wimpy" or secondary.”

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“I think it is time for a new pride in the intellectual life, and a new impatience with people who take pride in ignorance, or somehow use "elite" to mean "person who has taken the time to know" and then are eager to dismiss, say, striving, or the notion that improving one's self out of difficult conditions is a noble thing.”

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“If you start with the idea that you are going to be writing about a night in a graveyard, and that there are only a few living people in that frame, all sorts of interesting and difficult technical problems arise. And then form - new form, or experimental form - might be understood as just trying to tell that story most movingly and efficiently.”

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“So much of what I am doing in my fiction is just trying to get into interesting places in terms of language or form, places that don't bore me. And this happens via hundreds of quick micro-decisions that are done "to taste," so to speak. So the experience is one of groping toward that interesting place - trying to leap away from anything that seems boring, or about which I don't have strong opinions. Essentially trying to avoid that moment where, devoid of any strong feeling, I start conceptualizing.”

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“My view is that our minds are incredibly powerful animals that are, during life, kept somewhat in check by the load of our bodies. Once that load is gone (or so some ancient texts teach us) the mind is like a horse off the tether. So the habits we get into here might have something to do with what happens to us afterwards. An exciting but harrowing idea, given the everyday state of my mind. But also hopeful, since that's something a person can work with.”

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“I say yes to the hot bath and the sandwich - to getting ourselves into the best possible mental shape to identify and then fight the necessary fights from the best possible mind-state: calm, loving, affectionate, precise. Not pushovers but also not zealots. With the idea in mind that "our enemies" are not our enemies; they might seem like that in their present form but that form can morph. We really are large, and really do contain multitudes. But I think it all has to start with a kindly presence of mind, and the aspiration to affection for others.”

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“This whole literary game of trying to put yourself in the shoes of your opponent is good for everybody. It leaves you more open-hearted, it gives you a more accurate vision of the other person, because it's more based on curiosity than projection. In the end if you do have to fight, you're better equipped to fight. Also it doesn't leave you damaged at the end, it doesn't leave you hateful or malformed by your own anger.”

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“As much as we - in a revisionist way - tell ourselves that we've always been a righteous country with a couple of swerves off the path, we need to look back and see that we've always also been a racist country and have had a tendency towards banal aggressiveness. The thing that's alarming is not so much that a few people in America at the top are initiating these crazy policies, but that the middle is willing to go there too. There's a strange movement of the middle to this position of banal aggressiveness.”

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“I think we need leadership that can gently and with affection remind us of what we Americans mostly agree upon: civility, kindness, tolerance, humour, et cetera. The current Trump administration seems to thrive on trying to enforce a very odd, fearful agenda, that it tries to disguise in a false garment of fondness for the working-class - despite the fact that its policies seem designed to continue the decades-long habit of marginalizing that group.”

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“I know this will sound naïve, but I often wonder what America would be like if our national ethos was simply to minimize suffering. Period. To try, every day, to convert our wonderful wealth and national energy into the cessation of suffering wherever we find it. Imagine if that was our national mindset. Well, we can-we must-dream.”

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“One lesson I learned the hard way, early in my career, was that if I tried to write to be smart or to convey a theme or from some existing plan, the result was usually pretty boring. My intuitive move, whenever I'm considering writing something, is to steer towards what feels enjoyable. Another way of saying it is, you just try to avoid the "sucky." If you start to think of a story and a way to tell it, and your reaction is kind of like, Ugh, that's going to be hard, then you don't want to do that.”

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