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James Gleick

James Gleick Books

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Nature's Chaos

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“The past folds accordion-like into the present. Different media have different event horizons—for the written word, three millennia; for recorded sound, a century and a half—and within their time frames the old becomes as accessible as the new. Yellowed newspapers come back to life. Under headings of 50 Years Ago and 100 Years Ago, veteran publications recycle their archives: recipes, card-play techniques, science, gossip, once out of print and now ready for use. Record companies rummage through their attics to release, or re-release, every scrap of music, rarities, B-sides, and bootlegs. For a certain time, collectors, scholars, or fans possessed their books and their records. There was a line between what they had and what they did not. For some, the music they owned (or the books, or the videos) became part of who they were. That line fades away. Most of Sophocles' plays are lost, but those that survive are available at the touch of a button. Most of Bach's music was unknown to Beethoven; we have it all—partitas, cantatas, and ringtones. It comes to us instantly, or at light speed. It is a symptom of omniscience. It is what the critic Alex Ross calls the Infinite Playlist, and he sees how mixed is the blessing: "anxiety in place of fulfillment, and addictive cycle of craving and malaise. No sooner has one experience begun than the thought of what else is out there intrudes." The embarrassment of riches. Another reminder that information is not knowledge, and knowledge is not wisdom.”

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Book:The Information: A History, a Theory, a Flood
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“Examined in color through the adjustable window of a computer screen, the Mandelbrot set seems more fractal than fractals, so rich is its complication across scales. A cataloguing of the different images within it or a numerical description of the set's outline would require an infinity of information. But here is a paradox: to send a full description of the set over a transmission line requires just a few dozen characters of code. A terse computer program contains enough information to reproduce the entire set. Those who were first to understand the way the set commingles complexity and simplicity were caught unprepared—even Mandelbrot.”

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Book:Chaos: Making a New Science
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“In reality, a river's basic shape... is not a line but a tree. A river is, in its essence, a thing that branches... Although it flows inward toward its trunk, in geological time it grew, and continues to grow, outward, like an organism, from its ocean outlet to its many headwaters. In the vernacular of a new science, it is fractal, its structure echoing itself on all scales, from river to stream to brook to creek to rivulet, branches too small to name and too many to count.”

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Book:Nature's Chaos
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“Nosotros, los humanos, somos las únicas criaturas orgánicas que viven en los dos mundos a la vez. Es como si, después de haber coexistido durante largo tiempo con lo invisible, hubiéramos empezado a desarrollar la percepción extrasensorial necesaria. Somos conscientes de las numerosas especies de información que hay.”

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Book:The Information: A History, a Theory, a Flood
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“At the end of 2006, people concerned with the “Cat” article could not agree on whether a human with a cat is its “owner,” “caregiver,” or “human companion.” Over a three-week period, the argument extended to the length of a small book. There were edit wars over commas and edit wars over gods, futile wars over spelling and pronunciation and geopolitical disputes. Other edit wars exposed the malleability of words. Was the Conch Republic (Key West, Florida) a “micronation”? Was a particular photograph of a young polar bear “cute”? Experts differed, and everyone was an expert.”

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Book:The Information: A History, a Theory, a Flood
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“In 1962 the president of the American Historical Association, Carl Bridenbaugh, warned his colleagues that human existence was undergoing a “Great Mutation”—so sudden and so radical “that we are now suffering something like historical amnesia.” He lamented the decline of reading; the distancing from nature (which he blamed in part on “ugly yellow Kodak boxes” and “the transistor radio everywhere”); and the loss of shared culture.”

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Book:The Information: A History, a Theory, a Flood
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“Engineers had not framework for understanding Mandelbrot's description, but mathematicians did. In effect, Mandelbrot was duplicating an abstract construction known as the Cantor set, after the nineteenth-century mathematician Georg Cantor. To make a Cantor set, you start with the interval of numbers from zero to one, represented by a line segment. Then you remove the middle third. That leaves two segments, and you remove the middle third of each (from one-ninth to two-ninths and from seven-ninths to eight-ninths). That leaves four segments, and you remove the middle third of each- and so on to infinity. What remains? A strange "dust" of points, arranged in clusters, infinitely many yet infinitely sparse. Mandelbrot was thinking of transmission errors as a Cantor set arranged in time.”

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Book:Chaos: Making a New Science
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“The Internet has taken shape with startlingly little planning? The most universal and indispensable network on the planet somehow burgeoned without so muchasa boardofdirectors, never minda mergers-and- acquisitions department. There is a paradoxical lesson here for strategists. In economic terms, the great corporations are acting like socialist planners, while old- fashioned free-market capitalism blossoms at their feet.”

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Author:James Gleick
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“One of the ways the telegraph changed us as humans was it gave us a new sense of what time it is. It gave us an understanding of simultaneity. It gave us the ability to synchronize clocks from one place to another. It made it possible for the world to have standard time and time zones and then Daylight Savings Time and then after that jetlag. All of that is due to the telegraph because, before that, the time was whatever it was wherever you were.”

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Author:James Gleick
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“Children and scientists share an outlook on life. If I do this, what will happen? is both the motto of the child at play and the defining refrain of the physical scientist. ... The unfamiliar and the strange - these are the domain of all children and scientists.”

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Book:Genius: the life and science of Richard Feynman
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“The basic idea of Western science is that you don't have to take into account the falling of a leaf on some planet in another galaxy when you're trying to account for the motion of a billiard ball on a pool table on earth. Very small influences can be neglected. There's a convergence in the way things work, and arbitrarily small influences don't blow up to have arbitrarily large effects.”

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Book:Chaos: Making a New Science
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“Intuition was not just visual but also auditory and kinesthetic. Those who watched Feynman in moments of intense concentration came away with a strong, even disturbing sense of the physicality of the process, as though his brain did not stop with the grey matter but extended through every muscle in his body.”

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Book:Genius: the life and science of Richard Feynman
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“As a technology, the book is like a hammer. That is to say, it is perfect: a tool ideally suited to its task. Hammers can be tweaked and varied but will never go obsolete. Even when builders pound nails by the thousand with pneumatic nail guns, every household needs a hammer. Likewise, the bicycle is alive and well. It was invented in a world without automobiles, and for speed and range it was quickly surpassed by motorcycles and all kinds of powered scooters. But there is nothing quaint about bicycles. They outsell cars.”

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Author:James Gleick
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“When the Lilliputians first saw Gulliver's watch, that "wonderful kind of engine...a globe, half silver and half of some transparent metal," they identified it immediately as the god he worshiped. After all, "he seldom did anything without consulting it: he called it his oracle, and said it pointed out the time for every action in his life." To Jonathan Swift in 1726 that was worth a bit of satire. Modernity was under way. We're all Gullivers now. Or are we Yahoos?”

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Book:Faster: The Acceleration of Just about Everything
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